Deception on His Mind (Inspector Lynley, #9)(45)



Treves must have seen this conclusion on her face, because he went on quickly. “It's not that I don't care what happened to Mr. Querashi. I do. Indeed I do care most deeply. He was quite a pleasant chap, for all his ways, and I regret his unfortunate passing. But with business about to pick up, and after all these years of recession, one can't take the chance of losing even one—”

“His ways?” Barbara headed off his discourse on the nation's economy.

Basil Treves blinked. “Well, they are different, aren't they?”

“They?”

“These Asians. Why, surely you know. You'd have to, wouldn't you, working in London. Good grief. Don't deny it.”

“How was he different?”

Treves apparently inferred something more than she intended in the question. His eyes started to go opaque and he crossed his arms. Defences are rising, Barbara thought with interest, and she wondered why he was arming himself. Nonetheless, she knew it wouldn't do for them to be at odds, so she hastened to reassure him. “What I meant is that since you saw him regularly, anything unusual that you can tell me about his behaviour will help. Culturally he would have been different to the rest of your guests—”

“He certainly isn't the only Asian in residence,” Treves interrupted, still driving home the point about his liberality. “The Burnt House's doors will always be open to all.”

“Right. Of course. Then I take it he was different even to the other Asians. Whatever you tell me I'll keep in confidence, Mr. Treves. Anything that you know, saw, or even suspected about Mr. Querashi may be the fact we need to get to the root of what happened to him.”

Her words seemed to mollify the man, encouraging him to reflect upon his own importance to a police investigation. He said, “I see. Yes. I do see,” and proceeded to look thoughtful. He stroked his scraggly, undipped beard.

“May I see his room?”

“But of course. Yes. Yes.”

He led her back the way they had come, ascending one more flight of stairs and walking along a corridor towards the rear of the building. Three of the doors along the corridor stood open, awaiting tenants. A fourth was shut. Behind it, television voices spoke at a considerate, low volume. Haytham Querashi's room was next to this one, the fifth room at the very end of the passage.

Treves had a master key. He said, “I haven't touched it since his … well … the accident. …” There was indeed no euphemism for murder. He gave up searching for one and said, “The police came by to tell me about it—just that he was dead. They told me to keep his room locked up till I heard from them.”

“We don't like anything to be disturbed till we know what we're working with,” Barbara told him. “Natural causes, a murder, accident, or suicide. You haven't disturbed anything, have you? No one else has?”

“No one,” he said. “Akram Malik called in with his son. They wanted the personal effects to send back to Pakistan, and believe me, they weren't happy hikers when I wouldn't let them into the room to collect them. Muhannad acted as if I was part of a conspiracy to commit crimes against mankind.”

“And Akram Malik? What did he think?”

“Our Akram plays his cards ve-rry close, Sergeant. He wouldn't be fool enough to let me know what he was thinking.”

“Why's that?” Barbara asked as Treves swung open the door to Haytham Querashi's room.

“Because we loathe each other,” Treves explained pleasantly. “I can't abide upstarts, and he doesn't like to be considered one. It's a shame he immigrated to England, when you think of it. He'd have done much better in the U.S., where the first concern is whether you have money, and who your people are ranks down round your shoe size. Here we are.” He switched on the overhead light.

Haytham Querashi's room was a single with a small casement window overlooking the back garden of the hotel. It was decorated as haphazardly as Barbara's room. Yellow, red, and pink all battled to be the dominant colour.

“He seemed to be quite happy here,” Treves said as Barbara took in the depressingly narrow bed, the one armless and lumpy chair, the pseudo-wood of the clothes cupboard, and the gaps in the tassles on the shade of a wall sconce. There was a print above the bed, another Victorian scene, this one a young woman languishing on a chaise longue. The paper it was mounted on had long since gone dingy.

“Right.” Barbara grimaced at the odour in the room. It was the smell of burnt onions and sprouts too long cooked. Querashi's room was located above the kitchen, doubtless a subtle reminder to the man of what his place was in the hotel hierarchy. “Mr. Treves, what can you tell me about Haytham Querashi? How long had he been staying with you? Had he any visitors? Any friends that stopped by? Any particular phone calls that he made or received?” She pressed the back of her hand against the hot dampness on her forehead and went to the chest of drawers to have a look at Querashi's belongings. She paused and rustled through her shoulder bag for the evidence bags that Emily had given to her before she'd left the Crescent. She donned a pair of latex gloves.

Querashi, Basil Treves informed her, had been staying at the Burnt House for six weeks while waiting for his wedding. Akram Malik had arranged for the room. Apparently, a house had been purchased for the soon-to-be newlyweds as part of the Malik daughter's dowry, but as it was undergoing redecoration, Querashi's stay at the hotel had been extended several times. He went to work before eight in the morning and generally returned round half past seven or eight at night, taking breakfast and dinner at the Burnt House on weekdays, dinner elsewhere at the weekend.

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