City of Heavenly Fire (The Mortal Instruments, #6)(137)
Jia distantly heard her husband reassuring the former Silent Brother, but her mind was on Helen. Down in the depths of her heart, Jia worried sometimes for her daughter, who had given her heart so completely to a girl who was part-faerie, a race known for their untrustworthiness. She knew that Patrick was not happy that Aline had chosen a girl at all rather than a boy, that he mourned—selfishly, she thought—for what he saw as the end of his branch of the Penhallows. She herself worried more that Helen Blackthorn would break her daughter’s heart.
“How much credence do you give the claim of faerie betrayal?” asked Kadir.
“Entire credence,” said Jia. “It explains a great deal. How the faeries were able to enter Alicante and abscond with the prisoners from the house given to the representative of the Fair Folk; how Sebastian was able to conceal troops from us at the Citadel; why he spared Mark Blackthorn—not out of fear of angering the faeries but out of respect for their alliance. Tomorrow I will confront the Faerie Queen and—”
“With all due respect,” said Zachariah in his soft voice. “I don’t think you should do that.”
“Why not?” Patrick demanded.
Because you have information now that the Faerie Queen does not know you have, said Brother Enoch. It is rare that that happens. In war there are advantages of power, but also advantages of knowledge. Do not squander this one.
Jia hesitated. “Things may be worse than you know,” she said, and drew something from the pocket of her coat. It was a fire-message, addressed to her from the Spiral Labyrinth. She handed it to Zachariah.
He seemed to freeze in place. For a moment he simply looked at it; then he brushed a finger over the paper, and she realized he was not reading it but rather tracing the signature of the writer of the letter, a signature that had clearly struck him like an arrow to the heart.
Theresa Gray.
“Tessa says,” he said finally, and then cleared his throat, for his voice had emerged ragged and uneven. “She says that the warlocks of the Spiral Labyrinth have examined the body of Amalric Kriegsmesser. That his heart was shriveled, his organs desiccated. She says they are sorry, but there is absolutely nothing that can be done to cure the Endarkened. Necromancy might make their bodies move again, but their souls are gone forever.”
“Only the power of the Infernal Cup keeps them alive,” said Jia, her voice throbbing with sorrow. “They are dead inside.”
“If the Infernal Cup itself could be destroyed . . . ,” Diana mused.
“Then it might kill them all, yes,” said Jia. “But we do not have the Infernal Cup. Sebastian does.”
“To kill them all in one sweep, it seems wrong,” said Tomas, looking horrified. “They are Shadowhunters.”
“They are not,” said Zachariah, in a voice much less gentle than Jia had come to associate with him. She looked at him in surprise. “Sebastian counts on us thinking of them as Shadowhunters. He counts upon our hesitation, our inability to kill monsters that wear human faces.”
“On our mercy,” said Kadir.
“If I were Turned, I would want to be put out of my misery,” said Zachariah. “That is mercy. That is what Edward Longford gave his parabatai, before he turned his sword on himself. That is why I paid my respects to him.” He touched the faded rune at his throat.
“Then do we ask the Spiral Labyrinth to give up?” asked Diana. “To cease searching for a cure?”
“They have already given up. Did you not listen to what Tessa wrote?” said Zachariah. “A cure cannot always be found. At least, not in time. I know—that is, I have learned—that one cannot rely upon it. It cannot be our only hope. We must mourn the Endarkened as dead, and trust in what we are: Shadowhunters, warriors. We must do what we were made to do. Fight.”
“But how do we defend ourselves against Sebastian? It was bad enough when it was just the Endarkened; now we must fight the Fair Folk as well!” Tomas snapped. “And you’re just a boy—”
“I am a hundred and forty-six years old,” said Zachariah. “And this is not my first unwinnable war. I believe we can turn the betrayal of the faeries into an advantage. We will require the help of the Spiral Labyrinth to do it, but if you will listen to me, I will tell you how.”
Clary, Simon, Jace, Alec, and Isabelle picked their way in silence through the eerie ruins of Alicante. For Jace had been right: It was Alicante, unmistakably so. They had passed too much that was familiar for it to be anything else. The walls around the city, now crumbled; the gates, corroded with the scars of acid rain. Cistern Square. The empty canals, filled with spongy black moss.
The hill was blasted, a bare heap of rock. The marks where there had once been pathways were clearly visible like scars along the side. Clary knew that the Gard should be at the top of it, but if it still stood, it was invisible, hidden in gray fog.
At last they clambered over a high mound of rubble and found themselves in Angel Square. Clary took a breath of surprise—though most of the buildings that had ringed it had fallen, the square was surprisingly unharmed, cobblestones stretching away in the yellowish light. The Hall of Accords was still standing.
It wasn’t white stone, though. In the human dimension, it looked like a Greek temple, but in this world it was lacquered metal. A tall square building, if something that looked like molten gold that had been poured out of the sky could be described as a building. Massive engravings ran around the structure, like ribbon wrapping a box; the whole thing glowed dully in the orange light.
Cassandra Clare's Books
- Cast Long Shadows (Ghosts of the Shadow Market #2)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Learn about Loss (Ghosts of the Shadow Market #4)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy #1)
- Lady Midnight (The Dark Artifices #1)
- Clockwork Princess (The Infernal Devices, #3)
- The City of Fallen Angels (Mortal Instruments 4)
- City of Glass (The Mortal Instruments, #3)
- City of Bones (The Mortal Instruments, #1)