For the Sake of Elena (Inspector Lynley, #5)(6)

Tucking his navy scarf more securely into his overcoat, Sheehan ducked under the yellow ribbon of the established police line. On the bridge, a half a dozen undergraduates leaned over the parapet, trying to get a look at the activity below. Sheehan growled and waved the constable over to deal with them. If the victim was a member of one of the colleges, he wasn’t about to let the word out any sooner than he had to. An uneasy peace had reigned between the local constabulary and the University since a cocked-up investigation at Emmanuel last term. He didn’t particularly want anything to disturb it.

He crossed the footbridge to the island, where a female constable was hovering over a woman whose face and lips were the colour of unbleached linen. She was sitting on one of the bottom iron steps of Crusoe’s Bridge, one arm curved round her stomach and one fist bearing the weight of her head. She wore an old blue overcoat that looked as if it would dangle to her ankles, the front of it crusted with brown and yellow specks. Apparently, she’d been sick on herself.

“She found the body?” Sheehan asked the constable, who nodded in reply. “Who’s made it so far?”

“Everyone but Pleasance. Drake kept him at the lab.”

Sheehan snorted. Just another little tiff in forensic, no doubt. He raised his chin sharply at the woman in the overcoat. “Get her a blanket. Keep her here.” He went back to the gate and entered the southern section of the island.

Depending upon how one looked at it, the place was either a dream-come-true or a crime-scene nightmare. Evidence abounded, everything from disintegrating newspapers to partially filled and discarded plastic sacks. The whole area looked like a common dumping ground with at least a dozen good—and obviously different—footprints pressed into the soggy earth.

“Hell,” Sheehan muttered.

Wooden planks had been laid down by the scenes-of-crime team. They started at the gate and travelled south, disappearing into the fog. He picked his way along these, avoiding the regular splattering of water from the trees overhead. Fogdrops, his daughter Linda would have called them with that passion for linguistic accuracy which always surprised him into thinking that his real daughter had somehow been left behind at the hospital sixteen years ago and a pixy-faced poet left in her place.

He paused by a clearing where two canvases and an easel leaned against a poplar and a wooden case gaped open, collecting a skin of condensation on a neat row of pastels and eight hand-lettered tubes of paint. He frowned at this, looking from the river to the bridge to the great puffs of fog rising like a gas from the fen. As the subject for a painting, it reminded him of that French stuff he’d seen at the Courtauld Institute years ago, dots and swirls and dashes of colour that you could only figure out if you stood forty feet away and squinted like the devil and thought about how things might look if you needed specs.

Further along, the planks veered to the left, and he came upon his police photographer and the forensic biologist. They were bundled against the cold in overcoats and knitted caps, and they pranced about like two Russian dancers, hopping from foot to foot to keep the circulation going. The photographer looked as pale as he usually did prior to having to document a killing. The forensic biologist looked peeved. She hugged her arms to her chest, shifted from one foot to the other in a bobbling fashion, and glanced repeatedly and restlessly in the direction of the causeway as if in the belief that the killer lingered beyond them in the fog and only by plunging through it immediately could they hope to apprehend him.

As Sheehan reached them and began to ask his customary question—“What d’we have this time?”—he saw the reason for the forensic biologist’s impatience. A tall figure was emerging from the mist beneath the crack willows, walking carefully with his eyes on the ground. In spite of the cold, his cashmere greatcoat was slung indifferently round his shoulders like a cape, and he wore no scarf to detract from the crisp, clean lines of his Italian suit. Drake, the head of Sheehan’s forensic department, one-half of a bickering duo of scientists that had been aggravating him for the last five months. He was indulging in his flair for costume this morning, Sheehan noted.

“Anything?” he asked the scientist.

Drake paused to light a cigarette. He pinched the match with his gloved fingers, and deposited it in a small jar which he took from his pocket. Sheehan refrained from comment. The bloody man never went anywhere unprepared.

“We appear to be missing a weapon,” he said. “I should think we’re going to have to drag the river for a look.”

Wonderful, Sheehan thought, and counted up the men and the hours it would take to complete the operation. He went to have a look at the body.

“Female,” the biologist said. “Just a kid.”

As Sheehan gazed down at the girl, he reflected upon the fact that there was none of the hush which one would expect to attend a death. Horns bellowed from the causeway; idling engines bawled; brakes squealed; voices called. Birds chirruped in the trees, and a dog yelped sharply in pain or play. Life was continuing, despite the proximity and the evidence of violence.

That the girl’s death had been violent was unquestionable. Although much of her had been deliberately covered with fallen leaves, enough of her body was exposed to allow Sheehan to see the worst. Someone had beaten in her face. The tie of her track jacket’s hood was wound round her neck. Whether she had died from head wounds or from strangulation would ultimately have to be determined by the pathologist, but one thing was clear: No one would be able to identify her from a simple glance at her face. It was battered.