The Long Way Home(106)

The two of them.

Trying not to see their way clear, but to see their way into a dark heart. Trying to solve the first, the oldest, crime. Cain’s crime. Murder.

Beauvoir thought about it. “But if No Man infected his paintings and sent them off to Massey, wasn’t there a chance Massey would sell them on? Find buyers?”

That had been troubling Gamache too. Once out of No Man’s hands anything could happen to the canvases. He had no way of knowing if they’d kill Massey, or a student, or some poor anonymous art collector.

Maybe No Man didn’t really care who else he killed, as long as Professor Massey was one of them. Or maybe …

“Maybe they weren’t very good,” said Gamache. “Maybe he deliberately sent paintings he knew Massey wouldn’t show to anyone else.”

“It still doesn’t make sense,” said Myrna. “Professor Massey hated Sébastien Norman. He got Norman the job, and then Norman took complete advantage of the situation to lecture on his own pet theory of the tenth muse. Then he held the show for the rejected artwork. Professor Norman did everything but burn down the college. Why would Massey help him?”

“Would you?”

The question came from Beauvoir, and it was directed at Gamache.

“Clara and Myrna here both thought Professor Massey reminded them of you, patron. I’ve seen you do some pretty weird things for people everyone else had given up on. Including me. Do you think Massey might still try to help Norman?”

Gamache considered that. “He might. Maybe he didn’t hate Norman,” Gamache said to Myrna, “but felt sorry for him. Maybe he even felt responsible. For putting both Norman and the school in that position.”

Myrna looked at Armand. And Armand looked at Myrna.

“Yes,” she said, remembering their private therapy sessions. “It’s possible.”

“I think Massey was the agent that Luc Vachon was sending the canvases to,” said Gamache.

“Asbestos-infected canvases,” said Beauvoir. “Massey might not have hated Norman, but Norman hated Massey. For getting him fired.”

“How many embittered employees go into their workplaces with a gun?” said Myrna. “The paintings were Norman’s gun.”

“But where did he get the asbestos? And where’re the paintings now?” asked Clara. “Where did Professor Massey put them? We didn’t see any on the walls.”

“They might be in a storage room,” said Gamache. “Maybe that was the hot spot they found. I’ll call the principal back.”

“Fortunately it looks like No Man’s plan didn’t work,” said Myrna, as Gamache placed the call.

“What do you mean?” asked Beauvoir.

“I keep forgetting that you didn’t see Professor Massey. A more healthy eighty-five-year-old would be hard to find. If those paintings began arriving decades ago, and the asbestos had done its job, he’d be either dead or dying.”

“What was it Julie called it?” said Clara. “A twist of fate.”

“Sometimes the magic works…” said Beauvoir. “But why would Massey suddenly go to Tabaquen now?”

Gamache hung up, having left a message on the principal’s voice mail with both his and Beauvoir’s numbers.

“Why would Peter go all the way to Tabaquen?” asked Clara.

“To find the tenth muse,” Myrna reminded her. “To become a better painter. He didn’t know any of this stuff. All he knows is that he’s desperate and lost and Professor Norman was offering an easy way to get from his head to his heart. The quick fix. A muse for the modern man.”

The ship shuddered as it hit a particularly massive wave. The river leapt up and beat against the windows.

But while slowed for a moment, the Loup de Mer plowed ahead. Getting closer and closer to its destination. The Sorcerer. The source.





THIRTY-SEVEN

They spent the afternoon apart. Each trying to just ride out the storm.

Armand Gamache came upon Clara in the men’s cabin, the so-called Admiral’s Suite. She’d brought soup and bread down to Chartrand, who was still asleep on the narrow bunk. There wasn’t much soup left in the bowl, most of it having slopped out as Clara tried to carry it.

The gale was upon them now. Battering the ship. Pushing it and pulling it, so that the people inside were tossed this way and that, without warning.

“I was just coming to check on him myself. Is he okay?” Gamache whispered as he clung on to the door frame.

“Yes. Just really seasick.”

Clara put the bread on the bedside table, but held on to the soup. No use leaving the bowl, it would just end up on the floor. Or on Chartrand.

She got up, but not before feeling Chartrand’s forehead. It felt like a cod and looked like underwear. An improvement. She rested her large hand on his chest. Just for a moment.

They left him and fought their way back to the observation deck. The river was froth and foam. The deck was awash.

Clara had chosen a bench next to the window and Gamache sat beside her, as they had each morning in Three Pines. Like strangers waiting for a bus.

Clara had her sketchbook and pencil case on her lap, but kept them unopened.

“Were you planning to do a drawing?” Gamache asked.