A Scot in the Dark (Scandal & Scoundrel #2)

A Scot in the Dark (Scandal & Scoundrel #2)

Sarah MacLean




WARNICK’S WILD WARD



WE HAVE IT on excellent authority that the oddsmakers on St. James’s are wagering that a certain duke has returned to London to remind his not-so-young ward that her gossip is not his gain. In the brisk spring air, the Duke of Warnick dons the mantle of matchmaker for Miss Lillian Hargrove, now known as MISS MUSE to those who have heard of (or, better, seen!) the promiscuous painting that has scandalized Society and summoned the SCOTTISH SCOUNDREL south! Excitement is expected with the arrival of the Highland Devil (and Halfhearted Duke). All that can be assured is that spring will bring more tartan to town . . . and ton.



MORE TO COME.





PROLOGUE



DUCAL DEVASTATION!

ONE DOZEN DAYS OF DARKNESS AND DEMISE

March 1829

Bernard Settlesworth, Esquire, believed that name was destiny.

Indeed, as the third in a familial line of solicitors to the aristocracy, it was difficult not to believe such a thing. Bernard took immense pride in his work, which he performed with precision on nearly every day of the year. After all, he would tell himself, the British aristocracy was built on the hard work of men such as he. Without the Bernard Settlesworths of the world expertly calculating ledgers and deftly managing enormous estates, the House of Lords would crumble, leaving nothing but the dust of ancient lines and fortunes.

He did the Lord’s work, ensuring the aristocracy remained standing. And solvent.

And though he took pride in all aspects of his work, there was nothing Bernard enjoyed quite so much as meeting with new inheritors, for it was in those moments that the Settlesworth name was best put to work—settling worth.

Bernard enjoyed this part best, that is, until tragedy struck the Dukedom of Warnick.

Two marquesses. Six different earls and baronets. A landed gentleman and his three sons. A vicar. A ship’s captain. A hatter. A horse breeder. And one duke.

Lost to a spate of tragedies that included, but was not limited to, a carriage accident, a hunting mishap, a robbery gone wrong, a drowning in the Thames, an unfortunate incident with influenza, and a truly unsettling incident with a cormorant.

Seventeen dukes, if he were honest, Bernard supposed—all dead. All within the span of a fortnight.

It was a turn of events—seventeen turns of events—unheard of in British history. But Bernard was nothing if not dedicated, even more so when it fell to him to play protector to such an old and venerable title, to its vast lands (made vaster by the rapid, successive death of seventeen men, several of whom died without issue), and large fortunes (made larger by the same).

And so it was that he stood in the great stone entryway of Dunworthy Castle in the cold, windy, wild of Scotland, face-to-face with Alec Stuart, once seventeenth in line for the Dukedom of Warnick, now the last known heir to the title.

Face-to-face wasn’t quite accurate. After being greeted by a pretty young woman, Bernard had been left to wait, surrounded by massive tapestries and a handful of ancient weaponry which appeared to have been haphazardly affixed to the wall.

And so he waited.

And waited.

After three quarters of an hour, two large dogs appeared, bigger than any he’d ever seen, grey and wild. They approached, the movements deceptively lazy. Bernard pressed himself to the stone wall, hoping they would decide to find another, more appetizing victim. Instead, they sat at his feet, wire-haired heads reaching nearly to his chest, grinning up at him, no doubt thinking him quite tasty.

Bernard did not care for it. Indeed, for the first time in his career, he considered the possibility that soliciting was a less than enjoyable profession.

And then the man arrived, looking wilder than the dogs. He was dark-haired and big as a house—Bernard had never seen a man so big—well past six and a half feet, he imagined, with what might have been twenty stone on his broad, muscled frame, and none of it fat. Bernard could tell that bit, because the man wasn’t wearing a shirt.

Indeed, he wasn’t wearing trousers, either.

He was wearing a kilt. And carrying a broadsword.

For a moment, Bernard wondered if he’d traveled through time as well as space on the journey to Scotland. It was, after all, 1829, despite the Scotsman appearing as though he’d arrived via three centuries earlier.

The enormous man ignored him, tossing the sword up onto the wall where it stuck as though by sheer force of its owner’s will. That same owner who then turned his back on Bernard and made to leave.

Bernard cleared his throat, the sound louder than he’d intended in the massive stone space, loud enough for the man to turn and cast a lingering look over the solicitor’s diminutive-in-comparison frame. After a long silence, he said, “Who are you?”

At least, that’s what Bernard thought he said. The words were thick on the man’s tongue, wrapped in brogue.

“I—I—” Bernard collected himself and willed the stutter away despite being surrounded by beasts both human and canine. “I am waiting for an audience with the master of the house.”

The man rumbled, and Bernard imagined the deep sound was amusement. “Careful. These stones shan’t like hearin’ that ye think they’ve a master.”

Bernard blinked. He’d heard tales of mad Scots, but he hadn’t expected to meet one. Perhaps he’d misunderstood in the confusion of rolling Rs and missing syllables. “I beg your pardon.”

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