The Silver Metal Lover(19)
“I’m coded,” he said. “Don’t try anything.”
It was Swohnson.
“Are you going,” he said, “or do I, ah, signal the police?”
It would have been nice to say something razor-sharp and succinct. Clovis would have. But it was my mouth, not my wit, that was dry.
“I called you. You spoke to me on the video, earlier.”
“Threats won’t do you any good.”
In a moment he would press his silly code button.
I blurted rapidly: “I decided I’d buy one of the formats.”
“Uh—oh,” said Swohnson. “Oh,” he said, shifting so he could see the candy neon on my face. “Madam, I do apologize. But I never thought you’d come here, after the operator cut us off.”
His indiscretion with me before had caused a row, perhaps, and now he might redeem himself with a sale. Or was he just feeling unorthodox?
“I came back to lock up,” said Swohnson. “Dogsbody, that’s me.” He palmed the door panel. He had been drinking. “Director’s daughter’s lover,” he said, “that’s me, too. My qualifications. How I got the job. Liaison, public relations, locker-up of doors. But I mustn’t put all this onto you, madam.” The door recognized him and opened with a sullen hiss. “Please walk inside.”
He thought I was a rich eccentric. The rich part was easy. It’s awful, the way we have this look to us, of being rich. Eccentric because I waited in doorways in East Arbor, alone, on the off chance people like Swohnson would come by to shut the gate.
In the foyer, which was also glass-sprayed and dismal, he hit some switches and saw to the gate, and summoned a lift. Then he took me up to the shop floor.
The place we came into was a tepid office in leather, and by now my bluff was already turning cold inside me, congealing. I told myself I could back out, so long as I didn’t handprint or sign anything, or as long as I didn’t record my assent verbally on tape. He’d need my permission for any of those. Or, if I did, maybe Demeta would have to honor the transaction? Maybe it would be clever to do just that. But basically I hate lying, big lies. It’s so complicated.
He sat in a chair and a drinks tray came out of the wall. We had a drink. His hands trembled, and my hands trembled. But both our hands still trembled on our second drinks, his around the rye whisky, mine around the lemon juice. I guess we had both, in our different ways, had a rough day. He told me all about Electronic Metals, but I don’t remember what he said. I had to pretend I was alert, or thought I did, the prospective buyer making sure everything was in order, and all my concentration went into that. I think I heard one word in twenty. I still couldn’t quite believe I’d gotten into the building.
“There’s an exhibition formula we have here,” he said, and I heard that because instinctively I knew it was a prelude to the display of E.M.’s wares. “I dreamed it up myself, actually, to show off the three types to full advantage. If you’ll step through?” He drained his glass, took another, and held my arm as one of the walls folded back. “Excuse me, madam, but you’re ver-ry young.”
“I’m eighteen.” Should I have tried for twenty?
“Gorgeous age, eighteen. Can just remember it, I think.” (It occurs to me now, writing it out, that he may have been making a halfhearted pass at me. He was attractive in a stereotyped way, and knew he was attractive and not that he was stereotyped, merely in the mode. And he’d made it with a rich girl before. Perhaps he thought I’d be useful, somehow, if I fell for him and poured cash over him. How embarrassing. I never even thought of this at the time.) “Actually, um, I think I know which of the Formats you’ll choose. It’s proficient in pre-Ast. oriental dance—one of the female Golder range. But wait till you see.”
He knew I wasn’t even eighteen. He thought me an innocent, even if he made a pass, unless he thought I was M-B. How would I be able to tell him now, past the barriers in my throat and soul, that my chosen robot was masculine?
Riven with my shyness, I moved away from his guiding hand, and into the area beyond the reception office. It was a large room we entered, windowless, with a soft suffused light all over the ceiling. The floor was polished.
“Don’t step beyond the red line,” said Swohnson. “Let’s just sit here and see what happens.” Proud of his innovation in the boss’s workshop, he waved us into tubular chairs. Obviously that activated a control somewhere. A slot opened in the far wall, and a woman came through.
She was tall and slender and beautiful. Hair blond as cereal haloed her head and shoulders. Her tawny-yellow cat’s eyes fastened on mine and she smiled. She was pleased to see me, you could tell. A dress like a tulip flame swathed her, and she held a purple rose. Her skin was a pale creamy copper.
“Hallo,” she said. “I’m one of Electronic Metals’ experimental range. My registration is Copper. That is C.O.P.P.E.R.: Copper Optimum Pre-Programmed Electronic Robot.” She half closed her eyes. A stillness seemed to enfold her. The music of her voice grew hushed, hypnotic. “Gallop apace,” she said, “you fiery footed steeds, to Phoebus’ lodging…” She spoke Juliet’s lines in a way I never heard before. The air scintillated, my eyes filled with tears. She spoke of love, knew love, was love. “… If he should die, take him and cut him out in little stars, and he will make the face of heaven so fine that all the world will be in love with night—” Two men stepped through the wall. They were Copper’s brothers. One wore a jacket of yellow velvet with medieval sleeves, and white denim jeans. The other wore damson jeans, a sauterne-colored shirt, and a magenta sash from the Arabian Nights. Each smiled at me. Each told me he, too, was registration Copper. They acted a scene together from a drama I’d sat through the month before. It far outshone the original performance. The three copper robots linked arms, bowed smiling to me, and went back through the wall, which closed.