Rot & Ruin (Rot & Ruin, #1)(41)
Sacchetto gave a single wretched shake of his head.
Benny smiled at him. “Then at least you tried to do what you could do,” he said.
“Kid, I appreciate the effort, but that thought doesn’t even get me through the night.” He closed his eyes. “Not one single night.”
18
“TALK TO TOM,” SAID THE ARTIST AS HE WALKED BENNY TO THE DOOR. “If he’s willing to talk about it, then he can tell you the rest of it.”
“I will.”
“You never did tell me, though. … What’s your interest? You don’t know her. What’s she to you?”
Benny was expecting the question but hoping it would slip by unasked. He shrugged. He took the card from his pocket and held it up so they could both look at the image. “It’s hard to put
into words. I was sorting through the new cards with my crew, and I saw this one. There was something about it, something about her. I …” He stopped, fishing for the right words, but he
came up empty. He shrugged.
However, Sacchetto surprised him by nodding. “No, I get it, kid. She kind of has that effect on people.”
Sacchetto opened the door to a bright spill of September sunlight. The light was clean and dry and seemed to belong to a totally different world than the one Sacchetto had talked about. They
lingered in a moment of awkwardness, neither of them sure if this was the whole of their relationship or the first chapter of an acquaintanceship that might last for years.
“Sorry it didn’t work out with the job,” Sacchetto said with a crooked smile.
“Well, it’s not like I’m invested in killing zombies. If you’re hiring, I’m still avail—”
“No,” Sacchetto interrupted, “I mean, I’m sorry your art kinda sucks. You’re a nice kid. Easy to talk to. Easier to talk to than your brother.”
“My art sucks?”
“You can draw,” conceded the artist.
“I …”
“Just not very well.”
“Um … thanks?”
“Would you rather I lie to you, kid?”
“Probably.”
“Then you’re Rembrandt, and having you around would make me feel inferior.”
“Better.”
They grinned at each other. The artist held out a paint-stained hand, and Benny shook it. “I hope you find her.”
“I will,” said Benny.
That got a strange look from the artist, but before Benny could say anything, a voice behind them said, “Well, well, what’s that you got there?”
Benny knew the voice, and in the half second before he turned, he saw Sacchetto’s face tighten with fear. Benny turned to see Charlie Pink-eye, standing on the street right behind him. Next
to him, smiling a greasy little smile, was the Motor City Hammer.
“Whatcha holding there, young Benjamin?” said Charlie with the slick civility he used when he was setting up a bad joke—or something worse.
Benny was suddenly aware of the card. It was small, but at that moment it felt as big as a poster. His hand trembled as if the card itself felt exposed and nervous.
The massive bounty hunter stepped closer, and his bulk blotted out the sun. It was weird. Benny liked Charlie and the Hammer. They were heroes to him. Or … had been. Since the Ruin,
everything in his head was crooked, as if the furniture was the same but the room had changed. The way these men were smiling at him, the way shadows seemed to move behind their eyes … It
made Benny want to gag. There was nowhere to turn, no way to escape the moment unless Benny actually took off running—but that was not any kind of option.
Charlie held out a hand for the card, but Benny’s fingers pressed together to hold it more tightly. It was not a deliberate act of defiance; even in the immediacy of the moment he knew that
much. It was more an act of …
Of what?
Of protection?
Maybe. He just knew that he did not want Charlie Pink-eye to have that card.
“It’s just a card,” Sacchetto said. “Like the ones I did of you and the Hammer. I did a couple new ones. You know, for extra ration bucks. It’s nothing special.”
“Nothing special?” said Charlie, his smile as steady and false as the painted grin on a doll. “Let’s see, shall we?” Charlie reached for the card the same way Morgie had. Familiar, as
if he had a right or an invitation born of a long-standing confidence. Benny was primed to react, and as the bounty hunter’s fingers closed over a corner of the card, Benny whipped it away.
Charlie grabbed nothing but air.
“No!” blurted Benny, and he took a reflexive step backward, turning to shield the card with his body.
The moment—every sound, every trembling leaf in the trees beside the house, even the wind itself—seemed to suddenly freeze in time. Charlie’s eyes went wide. The Hammer and the artist
wore identical expressions of complete surprise. Benny felt the blood in his veins turn to icy gutter water.
“Boy,” said Charlie in a quiet voice that no longer held the lie of humor or civility, “I think you just made a mistake. I’ll give you one second to make it right and then we can be
friends again. Hand me that card, and you’d better smile and say ‘sir’ when you do.”
Jonathan Maberry's Books
- Blow Fly (Kay Scarpetta #12)
- The Provence Puzzle: An Inspector Damiot Mystery
- Visions (Cainsville #2)
- The Scribe
- I Do the Boss (Managing the Bosses Series, #5)
- Good Bait (DCI Karen Shields #1)
- The Masked City (The Invisible Library #2)
- Still Waters (Charlie Resnick #9)
- Flesh & Bone (Rot & Ruin, #3)
- Dust & Decay (Rot & Ruin, #2)