City of Heavenly Fire (The Mortal Instruments, #6)(134)



“?‘You people’?” Bat bristled. “Do you mean werewolves?”

“I mean East Coasters,” said Malcolm. “Who would have weather if they could avoid it? Snow, hail, rain. I’d move to Los Angeles in a jiffy. Did you know that a jiffy is an actual measurement of time? It’s a sixtieth of a second. You can’t do anything in a jiffy, not really.”

“You know,” Maia said, “Catarina said you were pretty harmless—”

Malcolm looked pleased. “Catarina said I was pretty?”

“Can we stick to the point?” Maia demanded. “Lily, if what you’re worried about is that the Shadowhunters will take it out on all Downworlders if some of us go rogue while they’re in Idris, well, that’s why we’re doing what we’re doing. Assuring Downworlders that the Accords hold, that the Shadowhunters are trying to get our representatives back, that Sebastian is the real enemy here, will minimize the chances of chaos outside Idris affecting what happens in the case of a battle, or when all this is over—”

“Catarina!” Malcolm announced suddenly, as if remembering something pleasant. “I nearly forgot why I stopped by here in the first place. Catarina asked me to contact you. She’s in the morgue at Beth Israel hospital, and she wants you to come as quickly as you can. Oh, and she said to bring a cage.”



One of the bricks in the wall by the window was loose. Jocelyn had been passing the time by using the metal clip of her barrette to try to pry it free. She wasn’t foolish enough to think that she could create a gap she could escape through, but she was hopeful that freeing a brick would give her a weapon. Something she could slam into Sebastian’s head.

If she could make herself do it. If she wouldn’t hesitate.

She had hesitated when he was a baby. She had held him in her arms and known there was something wrong with him, something irreparably damaged, but hadn’t been able to act on her knowledge. She had believed in some small corner of her heart that he could still be saved.

The door rattled, and she around about, sliding the barrette back into her hair. It was Clary’s barrette, something she had picked off her daughter’s desk when she’d needed to keep her hair out of the paint. She hadn’t returned it because it reminded her of her daughter, but it seemed wrong to even think of Clary here, in front of her other child, though she missed her, missed her so much that it hurt.

The door opened and Sebastian stepped through.

He wore a white knit shirt, and she was reminded again of his father. Valentine had liked to wear white. It had made him appear paler, his hair whiter, just that little bit more inhuman, and it did the same for Sebastian. His eyes looked like black paint dripped onto a white canvas. He smiled at her.

“Mother,” he said.

She crossed her arms over her chest. “What are you doing here, Jonathan?”

He shook his head, still with the same smile on his face, and drew a dagger from his belt. It was narrow, with a thin blade like an awl. “If you call me that again,” he said, “I will put your eyes out with this.”

She swallowed. Oh, my baby. She remembered holding him, cold and still in her arms, not like a normal child at all. He hadn’t cried. Not once. “Is that what you came to tell me?”

He shrugged. “I came to ask you a question.” He glanced around the room, his expression bored. “And to show you something. Come. Walk with me.”

She joined him as he left the room, with a mixture of reluctance and relief. She hated her cell, and surely it would be better to see more of the place where she was being kept? The size of it, the exits?

The corridor outside the room was stone, big blocks of limestone slotted together with concrete. The floor was smooth, worn down by footsteps. Yet there was a dusty feel to the place, as if no one had been in it for decades, even centuries.

There were doors set into the walls at random intervals. Jocelyn felt her heart begin to pound. Luke could be behind any of those doors. She wanted to dash at them, jerk them open, but the dagger was still in Sebastian’s hand, and she didn’t doubt for a moment that he knew that better than she did.

The corridor began to curve around, and Sebastian spoke. “What,” he said, “if I did tell you I loved you?”

Jocelyn clasped her hands loosely in front of her. “I suppose,” she said carefully, “that I would say that you could no more love me than I could love you.”

They had reached a set of double doors. They paused in front of them. “Aren’t you supposed to pretend, at least?”

Jocelyn said, “Could you? Part of you is me, you know. The demon’s blood changed you, but did you really think that everything in you otherwise comes from Valentine?”

Without answering, Sebastian shouldered the doors open and stepped inside. After a moment Jocelyn followed—and stopped in her tracks.

The room was huge and semicircular. A marble floor stretched out to a platform built of stone and wood rising against the western wall. In the center of the platform sat two thrones. There was no other word for them—massive ivory chairs overlaid with gold; each had a rounded back and six steps leading down from it. An enormous window, glass reflecting nothing but blackness, hung behind each throne. Something about the room was oddly familiar, but Jocelyn couldn’t have said exactly what.

Sebastian bounded up onto the platform and beckoned her to follow him. Jocelyn moved slowly up the few steps to join her son, who stood in front of the two thrones with a look of gloating triumph on his face. She had seen the same look on his father’s face, when he’d gazed down at the Mortal Cup. “?‘He will be great,’?” Sebastian intoned, “?‘and he will be called the Son of the Highest, and the Devil will give him the throne of his father. And he will reign over Hell forever, and of his kingdom there will be no end.’?”

Cassandra Clare's Books