The Cuckoo's Calling(47)


“Excellent; I’ll read that on the way to lunch with his wife.”

“Soon to be ex,” said Robin. “It’s all in that article. He’s not very lucky in love, Mr. Bestigui.”

“From what Wardle told me, he’s not a very lovable man,” said Strike.

“How did you get that policeman to talk to you?” Robin said, unable to hold back her curiosity on this point. She was desperate to learn more about the process and progress of the investigation.

“We’ve got a mutual friend,” said Strike. “Bloke I knew in Afghanistan; Met officer in the TA.”

“You were in Afghanistan?”

“Yeah.” Strike was pulling on his overcoat, the folded article on Freddie Bestigui and the invitation to Jack’s party between his teeth.

“What were you doing in Afghanistan?”

“Investigating a Killed In Action,” said Strike. “Military police.”

“Oh,” said Robin.

Military police did not tally with Matthew’s impression of a charlatan, or a waster.

“Why did you leave?”

“Injured,” said Strike.

He had described that injury to Wilson in the starkest of terms, but he was wary of being equally frank with Robin. He could imagine her shocked expression, and he stood in no need of her sympathy.

“Don’t forget to call Peter Gillespie,” Robin reminded him, as he headed out of the door.

Strike read the photocopied article as he rode the Tube to Bond Street. Freddie Bestigui had inherited his first fortune from a father who had made a great deal of money in haulage; he had made his second by producing highly commercial films that serious critics treated with derision. The producer was currently going to court to refute claims, by two newspapers, that he had behaved with gross impropriety towards a young female employee, whose silence he had subsequently bought. The accusations, carefully hedged around with many “alleged”s and “reported”s, included aggressive sexual advances and a degree of physical bullying. They had been made “by a source close to the alleged victim,” the girl herself having refused either to press charges or to speak to the press. The fact that Freddie was currently divorcing his latest wife, Tansy, was mentioned in the concluding paragraph, which ended with a reminder that the unhappy couple had been in the building on the night that Lula Landry took her own life. The reader was left with the odd impression that the Bestiguis’ mutual unhappiness might have influenced Landry in her decision to jump.

Strike had never moved in the kinds of circles that dined at Cipriani. It was only as he walked up Davies Street, the sun warm on his back and imparting a ruddy glow to the red-brick building ahead, that he thought how odd it would be, yet not unlikely, if he ran into one of his half-siblings there. Restaurants like Cipriani were part of the regular lives of Strike’s father’s legitimate children. He had last heard from three of them while in Selly Oak Hospital, undergoing physiotherapy. Gabi and Danni had jointly sent flowers; Al had visited once, laughing too loudly and scared of looking at the lower end of the bed. Afterwards, Charlotte had imitated Al braying and wincing. She was a good mimic. Nobody ever expected a girl that beautiful to be funny, yet she was.

The interior of the restaurant had an art deco feeling, the bar and chairs of mellow polished wood, with pale yellow tablecloths on the circular tables and white-jacketed, bow-tied waiters and waitresses. Strike spotted his client immediately among the clattering, jabbering diners, sitting at a table set for four and talking, to Strike’s surprise, to two women instead of one, both with long, glossy brown hair. Bristow’s rabbity face was full of the desire to please, or perhaps placate.

The lawyer jumped up to greet Strike when he saw him, and introduced Tansy Bestigui, who held out a thin, cool hand, but did not smile, and her sister, Ursula May, who did not hold out a hand at all. While the preliminaries of ordering drinks and handing around menus were navigated, Bristow nervous and over-talkative throughout, the sisters subjected Strike to the kind of brazenly critical stares that only people of a certain class feel entitled to give.

They were both as pristine and polished as life-size dolls recently removed from their cellophane boxes; rich-girl thin, almost hipless in their tight jeans, with tanned faces that had a waxy sheen especially noticeable on their foreheads, their long, gleaming dark manes with center partings, the ends trimmed with spirit-level exactitude.

When Strike finally chose to look up from his menu, Tansy said, without preamble:

“Are you really” (she pronounced it “rarely”) “Jonny Rokeby’s son?”

“So the DNA test said,” he replied.

She seemed uncertain whether he was being funny or rude. Her dark eyes were fractionally too close together, and the Botox and fillers could not smooth away the petulance in her expression.

“Listen, I’ve just been telling John,” she said curtly. “I’m not going public again, OK? I’m perfectly happy to tell you what I heard, because I’d love you to prove I was right, but you mustn’t tell anyone I’ve talked to you.”

The unbuttoned neck of her thin silk shirt revealed an expanse of butterscotch skin stretched over her bony sternum, giving an unattractively knobbly effect; yet two full, firm breasts jutted from her narrow ribcage, as though they had been borrowed for the day from a fuller-figured friend. “We could have met somewhere more discreet,” commented Strike.

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