Home Front(133)
Having gained so much insight into your subject through firsthand accounts of people who entrusted you with their stories, did you find it difficult to deal with the expectations (of yourself and others) of honesty in your portrayal of Jolene’s story?
I was consistently terrified that I would do a poor job in portraying soldiers and their lives and their families. I felt a very keen responsibility to “get it right.” They sacrifice so much for the safety of the rest of us, so I really hope I wrote a book that resonates both with soldiers and non-military readers. I would love it if the novel sparked a dialogue about the price of war on our soldiers and our obligation to them upon their return.
You’ve written much about the bonds between women, and mothers and daughters in particular, in your previous books. Was it a joy or a pain (or both?) to depict Michael’s changing relationship with his daughters?
Michael was really a constant surprise to me in this novel. First of all, as I’ve said, I spent months researching and devising a version of the story in which Michael didn’t even exist. I envisioned a book about women in a family and a daughter’s relationship with her distant father. Obviously none of that made it into the final draft. Once I decided to give a marriage a try, Michael appeared fully formed. I liked him from the get-go, and I liked the complexity of both his character and his relationship with Jolene. I never saw the problems in their marriage—or in their reconciliation—as wholly one-sided.
The twist in Michael’s story is that he fell in love with his wife while she was gone, and became a better man by becoming a better father. I loved this story arc, and I loved how he evolved from a distracted, disinterested parent into an invested one.
Who was the first person to read this book?
The first person to read this book was Megan Chance. She is always my “first line of defense.” She is an extremely talented historical fiction novelist and we have been friends and critique partners for the duration of both of our careers—more than twenty years. She’s always the first person to brainstorm with me, and to read early drafts. We have learned to share the kind of honesty that is rare in writing. She loves telling me when I’ve made a misstep or missed an opportunity—almost as much as she loves telling me when I’ve done something well.
Do you ever have conversations with your characters? Do they ever surprise you?
Well, if I had actual conversations with characters, I think that would be the sign of a real problem ?. That being said, I do “listen” to them an awful lot. I can often see scenes unfolding in my mind and in those lovely moments when my subconscious is working hard, I pay very close attention. I do a lot of my best thinking when I’m actually doing something else, like running or skiing or swimming.
In a way, my characters always end up surprising me just a little. They become more real than I had anticipated, with backstories and concerns and foibles that I didn’t see when I began. I have often said that I really learn who my characters are the same way the reader does—through dialogue. It is true that we learn who people are through words and deeds, and that’s true of characters as well.
What do you hope readers take away from this novel?
At its core, Home Front is a novel about two ordinary people who have lost their way over twelve years of marriage and then find themselves separated. I think this is a story we can all relate to. You don’t have to be a soldier or even know a soldier to relate to the powerful emotional themes in the book. We can all imagine how it felt for Jolene to hear her husband say, “I don’t love you anymore,” and we can understand how lost Michael felt after the death of his father. A marriage is a tricky thing that hangs on hooks both big and small. Every little thing can matter. Words spoken and unspoken carry a tremendous weight, and in a way it requires as much commitment and honor to hold a marriage together as to go off to war. In that way, we all understand sacrifice. It’s no surprise that I’m a romantic, and to me, there’s nothing more romantic than a husband and wife falling back in love with each other.
Interview with Chief Warrant Officer 5 Teresa Burgess
Kristin Hannah: I’m still not entirely sure how I got the idea to write about a female Black Hawk pilot, but one thing I know for sure is that without the help of Warrant Officer 5 Teresa Burgess, I would have been in a world of hurt. The military was as foreign to me as the face of the moon. Teresa was everything I could hope for in an advisor. She was honest and open and straightforward. More than that, she turned out to be a lot of fun to hang around with, and I am proud to call her a friend. Not long ago, I was fortunate enough to sit down with Teresa and have a nice old-fashioned girl-to-girl chat. I hope you enjoy this small glimpse into her extraordinary world.
How did you become a helicopter pilot?
Teresa Burgess: I visited the career center during my senior year of high school. I found some brochures on joining the Army. My Father was in the Air Force and I thought I would play a joke on him by telling him I joined the Army. After looking at the brochures a little more closely, I saw one was on going to flight school and becoming a Warrant Officer. I really had no interest in college at the time and flying interested me. I had grown up around it. I went to the Army recruiter with my dad, completed all the necessary tests, and was accepted. I attended Basic Training at Fort Dix and then went to Fort Rucker for Warrant Officers candidate school followed by flight school.