In Pursuit of the Proper Sinner (Inspector Lynley, #10)(163)
“Mrs. Reeve. I know you're frightened. But try to see that—”
“I scratched him. My nails. His face. Scratched. Scratched. Because he was choking me and I wanted him … stop. Please. Please. I scratched … face. I made him bleed. I did.”
Lynley saw her rising agitation. He cursed silently: He cursed Reeve's slippery and successful insinuation of himself into the interview with his wife; he cursed his own damnable inadequacies, the largest of which was the loss of temper that always obscured his vision and clouded his thinking. As it had done on this night.
Now, in his house in Eaton Terrace, Lynley reflected on everything. His sense of grievance and his need to avenge Vi Nevin had got in his way, allowing Martin Reeve to outmanoeuvre him. Tricia's fear of her husband—probably in combination with a heroin addiction which he no doubt fed—had prompted her at long last to confirm Reeve's every word. Lynley still could have run the soulless little rat into the nick for six or seven hours of interrogation, but the American hadn't got where he was by being ignorant of his rights. He was guaranteed legal representation, and he would have claimed it before he'd left the house. So what would have been gained was a sleepless night for everyone concerned. And in the end Lynley would have found himself no closer to an arrest than he'd been upon his arrival in London that morning.
But things had ended in Notting Hill the way they had ended because of a miscalculation on Lynley's part, and he had to admit that. In his anxiety to have Tricia Reeve conscious and coherent enough to take part in a conversation, he'd allowed her husband enough time in her presence to give her the script she needed in her interview with Lynley. Thus, he'd lost whatever advantage he might have established over Martin Reeve in arriving at his home in the dead of night. It was a costly mistake, the sort of error that was made by a rank beginner.
He wanted to tell himself that the miscalculation was the product of a long day, a misguided sense of chivalry, and out-and-out exhaustion. But the disquiet in his soul, which he'd begun feeling the moment he saw the card with Nikki Temptation's advertisement on it, spoke of another source altogether. And because he didn't wish to consider either the source or the implications of the source, Lynley descended to the kitchen, where he rooted round in the refrigerator until he found a container of leftover paella.
He fetched a Heineken to go with his makeshift meal, and he cracked it open and carried it to the table. He dropped wearily into one of the chairs and took a deep swig of the lager. A slim magazine lay next to a bowl of apples, and while he waited for the microwave to work its magic on his food, Lynley reached in his pocket for his spectacles and had a look at what turned out to be a souvenir theatre programme.
Denton, he saw, had managed to prevail over the masses who were attempting to obtain tickets to the season's hottest show in the West End. The single word Hamlet made a bold graphic design in silver on an ebony cover, along with a rapier and the words King-Ryder Productions tastefully arranged above the play's title. Lynley shook his head with a chuckle as he flipped through the pages of glossy photographs. If he knew Denton, the next few months in Eaton Terrace were going to be an endless exposure to whatever melodies from the pop opera resonated within his stage-struck soul. As he recalled, it had taken nearly nine months for Denton to stop warbling “The Music of the Night” at the drop of a hat.
At least this new production wasn't Lloyd-Webber, he thought with some gratitude. He'd once considered homicide the only viable alternative to having to listen to Denton crooning the main—and what seemed like the only—melody from Sunset Boulevard for weeks on end.
The microwave signaled, and he scooped out the container and dumped its contents unceremoniously onto a plate. He tucked into his late-night meal. But the action of forking up the food, chewing, and swallowing was not enough to divert his thoughts, so he cast about for something else to distract him.
He found it in the consideration of Barbara Havers.
She must have managed to gather something useful by now, he thought. She'd been on the computer since the morning, and he could only assume that he'd finally managed to pound into her skull the message that he expected her to continue at CRIS until she had something valuable to report.
He reached for the phone that sat on the work top and, mindless of the hour, he punched in her number. The line was engaged. He looked at his watch. Christ. Who the hell would Havers be talking to at one-twenty in the morning? No one that he could name, so the only conclusion was that she'd taken her phone off the hook, the bloody woman. He dropped his own receiver into the cradle and gave idle thought to what he was going to do with Havers. But going down that path only promised him a tempestuous night, which would do nothing to improve his performance in the morning.
So he finished his meal with his attention on the Hamlet programme once again, and he thanked Denton silently for having provided him with a diversion.
The photographs were good. And the text made interesting reading. David King-Ryder's suicide was still fresh enough an event in the public consciousness to give an air of romance and melancholy to anything associated with his name. Besides, it was no arduous task, having to gaze upon the voluptuous maiden who'd been cast as the production's Ophelia. And how clever of the costume designer to have her go to her death in a gown so diaphanous as to make the wearing of it practically unnecessary. Back-lit, she stood poised to drown herself, a creature already caught between two worlds. The gauzy gown claimed her soul for heaven while her earthbound body chained her—in all her sensual beauty—firmly to the earth. It was the perfect combination of—“Are you actually leering, Tommy? Married three months and I've already caught you leering at another woman?” Helen stood in the doorway, blinking, sleep tousled, tying her dressing gown belt at the waist.