Payment in Blood (Inspector Lynley, #2)(64)



Lynley was not untouched by the man’s distress. He noticed, however, that Vinney had sidestepped his question. “Was Joy the one who actually arranged for you to be here? I know you did the phoning to Stinhurst, but did she smooth the way? Was it her idea?” When Vinney nodded, he asked, “Why?”

“She said she was worried about how Stinhurst and the actors would receive the revisions she’d made to the play. She wanted a friend along, she said, for moral support should things not go her way. I’d been following the Agincourt renovation for months. It seemed reasonable that I might ask to be included in the setting-up of the play for its opening. So I came. To support her, as she asked. But I didn’t support her at all in the end, did I? She may as well have been here alone.”

“I saw your name in her engagement book.”

“I shouldn’t be surprised. We met for lunch regularly. We’ve done so for years.”

“At these meetings, did she tell you anything about this weekend? What it would be like? What to expect?”

“Just that it was a read-through and that I might find it an interesting story.”

“The play itself?”

Vinney didn’t answer at first. His vision appeared fixed on nothing. When he replied, however, his voice sounded thoughtful, as if he’d been struck by an idea unconsidered before. “Joy said she wanted me to think about writing an early article on the play. It would be a piece about the stars, the plot, perhaps the format she was using. Coming here would give me an idea about how the play would be staged. But I…I could easily have got that information in London, couldn’t I? We see…saw…each other often enough. So could she…could she have been worried that something like this might happen to her, Inspector? Good God, could she have hoped I’d see to it that the truth were told?”

Lynley commented upon neither the man’s apparent belief in the inability of the police to ferret out the truth nor the egotistical likelihood of a single journalist’s being able to do it for them. Nonetheless, he catalogued the fact that Vinney’s remark was astonishingly close to Lord Stinhurst’s own assessment of the columnist’s presence.

“Are you saying she was concerned about her safety?”

“She didn’t say that,” Vinney admitted honestly. “And she didn’t act concerned.”

“Why was she in your room the other night?”

“She said she was too keyed up to sleep. She’d had it out with Stinhurst and went to her room. But she felt restless, so she came to mine. To talk.”

“What time was this?”

“A bit after midnight. Perhaps a quarter past.”

“What did she talk about?”

“The play at first. How she was bound and determined to see to it that it was produced, with or without Stinhurst. And then about Alec Rintoul. And Robert Gabriel. And Irene. She felt rotten about everything that had happened to Irene, you know. She…she was desperate for her sister to get back with Gabriel. That’s why she wanted Irene in the play. She thought if the two of them were thrown together enough, nature would take its course. She said she wanted Irene’s forgiveness and knew she couldn’t have it. But more than that, I think she wanted to forgive herself. And she couldn’t do that as long as Gabriel and her sister were apart.”

It was a glib enough recital, seemingly straightforward. Yet Lynley’s instincts told him there was more to be said about Joy’s nocturnal visit to Vinney’s room.

“You make her sound rather saintly.”

Vinney shook his head in denial. “She wasn’t a saint. But she was a decent friend.”

“What time did Elizabeth Rintoul come to your room with the necklace?”

Vinney brushed the snow from the Morris’ roof before answering. “Not long after Joy came in. I…Joy didn’t want to talk to her. She expected it would be another row about the play. So I kept Elizabeth out. I only opened the door a crack; she couldn’t see inside. So when I wouldn’t invite her in, of course she assumed Joy was in my bed. That’s fairly typical of her. Elizabeth can’t conceive that members of the opposite sex might just be friends. With her, a conversation with a man is an access route to some sort of sexual encounter. It’s rather sad, I think.”

“When did Joy leave your room?”

“Shortly before one.”

“Did anyone see her leave?”

“There was no one about. I don’t think anyone saw her, unless Elizabeth was peering out her door somehow. Or maybe Gabriel. My room was between both of theirs.”

“Did you see Joy to her room?”

“No. Why?”

“Then she might not have gone there at once. If, as you said, she thought she wouldn’t be able to sleep.”

“Where else would she go?” Understanding swept across his face. “To meet someone? No. She wasn’t interested in any of these people.”

“If, as you say, Joy Sinclair was merely your friend, how can you be certain that she didn’t share something more than friendship with someone else? With one of the other men here this weekend. Or one of the women, perhaps.”

At the second suggestion, Vinney’s face clouded. He blinked and looked away. “There were no lies between us, Inspector. She knew everything. I knew everything. Surely she would have told me if…” He stopped, sighing, rubbing the back of his gloved hand wearily across his forehead. “May I be off? What else is there to say? Joy was my friend. And now she’s dead.” Vinney spoke as if there were a connection between the last two ideas.

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