In Pursuit of the Proper Sinner (Inspector Lynley, #10)(45)



“Hang on. You've got it dead wrong.”

“Have I?”

“Right.”

“I don't think so. What other reason could there possibly be for you to address me as DC Havers? C for Constable. Just like you.”

“Most obvious reason in the world,” Nkata said.

“Really? What's that?”

“I've never called you Barb.”

She blinked. “What?”

“I've never called you Barb,” he repeated. “Just Sarge. Always that. And then this …” He used his wide hands in a gesture that encompassed the room but meant the day, as she very well knew. “I didn't know what else. The name and everything.” He grimaced and rubbed the back of his neck, which lowered his head and ended eye contact. He said, “DCs only your title anyway. It's not who you are.”

Barbara was struck dumb. She stared at him. His attractive face with its nasty scar looked unsure at the moment, which had to be a first. She thought back and relived in an instant the cases on which she'd worked with Nkata. And in reliving them, she was a witness to the truth.

She covered her confusion with her cigarette, inhaling, exhaling, studying the ash, flicking grey flakes of it into the sink. When the silence between them became too much for her, she sighed and said, “Jesus. Winston. Sorry. Bloody hell.”

“Right,” he said. “So are you in or out?”

“I'm in,” she answered.

“Good,” he said.

“And, Winnie,” she added, “I'm Barbara as well.”





[page]CHAPTER 6


t was dark by the time they cruised into Chart Street in Shoreditch and sought out a parking space along a pavement that was lined with Vauxhalls, Opels, and Volkswagens. Barbara had felt a distinct twinge in her gut when Nkata had led her to Lynley's sleek silver car, a possession so prized by the inspector that merely to have been handed its keys was an eloquent statement of Lynley's confidence in his subordinate officer. She herself had been casually tossed that key ring on only two occasions, but both had come long after she'd worked her first case as the inspector's partner. Indeed, reflecting upon her association with Lynley, she found that she couldn't begin to imagine him passing his car keys over to the person she'd been on the first investigation they'd worked together. That he'd given them so easily to Nkata spoke volumes about the nature of their relationship.

Fine, she thought with resignation, that's just the way it is. She studied the neighbourhood through which they were driving, looking for the street address that the DVLA had listed as belonging to the owner of the motorcycle found near the murder scene in Derbyshire.

Like so many of its sister districts in London, Shoreditch may have been down at one time or another, but it could never be counted fully out. It was a densely populated area comprising a narrow appendix of land that dangled from the greater body of Hackney in northeast London. Since it formed one of the boundaries of the City, some of Shoreditch had been encroached upon by the sort of financial institutions one expected to see only within the Roman walls of old London. Other parts of it had been taken over by industry and commercial development. But there were still vestiges of the former villages of Haggeston and Hoxton in Shoreditch, even if some of those vestiges merely took the form of commemorative plaques marking the spots where the Burbages had plied their theatrical trade and where associates of William Shakespeare lay buried.

Chart Street appeared to represent the history of the district in one brief thoroughfare. Forming a dogleg that stretched between Pit-field Street and East Road, it contained commercial establishments as well as residences. Some of the buildings were smart, modern, and new, and consequently they expressed the abundance of the City. Others awaited that miracle of London neighbourhoods—gentrification—which could take a simple street and transform it from slum into yuppie paradise within the space of a few short years.

The address produced by the DVLA took them to a line of terraced houses that, in appearance, were somewhere between the two extremes of disintegration and renovation. The terrace itself was flat-fronted and constructed of brick, and while the woodwork of the house in question badly needed painting, its windows were hung with white curtains that, at least from the exterior, looked crisp and clean. Nkata found a parking space in front of the Marie Lloyd pub. He slid the Bentley into it with the sort of concentration that Barbara imagined a neurosurgeon giving to a patient's brain. She shoved open the door and clambered out the third time the other DC meticulously straightened the car. She lit a fag and said, “Winston. Bloody hell. You're not clocking on and neither one of us is getting any younger. Come on.”

Nkata chuckled affably. “Giving you time to see to your habit.” “Thanks. But I don't need to smoke a whole packet.” The car finally parked to his satisfaction, Nkata eased out of it, locked it, and set its alarm. He checked scrupulously to make sure the doors were secured before joining Barbara on the pavement. They walked to the house, Barbara smoking and Nkata ruminating. At the yellow front door, he paused. Barbara thought he was giving her time to finish off her fag, and she puffed away, bulking up on the nicotine as she usually did before embarking on a task that could turn unpleasant.

But when she finally tossed the burning end of the cigarette into the street, Nkata still didn't move. She said, “So? Are we going in? What's up?”

Elizabeth George's Books