The Living Dead 2 (The Living Dead, #2)(9)
Barnes is the bestselling author of many novels, such as Lion’s Blood, Zulu Heart, Great Sky Woman, and Shadow Valley. He’s also worked on television shows such as The Twilight Zone, The Outer Limits, Andromeda, and Stargate. Due is a two-time finalist for the Bram Stoker Award, and her novels include the My Soul to Keep series, The Between, The Good House, and Joplin’s Ghost.
Barnes’s short work has appeared in Analog and Asimov’s Science Fiction, while Due’s has been published in The Magazine of Fantasy & Science Fiction, Dark Delicacies II, and Voices from the Other Side. Stories by both have been included in the anthologies Dark Dreams (where this story first appeared), Dark Matter, and Mojo: Conjure Stories.
It’s a universal human urge to leave the world a better place than you found it, and to pass on to your children a world where they can have a happier, more prosperous life than you had. This has mostly been the case throughout human history, as ever-expanding infrastructure and knowledge have generally made life more secure and comfortable generation after generation, through innovations such as fertilizers, vaccines, antibiotics, indoor plumbing, and electronics. But now adults are facing the despairing sense that today’s youth will experience significantly more hardship than the previous generation, as today’s young people confront a world of economic ruin and environmental catastrophe that they had no hand in creating.
Recent works have grappled with this generational guilt in different ways. One of the best-known examples is Cormac McCarthy’s novel The Road, a post-apocalyptic story in which a father attempts to guide his young son through a devastated landscape, all the while knowing that their situation is hopeless. The notion of enduring anything to protect your children is a primal one, and one of the worst things that most people can imagine is being helpless to aid their children. Our next story deals with this theme in a powerful way.
For a generation facing the prospect of bequeathing to their children a shattered world, one fear stands out even more than being helpless to protect your child: that you yourself might be the architect of your child’s undoing.
When Kendrick opened his eyes, Grandpa Joe was standing over his bed, a tall dark bulk dividing the morning light. Grandpa Joe’s beard covered his dark chin like a coat of snow. Mom used to say that guardian angels watched over you while you slept, and Grandpa Joe looked like he might have been guarding him all night with his shotgun. Kendrick didn’t believe in guardian angels anymore, but he was glad he could believe in Grandpa Joe.
Most mornings, Kendrick opened his eyes to only strangeness: dark, heavy curtains, wooden planks for walls, a brownish-gray stuffed owl mounted near the window, with glassy black eyes that twitched as the sun set—or seemed to. A rough pine bed. And that smell everywhere, like the smell in Mom and Dad’s closet. Cedar, Grandpa Joe told him. Grandpa Joe’s big, hard hands had made the whole cabin of it, one board and beam at a time.
For the last six months, this had been his room, but it still wasn’t, really. His Spider-Man bed sheets weren’t here. His G.I. Joes, Tonka trucks, and Matchbox racetracks weren’t here. His posters of Blade and Shaq weren’t on the walls. This was his bed, but it wasn’t his room.
“Up and at ’em, Little Soldier,” Grandpa Joe said, using the nickname Mom had never liked. Grandpa was dressed in his hickory shirt and blue jeans, the same clothes he wore every day. He leaned on his rifle like a cane, so his left knee must be hurting him like it always did in the mornings. He’d hurt it long ago, in Vietnam.
“I’m going trading down to Mike’s. You can come if you want, or I can leave you with the Dog-Girl. Up to you.” Grandpa’s voice was morning-rough. “Either way, it’s time to get out of bed, sleepyhead.”
Dog-Girl, the woman who lived in a house on a hill by herself fifteen minutes’ walk west, was their closest neighbor. Once upon a time she’d had six pit bulls that paraded up and down her fence. In the last month that number had dropped to three. Grandpa Joe said meat was getting scarce. Hard to keep six dogs fed, even if you needed them. The dogs wagged their tails when Kendrick came up to the fence, because Dog-Girl had introduced him to them, but Grandpa Joe said those dogs could tear a man’s arms off.
“Don’t you ever stick your hand in there,” Grandpa Joe always said. “Just because a dog looks friendly don’t mean he is. Especially when he’s hungry.”
“Can I have a Coke?” Kendrick said, surprised to hear his own voice again, so much smaller than Grandpa Joe’s, almost a little girl’s. Kendrick hadn’t planned to say anything today, but he wanted the Coke so bad he could almost taste the fizz; it would taste like a treat from Willy Wonka’s Chocolate Factory.
“If Mike’s got one, you’ll get one. For damn sure.” Grandpa Joe’s grin widened until Kendrick could see the hole where his tooth used to be: his straw-hole, Grandpa Joe called it. He mussed Kendrick’s hair with his big palm. “Good boy, Kendrick. You keep it up. I knew your tongue was in there somewhere. You better start using it, or you’ll forget how. Hear me? You start talking again, and I’ll whip you up a lumberjack breakfast, like before.”
It would be good to eat one of Grandpa Joe’s famous lumberjack breakfasts again, piled nearly to the ceiling: a bowl of fluffy eggs, a stack of pancakes, a plate full of bacon and sausage, and homemade biscuits to boot. Grandpa Joe had learned to cook in the Army.