The Gates (Samuel Johnson vs. the Devil #1)(16)

First she would find out what Samuel Johnson knew. If he had been a naughty little boy, one who had been sticking his nose in where he had no business sticking it, he would have to be dealt with.





IX

In Which We Learn a Little About the Gates of Hell, None of Which Is Entirely Helpful

AFTER HIS MOTHER LEFT to do her shopping, Samuel spent some time at the kitchen table, his chin cupped in his hands, considering his options. He knew that Mrs. Abernathy, or the entity that now occupied her body, was up to no good, but he was facing a problem encountered by young people the world over: how to convince adults that you were telling the truth about something in which they just did not want to believe.

His mother had told him not to play computer games, but that didn’t mean he couldn’t use his computer at all. With Boswell at his heels, Samuel went up to his bedroom, sat at his desk, and began to search the internet. He decided to start with what he knew for certain, so he typed “gates of Hell” into the search engine.

The first reference that came up was to a huge bronze sculpture entitled La Porte de l’Enfer, which in English means The Gate of Hell, by an artist named Auguste Rodin. Apparently, Rodin was asked to create the sculpture in 1880, and promised to deliver it by 1885. Instead Rodin had still been working on it when he died in 1917. Samuel did a small calculation and discovered that Rodin had been thirty-two years late in delivering the sculpture. He wondered if Rodin might have been related to Mr. Armitage, their local painter, who had been supposed to paint their living room and dining room over a single weekend and had in fact taken six months to do it, and even then had left one wall and part of the ceiling unfinished. Samuel’s father and Mr. Armitage had had a big argument about it when they met in the street. “It’s not the ceiling of the Sistine Chapel,” Mr. Armitage had said. “I’ll get round to it when I can. You’ll want me flat on my back painting angels next.”16

Samuel’s father had suggested that if Mr. Armitage had been asked to paint the ceiling of the Sistine Chapel, he would have taken twenty years instead of four, and still would have left God without a beard. At that point, Mr. Armitage had said a rude word and walked away, and Samuel’s father had ended up finishing the ceiling and wall himself.

Badly.

Anyway, while Rodin’s gates looked very impressive, they didn’t seem to have a blue light around them, and Samuel read that they had been inspired by a writer named Dante, and his book The Divine Comedy. Samuel suspected that neither Dante nor Rodin had ever really seen the gates of Hell, and had just taken a guess.17

After that, Samuel found some dodgy heavy-metal groups who either had songs named after the gates of Hell, or simply liked putting images of demons on their album covers in order to make themselves seem more terrifying than they really were, since most of them were just hairy chaps from nice families who had spent too much time alone in their bedrooms as teenagers. Samuel did discover that the Romans and Greeks believed the gates were guarded by a three-headed dog called Cerberus, who made sure that nobody who entered could ever leave, but they also believed a boatman took dead people across the River Styx, and Samuel had seen no sign of a river in the Abernathys’ basement.

He tried “doors of Hell,” but didn’t have any more luck. Finally, he just typed in “Hell,” and came up with lots of stuff. Some religions thought that Hell was hot and fiery, and others thought it was cold and gloomy. Samuel didn’t think any of them could know for certain, since by the time someone found out the truth he would be dead and the information would probably be too late to be useful. What he did find interesting was that most of the world’s religions believed in Hell, even if they didn’t always call it that, and lots of them had names for whatever they felt ruled over it: Satan, Yanluo Wang, Yamaraj. The one thing on which everyone seemed to agree was that Hell wasn’t a very pleasant place, and was not somewhere that you wanted to end up.

After an hour, Samuel stopped searching. He was frustrated. He wanted answers. He wanted to know what to do next.

He wanted to stop Mrs. Abernathy before she opened the gates.

? ? ?

Samuel’s mother was trying to work out if two small cans of baked beans were better value than one big can when a figure appeared beside her. It was Mrs. Abernathy.

“Hello, Mrs. Johnson,” said Mrs. Abernathy. “How lovely to see you.”

Mrs. Johnson didn’t know why exactly it was lovely for Mrs. Abernathy to see her. She and Mrs. Abernathy barely knew each other, and had never exchanged more than a polite hello in the past.18

“Well, it’s lovely to see you too,” Mrs. Johnson lied. Something about Mrs. Abernathy was making her uneasy. In fact, now that she thought about it, there were lots of things not quite right about the woman standing next to her. She was wearing a lovely black velvet overcoat, which was far too nice to wear for shopping, unless you were shopping for an even lovelier black overcoat and wanted to impress the salesperson. Her skin, although very pale, paler than Mrs. Johnson remembered from their previous brief meetings, had a bluish tinge to it, and the veins beneath her skin were more obvious than before. Her eyes too were very blue. They seemed to burn with a faint flame, like a gas fire. Mrs. Abernathy was wearing lots of strong perfume, but she still smelled a little funny, and not in a ho-ho way.

As Mrs. Johnson looked at Mrs. Abernathy, and inhaled her perfume, she felt herself becoming sleepy. Those eyes drew her in, and the fire within them grew more intense.