All the Light We Cannot See: A Novel(52)

“You don’t know?” A pause. Into Bastian’s face flows an undercurrent of antagonism. “Look at me when you speak.”

“Some people are weak in some ways, sir. Others in other ways.”

The commadant’s lips thin and his eyes narrow and an expression of slow and intense malice rises in his face. As though a cloud has drifted away and for a moment Bastian’s true, deformed character has come glaring through. He pulls the hose from around his neck and hands it to R?del.

R?del blinks up at his bulk. “Go on, then,” prods Bastian. In some other context, he might be encouraging a reluctant boy to step into cold water. “Do him some good.”

R?del looks down at the hose: black, three feet long, stiff in the cold. What might be several seconds pass, though they feel to Werner like hours, and the wind tears through the frosted grass, sending zephyrs and wisps of snow sirening off across the white, and a sudden nostalgia for Zollverein rolls through him in a wave: boyhood afternoons wandering the soot-stained warrens, towing his little sister in the wagon. Muck in the alleys, the hoarse shouts of work crews, the boys in their dormitory sleeping head to toe while their coats and trousers hang from hooks along the walls. Frau Elena’s midnight passage among the beds like an angel, murmuring, I know it’s cold. But I’m right beside you, see?

Jutta, close your eyes.

R?del steps forward and swings the hose and smacks Frederick with it across the shoulder. Frederick takes a step backward. The wind slashes across the field. Bastian says, “Again.”

Everything becomes soaked in a hideous and wondrous slowness. R?del rears back and strikes. This time he catches Frederick on the jaw. Werner forces his mind to keep sending up images of home: the laundry; Frau Elena’s overworked pink fingers; dogs in the alleys; steam blowing from stacks—every part of him wants to scream: is this not wrong?

But here it is right.

It takes such a long time. Frederick withstands a third blow. “Again,” commands Bastian. On the fourth, Frederick throws up his arms and the hose smacks against his forearms and he stumbles. R?del swings again, and Bastian says, “In your shining example, Christ, lead the way, ever and always,” and the whole afternoon turns sideways, torn open; Werner watches the scene recede as though observing it from the far end of a tunnel: a small white field, a group of boys, bare trees, a toy castle, none of it any more real than Frau Elena’s stories about her Alsatian childhood or Jutta’s drawings of Paris. Six more times he hears R?del swing and the hose whistle and the strangely dead smack of the rubber striking Frederick’s hands, shoulders, and face.

Frederick can walk for hours in the woods, can identify warblers fifty yards away simply by hearing their song. Frederick hardly ever thinks of himself. Frederick is stronger than he is in every imaginable way. Werner opens his mouth but closes it again; he drowns; he shuts his eyes, his mind.

At some point the beating stops. Frederick is facedown in the snow.

“Sir?” says R?del, panting. Bastian takes back the length of hose from R?del and drapes it around his neck and reaches underneath his belly to hitch up his belt. Werner kneels beside Frederick and turns him onto his side. Blood is running from his nose or eye or ear, maybe all three. One of his eyes is already swollen shut; the other remains open. His attention, Werner realizes, is on the sky. Tracing something up there.

Werner risks a glance upward: a single hawk, riding the wind.

Bastian says, “Up.”

Werner stands. Frederick does not move.

Bastian says, “Up,” more quietly this time, and Frederick gets to a knee. He stands, wobbling. His cheek is gashed and leaks tendrils of blood. Splotches of moisture show on his back from where the snow has melted into his shirt. Werner gives Frederick his arm.

“Cadet, are you the weakest?”

Frederick does not look at the commandant. “No, sir.”

Hawk still gyring up there. The portly commandant chews on a thought for a moment. Then his clear voice rings out, flying above the company, urging them into a run. Fifty-seven cadets cross the grounds and jog up the snowy path into the forest. Frederick runs in his place beside Werner, his left eye swelling, twin networks of blood peeling back across his cheeks, his collar wet and brown.

The branches seethe and clatter. All fifty-seven boys sing in unison.

We shall march onwards,

Even if everything crashes down in pieces;

For today the nation hears us,

And tomorrow the whole world!

Winter in the forests of old Saxony. Werner does not risk another glance toward his friend. He quick-steps through the cold, an unloaded five-round rifle over his shoulder. He is almost fifteen years old.





The Arrest of the Locksmith


They seize him outside of Vitré, hours from Paris. Two policemen in plain clothes bundle him off a train while a dozen passengers stare. He is questioned in a van and again in an ice-cold mezzanine office decorated with poorly executed watercolors of oceangoing steamers. The first interrogators are French; an hour later they become German. They brandish his notebook and tool case. They hold up his key ring and count seven different skeleton keys. What do these unlock, they want to know, and how do you employ these tiny files and saws? What about this notebook full of architectural measurements?

A model for my daughter.

Keys for the museum where I work.

Please.