The Monogram Murders(91)



Jennie wiped away a tear. “I believe I did her a favor. You heard her express the desire to be reunited with Patrick. I helped her with that, didn’t I?”

“Catchpool,” said Poirot. “Do you recall that I said to you, after we found the blood in the Room 402 of the Bloxham Hotel, that it was too late for me to save Mademoiselle Jennie?”

“Yes.”

“You thought I meant that she was dead, but you misunderstood me. You see, I knew even then that Jennie was beyond help. She had already done things so terrible that her own death was guaranteed, I feared. That was my meaning.”

“In every way that counts, I have been dead since Patrick died,” Jennie said in that same tone of unending hopelessness.

I knew there was only one way that I could get through this ordeal, and that was by concentrating all my attention on questions of logic. Had Poirot solved the puzzle? He seemed to think he had, but I was still in the dark. Who, for instance, had killed Harriet Sippel, Ida Gransbury and Richard Negus, and why had they done so? I asked these questions of Poirot.

“Ah,” he said, smiling fondly, as if I had reminded him of a joke we had once shared. “I see your dilemma, mon ami. You listen to Poirot declaim at great length and then, a few minutes before the conclusion, there is the interruption of another murder, and you do not, after all, hear the answers that you have been waiting for. Dommage.”

“Please tell me at once, and let the dommage end here,” I said as forcefully as I could.

“It is quite simple. Jennie Hobbs and Nancy Ducane, with the help of Samuel Kidd, conspired to murder Harriet Sippel, Ida Gransbury and Richard Negus. However, while collaborating with Nancy, Jennie pretended to be part of a quite different conspiracy. She allowed Richard Negus to believe that he was the one with whom she conspired.”

“That does not sound ‘quite simple’ to me,” I said. “It sounds inordinately complicated.”

“No, no, my friend. Vraiment, it is not at all. You are having trouble reconciling the different versions of the story that you have heard, but you must forget all that Jennie told us when we visited her at Samuel Kidd’s house—banish it from your mind completely. It was a lie from start to finish, though I do not doubt that it contained some elements of veracity. The best lies always do. In a moment, Jennie will tell us the whole truth, now that she has nothing to lose, but first, my friend, I must pay you the compliment that you deserve. It was you, in the end, who helped me to see clearly with your suggestion in the graveyard of Holy Saints Church.”

Poirot turned to Jennie. He said, “The lie you told to Harriet Sippel: that Patrick Ive took money from parishioners and, in return, conveyed to them messages from their dead loved ones; that Nancy Ducane had visited him in the vicarage at night for that reason—in the hope of communicating with her deceased husband, William. Ah, how often has Poirot heard about this terrible, wicked lie? Many, many times. You yourself admitted to us the other day, Miss Hobbs, that you told the lie in a moment of weakness, inspired by jealousy. But this was not the truth!

“Standing by Patrick and Frances Ive’s desecrated grave, Catchpool said to me, ‘What if Jennie Hobbs lied about Patrick Ive not to hurt him but to help him?’ Catchpool had realized the significance of something that I had taken for granted—a fact that had never been in dispute, and so I had failed to examine it: Harriet Sippel’s passionate love for her late husband, George, who died tragically young. Had Poirot not been told how much Harriet had loved George? Or how the death of George had turned Harriet from a happy, warm-hearted woman into a bitter, spiteful monster? One can hardly imagine a loss so terrible, so devastating, that it extinguishes all joy and destroys all that is good in a person. Oui, bien s?r, I knew that Harriet Sippel had suffered such a loss. I knew it so surely that I thought no further about it!

“I knew, also, that Jennie Hobbs loved Patrick Ive enough to abandon Samuel Kidd, her fiancé, in order to remain in the service of Reverend Ive and his wife. This is a very self-sacrificing love: content to serve, and receive little in return. Yet the story told to us by both Jennie and Nancy offered Jennie’s jealousy as her reason for telling the terrible lie that she told—jealousy of Patrick’s love for Nancy. But this cannot be true! It is not consistent! We must think not only of the physical facts but of the psychological. Jennie did nothing to punish Patrick Ive for his marriage to Frances. She accepted with good grace that he belonged to another woman. She continued as his loyal servant and was a great help to him and his wife at the vicarage, and they, in turn, were devoted to her. Why then all of a sudden, after many years of self-sacrificing love and service, would Patrick Ive’s love for Nancy Ducane inspire Jennie to slander him, and to set in motion a chain of events that would destroy him? The answer is that it would not, and did not.

“It was not the eruption of envy and longing locked inside for so long that prompted Jennie to tell her lie. It was something altogether different. You were trying—were you not, Miss Hobbs?—to help the man you loved. To save him, even. As soon as I heard the theory of my clever friend Catchpool, I knew it was the truth. It was so obvious, and Poirot, he had been imbécile not to see!”

Jennie looked at me. “What theory?” she asked.

I opened my mouth to answer, but Poirot was too quick for me. “When Harriet Sippel told you she had seen Nancy Ducane visiting the vicarage late at night, you were straight away alert to the danger. You knew about these trysts—how could you not, when you lived at the vicarage—and you were anxious to protect Patrick Ive’s good name. How could this be achieved? Harriet Sippel, once she had sniffed out a scandal, would relish the opportunity to bring public shame to a sinner. How could you explain the presence of Nancy Ducane at the vicarage on nights when Frances Ive was not there, except with the truth? What other story would pass the muster? And then, as if by magic, when you had almost given up hope, you thought of something that might work. You decided to use temptation and false hope to eliminate the threat that Harriet represented.”

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