In Pursuit of the Proper Sinner (Inspector Lynley, #10)(82)
There had been no message from Helen. He'd excused her silence that morning as a result of her late night with Deborah St. James and her probable subsequent lie-in, but he was having difficulty excusing a silence that had apparently continued well into mid-afternoon. He'd even phoned down to Reception, asking that they double-check on his messages, but an extended foray into pigeon holes and rubbish baskets hadn't produced anything different from what he'd had at the beginning: His wife hadn't phoned. Nor had anyone else, for that matter, but silence from the rest of the world didn't concern him. Silence from Helen did.
In the way of people who believe they're in the right, he replayed their conversation of the previous morning. He checked it for subtext and nuance, but no matter how he examined it, he came out on top. The fact was simplicity itself. His wife had been interfering in his professional life, and she owed him an apology. She had no business second-guessing decisions that he made as part of his work any more than he had a place instructing her how and when she could assist St. James in his lab. In the personal arena they each had a vested interest in knowing the others hopes, resolutions, and desires. In the world of their individual occupations, they owed each other kindness, consideration, and support. That his wife—as was clearly indicated by her undeniably perverse refusal to phone him—didn't wish to adhere to this basic and reasonable manner of coexisting was a source of disillusionment to him. He'd known Helen for sixteen years. How could he have gone such a time without actually knowing her at all?”
He checked his watch. He looked out of the window and made note of the sun's position in the sky. There were several good hours of daylight left, so he had no need to rush off right at the moment. Knowing this, and knowing what he could well do because of this, he procrastinated by checking to make sure he had a compass, a torch, and an Ordnance Survey map tucked into the various pockets of his jacket.
Then, without further employment available, he heaved a sigh of defeat. He walked to the phone and punched in his home number. Might as well leave her a message if she's gone out, he thought. One can make a point with one's mate for only a limited period.
He expected Denton. Or the answerphone. What he didn't expect—because if she was at home, why the devil wasn't she phoning him—was to hear his wife's soft voice on the other end of the line.
She said hello twice. In the background he could hear music playing. It was one of his new Prokofiev CDs. She'd taken the call in the drawing room.
He wanted to say “Hello, darling. We parted badly, and I'm longing to make it up with you.” But instead, he wondered how the hell she could sit there in London, blissfully enjoying his music, while they were at odds. And they were at odds, weren't they? Hadn't he just spent most of his working day successfully avoiding an obsessive contemplation of their disagreement, of everything that had led up to it, of what it indicated about the past, of what it presaged for the future, of what it might lead them to if one of them didn't wake up and realise that—Helen said, “This is very rude, whoever you are,” and rang off.
Which left Lynley holding a dead receiver and feeling very foolish. Ringing her back at the moment would make him feel even more foolish, he concluded. So that was that. He replaced the receiver, removed the keys to the police car from his suit coat, and left the room.
He drove northeast, cruising along the road that carved a gully between the limestone slopes upon which Tideswell was built. The land formed a natural siphon here. The wind gusted through it like a gushing river, whipping tree limbs and flipping leaves upside down in an unspoken promise of the season's first rain.
At the junction, a handful of honey-coloured buildings marked the hamlet of Lane Head. Here Lynley veered to the west, where the road made a straight charcoal incision into the moor and drystone walls prevented the accretion of heather, bilberry, and ferns from reclaiming the road and returning it to the land.
It was a wild country. Once Lynley left the last of the hamlets behind, the only signs of life—aside from the vegetation, which was profuse—were the jackdaws and magpies and the occasional sheep that stood serene and cloudlike, grazing among the pink and the green.
Stiles provided access to the moor, and signposts marked the routes of public footpaths that had been used for centuries by farmers or shepherds traveling between the far-flung hamlets. Hiking and biking trails were a more recent addition to the landscape, however, and these carved through the heather and disappeared towards distant lichen-grey outcrops that formed the remains of prehistoric settlements, ancient places of worship, and Roman forts.
Lynley found the spot a few miles northeast of the tiny hamlet of Sparrowpit, where Nicola Maiden had left her Saab upon setting off into the moor. There, a long and knobby border of wall was interrupted by a white iron gate, its thick skin of crusty paint eaten through in spots by blemishes of rust. When he arrived, Lynley did what Nicola Maiden herself had done: He opened the gate, pulled into a narrow paved lane within, and parked behind the stone wall on a patch of earth.
He consulted the map before getting out of the car, opening it against the passenger seat and fixing his reading glasses on his nose. He studied the route he would need to take to get out to Nine Sisters Henge, making note of landmarks that would be useful in guiding him on his way. Hanken had offered him a detective constable as a guide, but he'd refused. He wouldn't have minded an experienced hiker as an escort, but he preferred not to be accompanied by a member of the Buxton police who could possibly take offence—and report such offence to Hanken—when Lynley scrutinised the crime scene with an attention suggesting that the local CID hadn't done its job.