A Ladder to the Sky(4)
‘It’s not far,’ he said, perhaps sensing my reluctance. ‘Ten minutes if we take a taxi. And it’s usually pretty quiet at this time of night. We can talk without having to shout over the noise.’
‘Splendid,’ I said. ‘Lead on.’
And as we made our way through the hotel doors he uttered the phrase that I usually dreaded but which now, inexplicably, sent waves of excitement through my body.
‘I’m a writer too,’ he said, sounding a little embarrassed at the revelation, as if he’d admitted to a desire to fly to the moon. ‘Or I’m trying to be, anyway.’
2. Copenhagen
My visit to Denmark was scheduled for three days in early April; press interviews followed by a public reading at the Royal Library the following evening. I was offered an extra night’s accommodation by my Danish publisher so that I could see something of the city and I accepted, booking a second room at my own expense for Maurice, who had agreed to accompany me in the slightly nebulous role of personal assistant. Anxious that our rooms be located adjacent to each other, I sent a carefully worded request to the hotel two weeks in advance. This, I told myself, was so that my young friend would be nearby should I need him. It was one of many lies I told myself during the year of our acquaintance.
At the end of our shared evening in Berlin six weeks earlier, I had given Maurice my address, inviting him to stay in touch, and upon my return to College I waited hopefully for a letter, but none came. I began to wonder whether he’d misplaced the piece of paper on which I’d written it or perhaps he had sent me something and it had got lost in the post. I considered initiating a correspondence myself, writing to him care of the Savoy, but every letter I wrote seemed more tragic than the last and so I gave the whole thing up as a bad job. Finally, after almost a month of silence, I assumed I wouldn’t hear from him but with poetic timing a large envelope arrived that same day with the name ‘Maurice Swift’ and a Berlin return address inscribed across the back.
In his letter, he apologized for taking so long to get in touch, claiming to have been uncertain whether he should take advantage of my proposal to read his work or whether it was simply a polite offer on my part after too many glasses of wine. Nevertheless, he enclosed a short story, titled ‘The Mirror’, and asked whether I might take a look, begging me not to spare his feelings.
Of course, I had no intention of going back on my word but to my disappointment his story proved to be nothing special. The central character, an obvious fictional representation of himself, was presented as shy and self-deprecating, amusingly inept in his relations with girls, and prone to finding himself in disastrous sexual encounters. And yet there was a touch of vanity to the exercise, for it was clear that he was considered utterly charming by everyone who crossed his path. But for all the mundaneness of the plot, the writing was impressive. He’d clearly worked hard on his sentences and I seized on this as evidence of a dormant talent. If only the story itself were not so boring, I decided, then it might even have been publishable.
Anxious not to appear too eager, however, and recalling how long it had taken him to write to me, I waited three interminable days before replying, sending a carefully considered critical analysis of the piece, during which I tended towards praise while noting the occasional moment that I felt could benefit from a little more attention. In a postscript, I mentioned the Copenhagen trip and suggested that, as I was getting older and these journeys could be tiring, he might be interested in accompanying me. It would give you a sense of a writer’s life, I told him, hoping that this would prove incentive enough. Naturally I will pay all your expenses and offer a stipend in exchange for whatever small duties I might require of you while we’re away.
This time, he responded almost immediately with an excited ‘yes’ and plans were duly drawn up. In the week leading up to our departure, however, I became increasingly fretful of meeting him again, worried that an enjoyable evening in Berlin would turn into something awkward when we tried to replicate it over a longer period in Denmark. But no, Maurice proved amenable and friendly from the moment of our reunion and, if he noticed how intensely I stared at him, then he was kind enough not to remark upon the fact. The slightest thing caught my eye: a shirt with its top buttons undone offering a glimpse of bare skin beneath the fabric and the grooved cavity at the centre of his chest where the muscles separated, a gully I longed to explore; the manner in which his trousers would ride up slightly when he crossed his legs and the intoxicating ankle that appeared at such moments, for Maurice never wore socks, an affectation I found ridiculous and erotic in equal measure; the manner in which his tongue darted from his mouth to lick his lips whenever food arrived and how his appetite was never satisfied, like a farmhand at the end of a long day’s harvesting. I took note of all these observations and more. I wrote them down, I memorized them, I allowed the negatives to rest in my brain for later development, and as he talked I simply watched him, feeling rejuvenated by the presence of this boy in my life while all the time trying not to think about how painful it would be when he inevitably departed it again.
On our last day, I suggested a trip to Frederiksborg Castle on the vague pretence that I was considering a historical novel based around the fire of 1859 and the role of the Carlsberg brewer in the building’s reconstruction. He agreed and, fulfilling the role of assistant beautifully, booked two first-class train tickets and made some notes on the history and architecture of the palace, which he shared with me on the journey. After a few pleasant hours spent examining its treasures and walking the gardens, we found a small restaurant nearby where we sat at a corner table and ordered pints of local beer with plates of meatballs.