Payment in Blood (Inspector Lynley, #2)(54)
Good God, the power of simple words. He knew. Of course, he knew. In the timely death of his own mother’s lover in Cornwall, in ways that Irene Sinclair could never hope to understand. “It sounds as if some of what she said was to be part of a new work. Do you recognise the place she’s describing? The decaying vegetables, the sound of frogs and pumps, the flat land?”
“No.”
“The circumstance of a winter storm?”
“No!”
“The man she mentions, John Darrow?”
Irene’s hair swung out in an arc as she turned her head away. At the sudden movement, Lynley said, “John Darrow. You recognise the name.”
“Last night at dinner. Joy talked about him. She said something about wining and dining a dreary man called John Darrow.”
“A new man she’s involved with?”
“No. No, I don’t think so. Someone—I think it was Lady Stinhurst—had asked her about her new book. And John Darrow came up. Joy was laughing the way she always did, making light of the difficulties she’s been having with the writing, saying something about information she needed and was trying to get. It involved this John Darrow. So I think he’s connected with the book somehow.”
“Book? Another play, you mean?”
Irene’s face clouded. “Play? No, you’ve misunderstood, Inspector. Aside from an early play six years ago and the new piece for Lord Stinhurst, my sister didn’t write for the theatre. She wrote books. She used to be a journalist, but then she took up documentary nonfiction. Her books are all about crimes. Real crimes. Murders, mostly. Didn’t you know that?”
Murders mostly. Real crimes. Of course. Lynley stared at the little tape recorder, hardly daring to believe that the missing piece to the triangular puzzle of motive-means-opportunity would be given to him so easily. But there it was, what he had been seeking, what he had known instinctively he would find. A motive for murder. Still obscure, but merely waiting for the details to flesh it out into a coherent explanation. And the connection was there on the tape as well, in Joy Sinclair’s very last words: “…ask Rhys how best to approach him. He’s good with people.”
Lynley began replacing Joy’s belongings in the bag, feeling uplifted yet at the same time filled with a hard edge of anger at what had happened here last night, and at the price he was going to have to pay personally to see that justice was done.
At the door, with Havers already out in the corridor, he was stopped by Irene Sinclair’s last words. She stood near the bed, backed by inoffensive wallpaper and surrounded by a suitable bedroom suite. A comfortable room, a room that took no risks, threw out no challenges, made no demands. She looked trapped within it.
“Those matches, Inspector,” she said. “Joy didn’t smoke.”
MARGUERITE RINTOUL, Countess of Stinhurst, switched out the bedroom light. The gesture was not born of a desire to sleep, since she knew very well that sleep would be an impossibility for her. Rather, it was a last vestige of feminine vanity. Darkness hid the tracery of lines that had begun to network and crumple her skin. In it, she felt protected, no longer the plump matron whose once beautiful breasts now hung pendulous inches short of her waist; whose shiny brown hair was the product of weavings and dyes expertly orchestrated by the finest hairdresser in Knightsbridge; whose manicured hands with their softly buffed nails bore the spotting of age and caressed absolutely nothing any longer.
On the bedside table she placed her novel, laying it down so that its lurid cover lined up precisely with the delicate brass inlay etched against the rosewood. Even in the darkness, the book’s title leered up at her. Savage Summer Passion. So pathetically obvious, she told herself. So useless as well.
She looked across the room to where her husband sat in an armchair by the window, given over to the night, to the weak starlight that filtered through the clouds, to the amorphous shapes and shadows upon the snow. Lord Stinhurst was fully clothed, as was she, sitting upon the bed, her back against the headboard, a wool blanket thrown across her legs. She was less than ten feet away from him, yet they were separated by a chasm of twenty-five years of secrecy and suppression. It was time to bring it to an end.
The thought of doing so was paralysing Lady Stinhurst. Every time she felt that the breath she was taking was the breath that would allow her to speak at last, her entire upbringing, her past, her social milieu rose in concert to strangle her. Nothing in her life had ever prepared her for a simple act of confrontation.
She knew that to speak to her husband now was to risk everything, to step into the unknown, to hazard coming up against the insurmountable wall of his decades of silence. Having tested these waters of communication periodically before, she knew how little might be gained from her efforts and how horribly her failure would sit upon her shoulders. Still, it was time.
She swung her legs over the side of the bed. A momentary dizziness took her by surprise when she stood, but it passed quickly enough. She padded across to the window, acutely aware of the deep cold in the room and the nasty tightness in her stomach. Her mouth tasted sour.
“Stuart.” Lord Stinhurst did not move. His wife chose her words carefully. “You must talk to Elizabeth. You must tell her everything. You must.”
“According to Joy, she already knows. As did Alec.”
As always, those last three words fell heavily between them, like blows against Lady Stinhurst’s heart. She could still see him so clearly—alive and sensitive and achingly young, meeting the terrifying end that was destined for Icarus. But burning, not melting, out of the sky. We are not meant to outlive our children, she thought. Not Alec, not now. She had loved her son, loved him instinctively and devotedly, but invoking his memory—like a raw wound in both of them that time had only caused to fester—had always been one of her husband’s ways of putting an end to unpleasant conversations. And it had always worked. But not tonight.