For the Sake of Elena (Inspector Lynley, #5)(65)

The office door opened. A man—presumably P.L. Beck—entered. Like the office itself, his clothing reflected a careful avoidance of that which might underscore death. He wore a natty blue blazer over soft grey trousers. A Pembroke tie formed a perfect knot at his throat.

“Dr. Weaver?” he said. And then with a crisp turn on his heel to Glyn, “And Mrs. Weaver?” Somehow, he’d done his homework. It was an artful way to avoid linking their names. Rather than offer factitious condolences over the death of a girl he did not know, he said, “The police said you’d be coming. I’d like to get you through this as quickly as possible. May I offer you something? Coffee or tea?”

“Nothing for me,” Anthony said. Glyn was silent.

Mr. Beck did not wait for her to reply. He sat down and said, “It’s my understanding that the police still have the body. So it may be some days before they release her to us. They’ve told you that, haven’t they?”

“No. Just that they’re doing the autopsy.”

“I see.” Thoughtfully, he steepled his hands and leaned his elbows on the top of the desk. “It generally takes a few days to run all the tests. They do organ studies, tissue studies, toxicology reports. In a sudden death, the procedure moves fairly rapidly, especially if the”—with a quick, concerned glance in Glyn’s direction—“if the deceased has been under a doctor’s care. But in a case like this…”

“We understand,” Anthony said.

“A murder,” Glyn said. She moved her eyes off the wall and fixed them on Mr. Beck although her body didn’t alter a degree in the chair. “You mean a murder. Say it. Don’t slither round the truth. She isn’t the deceased. She’s the victim. It’s a murder. I’m not used to that yet, but if I hear it enough no doubt it’ll pop up quite naturally in my speech. My daughter, the victim. My daughter’s death, the murder.”

Mr. Beck looked at Anthony, perhaps with the hope that he would say something in answer to the implied invective, perhaps with the expectation of Anthony’s offering some word of comfort or support to his former wife. When Anthony said nothing, Mr. Beck continued quickly.

“You’ll need to let me know where and when the services are to be held and where she’s to be interred. We’ve a lovely chapel here if you’d like to use that for the service. And—of course, I know this is difficult for you both—but you need to decide if you want a public viewing.”

“A public…?” At the thought of his daughter being put on display for the curious, Anthony felt the hair bristle on the backs of his hands. “That’s not possible. She isn’t—”

“I want it.” Glyn’s nails, Anthony saw, were going completely white with the pressure she was exerting against her palms.

“You don’t want that. You haven’t seen what she looks like.”

“Please don’t tell me what I want. I said I’ll see her. I’ll do so. I want everyone to see her.”

Mr. Beck intervened with, “We can do some repairs. With facial putty and makeup, no one will be able to see the full extent of—”

Glyn snapped forward. Like a self-preserving reflex, Mr. Beck flinched. “You aren’t listening to me. I want the damage seen. I want the world to know.”

Anthony wanted to ask, “And what will you gain?” But he knew the answer. She’d given Elena over to his care, and she wanted the world to see how he’d botched the job. For fifteen years she’d kept their daughter in one of the roughest areas of London and Elena had emerged from the experience with one chipped tooth to mark the only difficulty she’d ever faced, a brawl over the affections of an acne-scarred fifth former who’d spent a lunch hour with her instead of his steady girlfriend. And neither Glyn nor Elena had ever considered that uncapped tooth even a minute lapse in Glyn’s ability to protect her daughter. Instead, it was for both of them Elena’s badge of honour, her declaration of equality. For the three girls whom she had fought could hear, but they were no match for the splintered crate of new potatoes and the two metal milk baskets which Elena had commandeered for defensive weapons from a nearby greengrocer’s when she’d come under attack.

Fifteen years in London, one chipped tooth to show for it. Fifteen months in Cambridge, one barbarous death.

Anthony wouldn’t fight her. He said, “Have you a brochure we might look at? Something we can use in order to decide…?”

Mr. Beck seemed only too willing to cooperate. He said, “Of course,” and hastily slid open a drawer of his desk. From this he took a three-ring binder covered in maroon plastic with the words Beck and Sons, Funeral Directors printed in gold letters across the front. He passed this across to them.

Anthony opened it. Plastic covers encased eight-by-ten colour photographs. He began to flip through them, looking without seeing, reading without assimilating. He recognised woods: mahogany and oak. He recognised terms: naturally resistant to corrosion, rubber gasket, crepe lining, asphalt coating, vacuum plate. Faintly, he heard Mr. Beck murmuring about the relative merits of copper or sixteen-gauge steel over oak, about lift and tilt mattresses, about the placement of a hinge. He heard him say:

“These Uniseal caskets are quite the best. The locking mechanism in addition to the gasket seals the top while the continuous weld on the bottom seals that as well. So you’ve maximum protection to resist the entry of—” He hesitated delicately. The indecision was written plainly on his face. Worms, beetles, moisture, mildew. How best to say it?—“the elements.”