Whiteout(100)



Kit was bewildered, but he decided not to ask questions. "You can't come in," he said to Toni.

"Don't be stupid," she replied. "This is not your house, it's your father's, and he'll want to see me." She continued walking slowly toward him with her mother on one arm and the puppy cradled in the other.

Kit was stymied. He had expected Toni to be in her own car, and his plan had been to tell her she should come back later. For a moment, he considered running after the Jaguar and telling the driver to come back. But the driver would surely ask why. And the police in the snowplow might ask what the fuss was about. It was too dangerous. Kit did nothing.

Toni stood in front of Kit, who was blocking the doorway. "Is something wrong?" she said.

He was stuck, he realized. If he persisted in trying to obey Nigel's orders, he might bring the police back. Toni on her own was more manageable. "You'd better come in," he said.

"Thanks. By the way, the puppy's name is Osborne." Toni and her mother stepped into the hall. "Do you need the bathroom, Mother?" Toni asked. "It's just here."

Kit watched the lights of the snowplow and the Jaguar disappear into the woods. He relaxed slightly. He was saddled with Toni, but he had got rid of the police. He closed the front door.

There was a loud bang from upstairs, like a hammer hitting a wall.

"What the heck was that?" said Toni.

* * *

MIRANDA had taken a thick sheaf of pages from the book and folded them into a wedge which she had shoved into the gap under the cupboard door. That would not hold Daisy for long. She needed a more solid barrier. Beside the bed was an antique commode chest used as a bedside table. With a huge effort, she dragged the heavy mahogany chest across the carpet, tilted it at a forty-five-degree angle, and jammed it against the door. Almost immediately, she heard Daisy pushing at the other side of the door. When pushing failed, she banged.

Miranda guessed Daisy was lying with her head in the attic and her feet in the cupboard, kicking the door with the soles of her boots. The door shuddered but did not fly open. However, Daisy was tough, and she would find a way. Nevertheless, Miranda had won a few precious seconds.

She flew to the window. To her dismay, she saw two vehicles—a truck and a sedan—driving away from the house. "Oh, no!" she said aloud. The vehicles were already too far for the people inside them to hear her scream. Was she too late? She ran out of the bedroom.

She stopped at the top of the stairs. Down in the hall, there was an old woman she had never seen before, going into the bathroom.

What was happening?

Next she recognized Toni Gallo, taking off a flying jacket and hanging it on the hat stand.

A small black-and-white puppy was sniffing the umbrellas.

Kit came into view. There was another bang from the dressing room, and Kit said to Toni, "The children must be awake."

Miranda was bewildered. How could this be? Kit was acting as if there was nothing wrong . . .

He must be fooling Toni, Miranda realized. He was hoping to make her think that all was well. Then he would either persuade her to leave, or overpower her and tie her up with the others.

Meanwhile, the police were driving away.

Toni closed the bathroom door on her mother. No one had yet noticed Miranda.

Kit said to Toni, "You'd better come into the kitchen."

That was where they would jump her, Miranda guessed. Nigel and Elton would be waiting, and they would take her by surprise.

There was a crash from within the bedroom: Daisy had broken out of the cupboard.

Miranda acted without thinking. "Toni!" she screamed.

Toni looked up the stairs and saw her.

Kit said, "Shit, no—"

Miranda yelled, "The thieves, they're here, they've tied Daddy up, they've got guns—"

Daisy burst out of the bedroom and crashed into Miranda, sending her tumbling down the stairs.





7:30 AM

FOR an instant, Toni froze.

Kit stood beside her, an expression of rage on his face, looking up the stairs. With a twisted mouth he said, "Get her, Daisy!"

Miranda was falling down the stairs, her pink nightdress billowing up to reveal plump white thighs.

Running after her was an ugly young woman with a shaved head and Gothic eye makeup, dressed in leather.

And Mother was in the bathroom.

In a flash of comprehension, Toni understood what was happening. Thieves with guns were here, Miranda had said. There could not be two such gangs operating in this remote area on the same night. These must be the people who had robbed the Kremlin. The bald woman at the top of the stairs would be the blonde Toni had seen on the security video— her wig had been found in the getaway van. Toni's mind raced ahead: Kit seemed to be in league with them—which would explain how they had defeated the security system—

As that thought struck her, Kit hooked his arm around her neck and pulled, trying to yank her off her feet. At the same time, he yelled: "Nigel!"

She elbowed him forcefully in the ribs, and had the satisfaction of hearing him grunt with pain. His grip on her neck eased, and she was able to turn and hit him again, this time a punch in the midriff with her left fist. He lashed out at her, but she easily dodged the blow.

She drew back her right arm for a real knockout punch but, before she could strike, Miranda reached the foot of the stairs and crashed into the back of Toni's legs. Because Toni was leaning back, ready to hit Kit, she fell backwards. A moment later, the woman in leather tripped over Miranda and Toni and collided with Kit, and all four of them ended up in a heap on the flagstone floor.

Ken Follett's Books