All the Light We Cannot See: A Novel(47)



Hublin says, “It’s not clear what we’re waiting for, Sergeant Major.”

“I’m waiting for you to be truthful.”

“If I might—”

“Stay,” says von Rumpel. “Sit. I’m sure if one of you were to call out instructions, the mademoiselle who looks like a giraffe will hear, will she not?”

The assistant director crosses and recrosses his legs. By now it is past noon. “Perhaps you would like to see the skeletons?” tries the assistant director. “The Hall of Man is quite spectacular. And our zoological collection is beyond—”

“I would like to see the minerals you do not reveal to the public. One in particular.”

Hublin’s throat splotches pink and white. He does not take a seat. The assistant director seems resigned to an impasse and pulls a thick perfect-bound stack of paper from a drawer and begins to read. Hublin shifts as if to leave, but von Rumpel merely says, “Please, stay until we have resolved this.”

Waiting, thinks von Rumpel, is a kind of war. You simply tell yourself that you must not lose. The assistant director’s telephone rings, and he reaches to pick it up, but von Rumpel holds up a hand, and the phone rings ten or eleven times and then falls quiet. What might be a full half hour passes, Hublin staring at his shoelaces, the assistant director making occasional notes in his manuscript with a silver pen, von Rumpel remaining completely motionless, and then there is a distant tapping on the door.

“Gentlemen?” comes the voice.

Von Rumpel calls, “We are fine, thank you.”

The assistant director says, “I have other matters to attend to, Sergeant Major.”

Von Rumpel does not raise his voice. “You will wait here. Both of you. You will wait here with me until I see what I have come to see. And then we will all go back to our important jobs.”

The mineralogist’s chin trembles. The fan starts again, then dies. A five-minute timer, guesses von Rumpel. He waits for it to start and die one more time. Then he lifts his basket into his lap. He points to the chair. His voice is gentle. “Sit, Professor. You will be more comfortable.”

Hublin does not sit. Two o’clock out in the city, and bells toll in a hundred churches. Walkers down on the paths. The last of autumn’s leaves spiraling to earth.

Von Rumpel unrolls the napkin across his lap, lifts out the cheese. He breaks the bread slowly, sending a rich cascade of crust onto his napkin. As he chews, he can almost hear their guts rumbling. He offers them nothing. When he finishes, he wipes the corners of his mouth. “You read me wrong, messieurs. I am not an animal. I am not here to raze your collections. They belong to all of Europe, to all of humanity, do they not? I am here only for something small. Something smaller than the bone of your kneecaps.” He looks at the mineralogist as he says it. Who looks away, crimson.

The assistant director says, “This is absurd, Sergeant Major.”

Von Rumpel folds his napkin and places it back in the basket and sets the basket on the ground. He licks the tip of his finger and picks the crumbs off his tunic one by one. Then he looks directly at the assistant director. “The Lycée Charlemagne, is that right? On the rue Charlemagne?”

The skin around the assistant director’s eyes stretches.

“Where your daughter goes to school?” Von Rumpel turns in his chair. “And the College Stanislas, isn’t it, Dr. Hublin? Where your twin sons attend? On the rue Notre-Dame des Champs? Wouldn’t those handsome boys be preparing to walk home right now?”

Hublin sets his hands on the back of the empty chair beside him, and his knuckles become very white.

“One with a violin and the other a viola, am I correct? Crossing all those busy streets. That is a long walk for ten-year-old boys.”

The assistant director is sitting very upright. Von Rumpel says, “I know it is not here, messieurs. Not even the lowest janitor would be so stupid as to leave the diamond here. But I would like to see where you have kept it. I would like to know what sort of place you believe is safe enough.”

Neither of the Frenchmen says anything. The assistant director resumes looking at his manuscript, though it is clear to von Rumpel that he is no longer reading. At four o’clock the secretary raps on the door and again von Rumpel sends her away. He practices concentrating only on blinking. Pulse in his neck. Tock tock tock tock. Others, he thinks, would do this with less finesse. Others would use scanners, explosives, pistol barrels, muscle. Von Rumpel uses the cheapest of materials, only minutes, only hours.

Five bells. The light leaches out of the gardens.

“Sergeant Major, please,” says the assistant director. His hands flat on his desk. Looking up now. “It is very late. I must relieve myself.”

“Feel free.” Von Rumpel gestures with one hand at a metal trash can beside the desk.

The mineralogist wrinkles his face. Again the phone rings. Hublin chews his cuticles. Pain shows in the assistant director’s face. The fan whirs. Out in the gardens, the daylight unwinds from the trees and still von Rumpel waits.

“Your colleague,” he says to the mineralogist, “he’s a logical man, isn’t he? He doubts the legends. But you, you seem more fiery. You don’t want to believe, you tell yourself not to believe. But you do believe.” He shakes his head. “You’ve held the diamond. You’ve felt its power.”

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