Piranesi(20)



The First Vestibule

ENTRY FOR THE FIRST DAY OF THE SEVENTH MONTH IN THE YEAR THE ALBATROSS CAME TO THE SOUTH-WESTERN HALLS

Today I decided to visit the First Vestibule. It is, oddly enough, a place I hardly ever go. I say ‘oddly’ because when I set up my System of Numbering the Halls several years ago I chose this Vestibule as the starting point, the place from which everything else is reckoned. Knowing Myself as I do, I do not think I would have chosen it had I not felt some sort of strong connection with it; yet I no longer remember what that connection was. (Is the Other right? Am I forgetting things? It is an unpleasant thought and I push it away.)

The First Vestibule is an impressive place, larger than the majority of Vestibules and more gloomy. It is dominated by eight massive Statues of Minotaurs, each one approximately nine metres high. They loom over the Pavement, darkening the Vestibule with their Bulk, their Massive Horns jutting into the Empty Air, their Animal Expressions solemn, inscrutable.

The temperature of the First Vestibule is different from that of the surrounding Halls. It is several degrees colder and there is a draught that blows from somewhere, bringing with it a smell of rain, metal and petrol. I have noticed this many times before, but somehow I always seem to forget about it immediately afterwards. Today I concentrated my attention on the scent. It was neither pleasant nor unpleasant, but extremely interesting. I followed its path. I passed along the Southern Wall of the Vestibule until I came to the two Minotaurs that flank the South-Eastern Corner. Here I noticed something. The Shadows between the two Statues were producing a sort of optical illusion. I could almost imagine that they extended backwards a long way and that I was in fact gazing into a corridor leading to a distant point where there was a patch of misty light. This patch of light contained other lights that seemed to flicker and move. It was from there that both the draught and the scent seemed to emanate. I could hear faint sounds – a sort of vibration and a dashing noise, like the Waves but less regular.

Suddenly I heard footsteps, followed by a voice, loud and indignant: ‘ … not what I was hired to do and I said to him, “You have to be joking. You have to be fucking joking, mate.”’

Another, glummer voice said: ‘People have no shame. I mean what goes through their heads when …’ The footsteps died away.

I leapt back from the South-Eastern Corner as if I had been stung.

What had just happened? Cautiously, I approached the Statues again and peered between them. The Shadows now looked unremarkable. I could sort of see how they might suggest the shape of a corridor, but that was all. The cold draught played around my ankles and I could still smell rain, metal and petrol, but the lights and the noises had vanished.

As I stood thinking of these things, four old crisp packets blew along the Pavement, one after the other. I made a sound of exasperation; this was a problem I thought I had dealt with. At one time I was forever finding crisp packets scattered about the First Vestibule. I also found old fish finger packets and sausage-roll wrappings. I gathered them up and burnt them so that they did not mar the Beauty of the House. (I do not know who it was that ate all the crisps and the fish fingers and the sausage rolls, but I cannot help wishing that he or she had been more tidy!) I also found a sleeping bag under the marble Sweep of the Staircase. It was very dirty and evil-smelling, but I washed it thoroughly and it has served me well.

I ran after the four crisp packets and picked them up. The fourth crisp packet was not a crisp packet at all. It was a crumpled-up piece of paper. I smoothed it out. On it was written the following:

All I am asking you to do is to give me directions to the statue you were telling me about – the one of an elderly fox teaching some young squirrels and other creatures. I would like to see it for myself. This task is not difficult and should be well within your capabilities. Write the directions in the space below. I have left a biro next to your lunch.

Eat it while it is hot – the lunch, not the biro.

Laurence

P.S. Please try to remember to take your multivitamin.

Underneath the message there was a large blank space for the recipient to write in but as it was still blank, I deduced that he or she had not given the writer the information they requested.

I would have liked to have kept the paper. It was evidence of two of the People who have lived: firstly, a person called Laurence and secondly, a person to whom Laurence had written and whose lunch and multivitamin he had provided. But who were they? I considered and immediately discounted the possibility that either of them was 16. The Other had said that 16 did not know the way here and clearly both Laurence and his friend had been familiar with these Halls at one time. They might well belong to my own Dead. But there was another possibility: that they were inhabitants of the Far-Distant Halls. If Laurence was still alive and waiting for the information about the Statue, then it would be wrong to take the paper.

I got out my own pen and wrote the following in the empty space.

Dear Laurence

The Statue of the Dog-Fox teaching two Squirrels and two Satyrs is in the Fourth Western Hall. From this Place go through the Western Door. In the next Hall go through the Third Door on the right. You will be in the First North-Western Hall. Follow the Southern (left-hand) Wall and again take the Third Door you come to. You will find yourself in a Corridor at the end of which is the Fourth Western Hall. The Statue is in the North-Western Corner. It is one of my favourites too!

1. If you are alive then my hope is that you will find this letter and that the information I have given will be useful to you. Perhaps one day we will meet. You may find me in any of the Halls North, West and South of here. The Halls to the East are derelict.

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