Fever Dream: A Novel
Samanta Schweblin
For the first time in a long while, he looked down and saw his hands. If you have had this experience, you’ll know just what I mean.
—JESSE BALL, The Curfew
They’re like worms.
What kind of worms?
Like worms, all over.
It’s the boy who’s talking, murmuring into my ear. I am the one asking questions.
Worms in the body?
Yes, in the body.
Earthworms?
No, another kind of worms.
It’s dark and I can’t see. The sheets are rough, they bunch up under my body. I can’t move, but I’m talking.
It’s the worms. You have to be patient and wait. And while we wait, we have to find the exact moment when the worms come into being.
Why?
Because it’s important, it’s very important for us all.
I try to nod, but my body doesn’t respond.
What else is happening in the yard outside the house? Am I in the yard?
No, you’re not, but Carla, your mother, is. I met her a few days ago, when we first got to the vacation house.
What is Carla doing?
She finishes her coffee and leaves the mug in the grass, next to her lounge chair.
What else?
She gets up and walks away. She’s forgetting her sandals, which are a few feet away on the pool steps, but I don’t say anything.
Why not?
Because I want to wait and see what she does.
And what does she do?
She slings her purse over her shoulder and walks toward the car in her gold bikini. There’s something like mutual fascination between us, and also at times, brief moments of repulsion; I can feel them in very specific situations. Are you sure these kinds of comments are necessary? Do we have time for this?
Your observations are very important. Why are you in the yard?
Because we’ve just gotten back from the lake, and your mother doesn’t want to come into my house.
She wants to save you any trouble.
What kind of trouble? I have to go inside anyway, first for some iced tea with lemon, then for the sunscreen. That doesn’t seem like she’s saving me any trouble.
Why did you go to the lake?
She wanted me to teach her how to drive, she said she’d always wanted to learn. But once we were at the lake, neither of us had the patience for it.
What is she doing now, in the yard?
She opens the door of my car, gets into the driver’s seat, and digs around in her purse for a while. I swing my legs down off the lounge chair and wait. It’s so hot. Then Carla gets tired of rummaging around, and she grips the steering wheel with both hands. She stays like that for a moment, looking toward the gate, or maybe toward her own house, far beyond the gate.
What else? Why are you quiet?
It’s just, I’m stuck. I can see the story perfectly, but sometimes it’s hard to move forward. Is it because of the nurses’ injections?
No.
But I’m going to die in a few hours. That’s going to happen, isn’t it? It’s strange how calm I am. Because even though you haven’t told me, I know. And still, it’s an impossible thing to tell yourself.
None of this is important. We’re wasting time.
But it’s true, right? That I’m going to die.
What else is happening in the yard?
Carla leans her forehead against the steering wheel and her shoulders start to shake a little; she’s crying. Do you think we could be close to the exact moment when the worms are born?
Keep going, don’t forget the details.
Carla doesn’t make any noise, but she gets me to stand up and walk over to her. I liked her from the start, from the day I saw her walking in the sun and carrying two large plastic buckets. She had her red hair pulled back in a big bun and she was wearing denim overalls. I hadn’t seen anyone wear those since I was a teenager. I was the one who insisted on iced tea, and I invited her over for mate the next morning, and the next one, and the next one, too. Are these the important details?
We’ll know the exact moment from a detail, you have to be observant.
I cross the yard. When I skirt the pool, I look in the window toward the dining room to be sure that my daughter, Nina, is still asleep, hugging her big stuffed mole. I get into the car on the passenger side. I sit, but I leave the door open and roll the window down, because it’s very hot. Carla’s big bun is drooping a little, coming undone on one side. She leans against the backrest, aware that I’m there now, beside her once again, and she looks at me.
“If I tell you,” she says, “you won’t want me to visit anymore.”
I think about what to say, something like “Now Carla, come on, don’t be silly,” but instead I look at her toes, tense on the brakes, her long legs, her thin but strong arms. I’m disconcerted that a woman ten years older than me is so much more beautiful.
“If I tell you,” she says, “you won’t want him to play with Nina.”
“But Carla, come on, how could I not want that.”
“You won’t, Amanda,” she says, and her eyes fill with tears.
“What’s his name?”
“David.”
“Is he yours? Is he your son?”
She nods. That son is you, David.