The Living Dead 2 (The Living Dead, #2)(29)
When the zombies win, they will be slow to realize their success. Word travels slowly on shambling feet.
It will take years to be sure that there aren’t still humans hiding in high mountain camps or deep within labyrinthine caverns; that the desert bunkers are empty, the forest retreats fallen; that the ships still afloat bear no breathing passengers.
And then: victory. Yet the zombies will not call out to each other, or cry in relief, or raise their rotting hands in triumph. They will walk unseeing beneath telephone wires and over cell phones, computers, radios. They will pass smoldering rubble without thinking of smoke signals, trip on tattered bed sheets and not consider making flags.
They are zombies; they will only walk and walk and walk, the word spreading step by step across continents and oceans and islands, year by year. And the word, to them, will feel like hunger.
When the zombies win, their quest to eat and infect human flesh will continue unabated. They will have known only gorging, only feasting; they will not understand the world as anything other than a screaming buffet on the run.
Yet there will be only silence and vacant rooms where once there was food, and the zombies, in their slow and stumbling way, will be surprised. Stomachs once perpetually distended will feel empty and curve inward towards their spines, the strength of even animated corpses beginning to fail without fuel. They will look about, cloudy eyes staring, and they will groan, unbreathing lungs wheezing as they try to push out enough air to ask slowly, hungrily, “Brains?”
But there will be no one left to find. Only each other.
Zombies, they will learn, do not taste good.
When the zombies win, they will become restless. There is little to do when one is dead.
Their old pastimes—their favorite pastimes—will hold no satisfaction. They will shamble down streets, arms outstretched as they groan and wail, yet inspire no fear. Together they will pound on doors, beat on windows with decaying hands until the glass shatters, hide in rivers and lakes, stumble after cars on the highway. But the cars will all be stopped, forever in park; the breaking glass will elicit no screams; and no swimmer’s hands or feet will break the water’s surface to be grabbed. When the doors burst open there will be no one cowering behind.
There will be no people to stalk, no food to eat, no homes to build, no deaths to die. Lost and aimless they will turn as if seeking a leader’s guidance, and find none. With zombies, the only leader is the one who happens to be walking first.
So they will walk alone, all of them alone, with no destinations, only the need to keep putting one unsteady foot in front of the other, over and over without end. The world is a big place to wander, even when inhabited only by the dead.
When the zombies win, they will not think of the future. There will be no next generation of zombies, no newborn zombie children held in rotting arms. The zombies will not find comfort in each other, will not rediscover concepts like friendship or companionship, will not remember sympathy or empathy or kindness. They will not learn or dream, or even know that they cannot.
They will build no buildings, fix no cars, write no histories, sing no songs. They will not fall in love. For zombies, there is only an endless today—this moment, this place, this step, this need, this hunger, this hunger unrelenting.
And the streets will begin to crumble, and windows break, and buildings fall. Cities will burn and flood, towns will be reclaimed by grassland and forest, desert and ocean.
The human world will go to pieces, decaying to nothing as empty eyes stare.
When the zombies win, they will not fear. They will not laugh or rejoice, they will not regret, they will not mourn. And the world will turn and turn, seasons burning and freezing across the landscape, the sun flashing through the sky, and they will continue.
When they zombies win, they will not stop. They will still moan and cry and whisper, on and on until the lips rot from their faces, their vocal cords slide away. They will never truly think again, never know the meaning of the words they try to utter, only flutter endlessly on the edge of remembering. Still they will try to speak, bone scraping on bone as their ruined jaws move, and they will not know why.
One by one they will fall. In the streets they will fall, legs no longer working, arms too broken to drag them forward. Inside buildings they will fall, tumbling down stairs and collapsing in hallways, slipping behind beds and in closets, curling into the gap between toilet and wall, not knowing, not seeing, not understanding these trappings of the places they once called home. They will sink to the bottoms of rivers and oceans, and lie down in fields, and tumble from mountainsides, and fall apart on the gravel edges of highways.
One by one they will stop moving, flesh and bone and brain too broken to do anything more. And in that silence and stillness they will struggle—trapped and ruined, they will still yearn, still hunger, always reaching for that which was taken from them. That which they granted to so many of us, in such great numbers.
To stop. To sleep. To rest, just rest, and let the darkness come.
Mouja
By Matt London
Matt London is an author and filmmaker who lives in New York City. He is a graduate of the Clarion Writers Workshop, and a columnist for Tor.com. This story is his first piece of published fiction. He has no less than three escape plans should the zombies take Manhattan.