Going Clear: Scientology, Hollywood, and the Prison of Belief(50)



ONCE A WEEK, there was a movie night on the aft deck, with a recently released film flown in. Popcorn was made, a screen erected, and when everyone was settled Hubbard would descend from the prom deck, resplendent in his Commodore’s uniform, with Mary Sue and the children in tow.

In the interest of public relations, Hubbard staged free concerts at various ports of call, using the ship’s ragtag band, the Apollo Stars. He wanted to “revolutionize music,” and composed original songs for the band to play. He started a modern dance troupe as well. Quentin wanted to join the dancers, but his father sternly told him that he had other plans for him. By 1974, Hubbard had decided that his two oldest children by Mary Sue—Diana, twenty-two, and Quentin, twenty—were to take over the major management and technology functions of Scientology. Diana was enthusiastic—she had been the Lieutenant Commander since the age of sixteen and was often at her father’s side—but everyone knew that Quentin’s great ambition was to fly. His cabin was full of model airplanes, suspended from the ceiling with dental floss, and books about flying. He was often seen weaving along the deck with his arms outstretched, making engine noises, completely absorbed in being a plane.

Jim Dincalci, the medical officer who was still beached in Madeira, learned that the Apollo was headed in his direction. By now, he had made friends with many of the local people, and he was surprised to learn from them that the Apollo was widely suspected of being a spy ship for the CIA.8 He sent telexes warning the ship that it would be better to avoid Madeira, but Hubbard came anyway. Soon after the Apollo docked, a mob arrived and began stoning the ship. Hubbard ordered fire hoses turned on the crowd, which further infuriated them. There were motorcycles belonging to crew members and two of Hubbard’s cars which had been offloaded onto the pier; the mob shoved them all into the harbor, then loosened the moorings so that the ship drifted offshore. Mary Sue and some other members of the ship’s company were stranded in town and had to be rescued by the local authorities.

Quentin returned to the ship in bad shape. He had taken an overdose of pills in a failed suicide attempt. After his stomach was pumped at a local hospital, he was brought back to the ship, pale and weak, and put in isolation in his cabin, guarded night and day, becoming the second person to undergo the Introspection Rundown. Suzette was the only one to visit him. He looked like a broken doll.

Quentin was now twenty years old, popular and free-spirited, but in many ways still a soft-spoken, dreamy boy. Although he was small like his mother, and had her coloring, in other respects he bore a strong resemblance to his father. His facial features were almost an exact match: almond-shaped eyes under low, reddish brows; protuberant lips; and a deep cleft in the chin. Even though Quentin became one of the highest-rated auditors in the Sea Org, his father was constantly disappointed in his performance. “You have to improve,” he barked at Quentin in front of the other auditors. “It doesn’t matter that you’re a Hubbard.” Quentin would sit there and smile, seemingly unfazed, as the others cringed for him. Privately, he confided, “Daddy doesn’t love me anymore.”

Eventually, Hubbard sentenced Quentin to the Rehabilitation Project Force. His “twin” on the RPF was Monica Pignotti, an auditor in training at age twenty-one. As they practiced auditing each other, they became close. Quentin sneaked some peanut butter from the family pantry and shared it with Monica. They made up skits and played with his tape recorder. They never became intimate. Quentin told her that he had once become sexually involved with a woman, but when his father found out, she was sent off the ship. He knew that people regarded him as a homosexual, he said, but that was only something he told other women on the ship who were after him because he was Hubbard’s son.



Quentin Hubbard, circa 1973


HUBBARD SET a new course: due west, toward America. The destination was Charleston, South Carolina. The crew were thrilled that they would be returning to the States, only to be crestfallen when a message arrived from the Guardian’s Office, just as the ship was approaching port, alerting Mary Sue that agents from US Customs, Immigration, Coast Guard, DEA, and US Marshals were waiting for them to dock, plus 180 IRS agents waiting to impound the ship. The federal agents had a subpoena to depose Hubbard in a civil tax case in Hawaii. A Scientologist on shore realized what was happening when he was blocked from entering the dock area. He sent a pizza to a radio operator with a message inside to send to the ship. Hubbard was just five miles offshore, but he suddenly broadcasted a new course over the radio—due north for Halifax, Nova Scotia—then turned sharply south and headed to the Bahamas.

Hubbard was sixty-four years old in 1975, as the Apollo began its circumnavigation of the Caribbean. He weighed 260 pounds. He was still meticulously groomed, but his teeth and fingers were darkly stained from constant smoking. He was on the run from the courts, fearful of being discovered, marked by age, and visibly in decline. In Cura?ao, he suffered a small stroke and spent several weeks in a local hospital. It was becoming clear that life at sea posed a real danger for a man in such frail health. His crew rationalized his obvious decline by saying that his body was battered by the research he was undertaking and the volumes of suppression aimed at him. “He’s risking his life for us,” they told each other.

By now the rumor about the CIA spy ship had spread all over the Caribbean, making the Scientologists unwelcome or at least under suspicion everywhere they went. They were kicked out of Barbados, Cura?ao, and Jamaica. Moreover, the Arab oil embargo had sent the price of fuel skyrocketing, so the roving life was getting too expensive to support. It was time to come ashore.

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