Luster(15)

“A child. A child who is black.”

“What does it matter if she’s black?”

“You could’ve mentioned it.”

“I didn’t mention it because it doesn’t matter. My family is off limits.”

“And your wife. Jesus.”

“She wasn’t always like that.”

“What are you doing? Don’t defend your wife to me.”

“Marriage is hard,” he says without any conviction, like it is something he’s rehearsed.

“So hard that you can’t respond to a text?”

“This is the thing with your generation. Everything is always now. There was a time when you could not reach everyone all the time.”

“Maybe my life isn’t as serious as yours. But I’m a person.”

“You’re no more a person to me than I am to you.”

“What?”

“I mean I am of use to you. I take you out, and for another night you are spared from trying to hold a conversation with a boy your age.”

“I don’t need you.”

“Of course you don’t, that’s the fucking point,” he says, turning the wrong way onto a one-way street. Luckily the stretch is short, and we turn onto my block, my building looming in the city fog.

“We adopted her two years ago. She’s really struggling and I don’t know what to do,” he says as we pull up to the curb. I think about Akila—her big, watchful eyes. The way she moved through the party, an invisible girl.

“I’m sorry,” I say, and he looks over at me, his face flushed.

“I’m sorry I said I loved you. I feel awful about that.”

“It’s not a big deal. I didn’t take it seriously.”

“It had been a while for me.” He pauses, slides the key out of the ignition. “You’re wearing my wife’s dress.”

“Yeah. Is that weird for you?”

“Not weird, just—” He traces a seam in the dress thoughtfully, and it feels weird to me, the idea that he understands this dress better than I do. “I feel like I want to hurt you,” he says suddenly, thumbing the collar of the dress.

“What do you mean?”

“I mean I’d like to hit you.”

“Okay.”

“What do you mean?”

“I mean, okay,” I say, and it’s odd how he rolls up his sleeve, the premeditation of it, the procedural flexing of his hand that makes it feel like he has already thought it through. And no guidelines have been established per se, but somehow I just know to present my face, to close my eyes. When the first blow comes, I feel it in my ears before I feel it anywhere else, the roots of my eyeballs curling, the general feeling like my head is sitting on a single pivot, like an owl. I bring my hand up to my cheek, almost out of expectation that the pain be concentrated here, but in a way, it is everywhere.

“Again,” I say, and this time it is harder. This time I keep my eyes open and admire his focus, whatever high or extremely low regard of me is moving him to use such force. Because it is a little impolite how gamely he satisfies this request. No doubt or initial softness, just his wide, rough palm and all the liquid centers of my teeth. And this whole time we have both had our seat belts on, but he unhooks his and I unhook mine, and I look around to make sure the street is free of police and slide into his lap, where I yank the lever and recline him all the way down, this old car and its trappings made foremost to take the air out of any sexual moment, his nose in my eye as the seat flattens swiftly from 90 to 180 degrees, his cry as I hike up his wife’s impossible dress, finish him, and promptly eject myself from the car. I unzip the dress before I climb the stairs so that when I reach my door I am already halfway out. I sit naked in my room and eat half a rotisserie chicken with my hands. I open my phone and find a voicemail from a number I don’t recognize. While I am prepared for the voice to be hers, I am not prepared for her familiarity. I am not prepared to hear her say my name, the minor background chaos warping her voice when she says, softly, I enjoyed meeting you, let’s do that again.





4


Here is how my mother met the man I call my father.

Grandma was a sheltered southern belle from Kentucky. The sort of high-yellow woman who believed her fair complexion was the result of an errant Native American gene, but who was, like so many of us, walking proof of American industry, the bolls and ships and casual sexual terrorism that put a little cream in the coffee and made her family loyal to the almighty paper bag.

That is to say, my grandmother was cautious about fraternizing with dark-skinned men. But then she took a typing gig in Queens and met my grandfather, a West Indian cad who was fresh off the boat. He was a gifted pianist with double-jointed fingers, a natural mimic whose classical training was just a dot over the i, a scrawl on a tea-stained island certificate that got him off the boat and government-approved. He saw my grandmother coming out of the Woolworth’s one day and that was that. Against the wishes of her family, she darkened the line and gave him eleven children. My mother was number six, smack-dab in the middle of a transition from tall, blue-black boys to bodacious, kinky-haired girls.



* * *



There were plenty of reasons to be worried about my grandfather. The most pressing of which being the devastating charm of the Classic Trinidadian Man. The lore slants a little differently depending on the island, but the conventional wisdom holds that there is no man more equipped to ruin a woman’s life. By ruin, I mean it both ways, as in, ruin (/roo-in/) noun 1. The total disintegration of your hopes and dreams, fantastic carnage (see Pompeii) or 2. The inability of any man to compare (Ex. Don Omar has ruined me for other men. Ex. Niggas!). Trinidadian men do not just have eyelashes for days, they have something more subliminal that does not make itself known to you until it is nuclear and you are stuck with eleven kids in Jamaica, Queens, while he is tickling ivories for a traveling circus.