In Pursuit of the Proper Sinner (Inspector Lynley, #10)(198)
“Money's what we wanted the Chandlers to give him. Once we knew the music couldn't be auctioned.”
A nurse came into the room then, a small square tray in her hand. A hypodermic needle lay on it. Time for pain medication, the woman said.
“One last question,” Barbara said. “Why did Terry go up to Derbyshire on Tuesday?”
“Because I asked him to,” Vi said. “Nikki thought I was being a fool about Shelly—” Here the other woman raised her head. Vi spoke to her rather than to Barbara. “She kept sending these letters and hanging about and I was getting scared.”
Shelly raised a thin hand and pointed to her chest. “Of me?” she asked. “You 'as scared of me?”
“Nikki laughed them off when I told her about them. I thought if she saw them herself, we could plan to take care of Shelly some way. I wrote Nikki a note and asked Terry to take it and the letters up to her. Like I said, he was soft on her. Any excuse to see her. You know what I mean.”
The nurse interposed at this juncture, saying, “I really must insist,” and holding up the syringe.
“Yeah, okay,” Vi Nevin said.
Barbara stopped for groceries on her way back to Chalk Farm, so it was after nine by the time she got home. She unpacked her booty and stashed it within the cupboards and the munchkin-size fridge of her bungalow. All the time in her mind she picked through the information that Vi Nevin had given her. Somewhere within their interview was buried the key to everything that had happened: not only in Derbyshire but also in London. Surely, she thought, a mere assembling of the information in the right order would tell her what she needed to know.
With a plate of reheatable rogan josh from the grocery's precooked section—of which Barbara had quickly become an habitué nonpareil when she'd moved to the neighbourhood—she settled herself at her tiny dining table next to the bungalow's front window. She accompanied her meal with a lukewarm Bass and laid her notebook next to the coffee mug from which she was reduced to drinking, since several days of crockery, cutlery, and glassware had piled in her kitchen's diminutive sink. She took a gulp of the ale, forked up a portion of the lamb, and flipped to the notes from her interview with Vi Nevin.
Once the pain medication had been administered, the patient had drifted off to sleep, but not before answering a few more questions. In her role of Argos watching over Io, Shelly Platt had protested Barbara's continued presence. But Vi, lulled into a drug-induced ease, had whispered responses cooperatively until her eyes had closed and her breathing had deepened.
Reviewing her notes, Barbara concluded that the logical place to begin in developing a hypothesis about the case would have to be with the telephone call that Terry Cole had intercepted in South Kensington. That event had set all others in motion. It also stimulated enough questions to suggest that an understanding of the phone call—what had prompted it and what exactly had arisen from it—would lead inexorably to the evidence that would allow her to nab Matthew King-Ryder as a killer.
Although it was now September, Vi Nevin had been quite clear about the fact that Terry Cole had intercepted the phone call in South Kensington in the month of June. She couldn't give the exact date, but she knew it was early in the month because she'd collected a fresh batch of their phone box cards at the beginning of the month and she passed them to Terry on the same day that she picked them up. It was then that he told her about the curious call.
Not the beginning of July? Barbara enquired. Not August? Not even September?
June it was, Vi Nevin insisted. She remembered because they'd already moved house to Fulham—she and Nikki—and since Nikki had gone on to Derbyshire, Terry had questioned putting her cards in the phone boxes when she wasn't in town. Vi was quite sure of that. She'd wanted Terry to put up her own cards as soon as possible, she said, so that she could continue to build her clientele, and she'd told the boy to hold Nikki's cards for posting until the autumn, when he was to place them in boxes a day before the young woman returned.
But why, then, had it taken Terry so long to go to Bowers with the music he'd found?
First, Vi informed her, because she didn't tell Nikki straightaway about Terry's find. And second, because once she did tell Nikki and the plan was hatched among them to try to make some money from the music, it took some time for Nikki to research the best auction houses available to handle a sale of the sort they imagined. “Didn't want to pay lots of sellers’ fees,” she murmured, eyelids heavy. “Nikki thought 'f a country auction first. She made phone calls. Talked to people who knew.”
“And she came up with Bowers?”
“'S right.” Vi turned on her side. Shelly raised the blanket round her charge's shoulders and tucked her in up to her neck.
Now, munching her rogan josh in her Chalk Farm bungalow, Barbara reflected on that telephone call yet another time. No matter which way she considered it, however, she arrived at the same conclusion. The call had to have been intended for Matthew King-Ryder, who failed to be there at the designated hour to receive it. Hearing the single word yeah spoken by a male voice—by Terry Cole's voice—the caller had assumed that his message about the Albert Hall was being received by the right person. And since whoever had possession of the Chandler music wished to remain anonymous—why else make a call to a phone box?—it seemed reasonable to conclude that either the passing of the music from his hand to King-Ryder's constituted an illegality or the caller had come into possession of the music illegally or the music was going to be used by King-Ryder for a purpose that was itself illegal. In any case, the caller thought he'd passed the music along to King-Ryder, who'd no doubt paid a significant sum to get his mitts on it. With that sum in hand—probably paid in advance and in cash—the caller faded into the fog of obscurity, leaving King-Ryder out of the money, out of the music, and out of the picture as well. So when Terry Cole had dropped into his office flashing a page of the Chandler score, Matthew King-Ryder must have thought he was being deliberately ridiculed by someone who had already double-crossed him. Because if he'd arrived in South Keninsgton just one minute late for that telephone call, he'd have stood round for hours waiting for that phone to ring and assuming he'd been had.