Four Roads Cross (Craft Sequence #5)(59)
Daphne forced her back straight and unclenched her hands from the ropes. Synthetic fibers had left crisscross tracks on her palms. “It’s fine. I feel.” There were words somewhere to match her feeling. She touched her neck. The wound was gone. “I feel bad for her. She’s fallen so far.”
Madeline Ramp examined the blood on her glove as it dried, as if she could read the remnant stain like tea leaves. “Daphne,” she said in the same soft voice, “Ms. Abernathy won’t join our cause just because we ask her to. If her loyalty’s misplaced, we will have to fight her—break her down and bring her into the fold. Do you think you can do that? If not, you can sit this one out. You’ve done so much.”
At those words, the ground under Daphne gaped. She could fall back into purposeless void—into pondering the milk-swirled depths of teacups as women in pale dresses moved around her and whispered: Don’t take the tea, you’ll upset her. A mother wept somewhere, a mother who might have been hers.
All that smeared memory of tea and milk and hospital gowns had ended with five words: I have work for you.
“I can do this,” she said.
“Good.” Ramp vaulted into the basket and extended her hand to Daphne. “Come, then. Let’s dirty our hands.”
She cut the anchor lines, and the balloon rose over Alt Coulumb.
*
Tara found Gavriel Jones in the plaza before the Crier’s Guild entrance, on the southeast corner of Providence and Flame. Guild spires cut the scudding clouds above the gathered audience: nobles and merchants and bankers mixed with cabdrivers and off-duty construction workers in dusty coveralls. Hot dog and pretzel carts did brisk trade at the square’s edge.
Alt Coulumb’s people had come for the news.
“Crowded,” Tara grumbled after she shoved past stevedores and stockbrokers to reach Jones by the stage. “I thought we had a deal.”
“We do,” Jones said. “But rumor travels faster than truth. People hear what’s said between the lines. I hope your exclusive’s worth the delay.”
A hush capped the crowd’s murmur, as if a conductor had given signal. The Guild’s front doors opened and two lines of velvet-robed choristers emerged in step. At the square’s edge a man argued with a hot dog seller, and traffic clanked and clattered as usual, but the silence by the stage was so deep Tara could hear each singer’s footfalls. Onstage, they curved into a shallow U. A singer in darker robes stepped forth, raised her hand. Tara heard a pitch but saw no pipe.
That morning’s song had been a stripped-down version of the Paupers’ Quarter fight, sans goddess: incantation more than melody, like the call-and-response hymns from Edgemont services. The simple line emphasized the words, which were the point.
At least, Tara had thought they were.
But words were not the point of the Criers’ song that night. Tara heard a theme stated in the bass and restated, discordant, by other voices, describing the Paupers’ Quarter gathering. The music swelled, shards of melody grating against one other, when Shale arrived. And then, the piece trembled on the verge of decoherence—she was not musician enough to give what happened its proper name. Harmonic fragments locked into a new, shining tone, a strange expanded inside-out chord, a brilliance. She caught her breath to keep from weeping.
Exhaustion, she told herself. Heightened emotions from two days’ hard work.
She knew she was lying.
No single word betrayed Seril or broke Jones’s promise. But Shale—although four decades of suspicion had primed the crowd to call him a monster—brought them glory through this music.
The choir held the chord, shifting like the light a full moon cast through diamond. Then came the dying fall, a restatement of the initial themes to summarize the night’s events.
Tara’s eyes were hot. Entirely due to the intensity with which she’d watched the stage. Of course.
The song ended. The audience stood rigid as if a current ran through them.
Applause came in torrents.
Tara turned to Jones. The journalist had her hat cocked back, her chin up, her hands in the pockets of her overcoat. The corners of her mouth turned up.
“Between the lines.” Tara had to shout to be heard through the cheers.
Jones shrugged. Every line on her face said, satisfied. “I’ve waited a long time for something to fit that music.”
“You wrote that?”
“A year back. Finally had cause to use it.”
“That was”—she searched for the right word—“more generous than I expected.”
“You keep trying to cast me as a villain, Tara.” Jones looked like a wine connoisseur after a fine sip of a joyful vintage, holding the sensation’s ghost in her mouth and mind as it faded. “I’m not. Our goals are different, that’s all.”
“Come on,” Tara said. She checked her watch. Fifteen minutes gone. She wasn’t sure whether she was surprised the song was so long, or so short. Clock time didn’t map to music. “I have a friend who wants to meet you.”
*
Claire stocked the stall and kept it herself all day, without father or sisters, complaint or apparent fatigue. She even smiled when she thought Matt wasn’t looking, though not more than once or twice an hour and never more curve than the blade of a paring knife. The produce moved. She kept the books and collected soulstuff for the family shrine. Sandy dropped by after the fiercest wave of customers passed to talk with Claire. Claire answered her politely—not that Matt was eavesdropping, only they were close enough he could hear her tone of voice.