Personal (Jack Reacher, #19)(50)
‘How soon?’
‘Five minutes,’ I said. ‘Maybe ten. Quick enough, anyway. They don’t care about their guys, but they’ll want to hear the story.’
I got up off my chair and opened a pizza box. Plain cheese, white dough, a little bubbled and blackened here and there by the oven, and smaller than the giant hubcaps sold in America. I said, ‘Thank you for my dinner,’ like my mother had taught me to.
She said, ‘You’re very welcome,’ and she took hers, and we both ate a slice. The soda was Coke, and it was ice cold. In the lot below us the young guy was off the phone, stumping around, waiting. For congratulations, without a doubt. Definitely contract labour, racking up the bonus points.
Casey Nice’s phone dinged, like a tiny bell.
‘Incoming text,’ she said. She checked. ‘From General O’Day. He wants to know why we’re static.’
I said, ‘Tell him we’re resting.’
‘He knows we’re not at our hotel. Because of the GPS.’
‘Tell him we’re at the movies. Or the theatre. Or in a museum. Tell him we’re furthering our cultural education. Or getting our nails done. Tell him we’re at the spa.’
‘He knows we’re not. He’ll have checked Google Maps, surely. Street View, probably. He knows where we are.’
‘Then why ask?’
‘He wants to know why we’re not mobile.’
‘Tell him to relax. Micromanaging from three thousand miles away is pointless.’
‘I can’t. He’s updating us, and I’m supposed to update him. That’s the only way this thing is going to work.’
I looked down at the scene below. No change. The van, inert. The kid, waiting. I said, ‘OK, tell him we’re acting on Shoemaker’s suggestion. Tell him we’re attempting contact with the outer cordon.’
‘I’ll have to tell him how, I’m afraid. As in, not with a phoney business proposal.’
‘Go ahead. He won’t mind.’
‘He might. They were worried about you.’
‘Scarangello was. Shoemaker might have been. But O’Day won’t get all bent out of shape.’
‘Are you sure?’
‘Try it,’ I said. ‘Tell him exactly what happened.’
So she swiped and dabbed at her screen with dancing thumbs and I glanced back at what was happening out the window. Which wasn’t much. The light, the mist, the van, the kid. I looked away again and saw her finish up and put her phone on the bed and take a second slice of pizza. I chewed cheese and sipped Coke and waited. Below us the young guy was watching the road, and ducking back to the van every few minutes, laying his hand on it and calling through the door seal, with reassurances, probably. Yes, I called, they said they were coming, they’ll be here in a minute.
Nice’s phone dinged again. O’Day’s reply. She checked it twice and told me, ‘He sends his sincere congratulations and says keep it up.’
I nodded. ‘Human life means nothing to him. All he cares about is the result.’
Nice didn’t reply.
I said, ‘Ask him for the intel he got from MI5, about these Romford people. Pictures, histories, rap sheets, everything he’s got. We should know exactly who we’re dealing with here.’
She started texting again. Below us the young guy was talking through the door seal again. His body language was placatory. He was squirming and patting the air and glancing hopefully towards the road. They’re coming, I promise.
And then they came.
Two cars drove into the lot, both of them black, both with dark windows, the first a four-door Jaguar sedan, the second a big two-door coupé, long and low and imposing. A Bentley, I thought. They came in fast and slammed to a stop, right in the middle of the space. All four of the Jaguar’s doors opened wide and four men climbed out, all of them white, all of them in dark suits. They formed up like a perimeter, facing outward, heads up, hands loose by their sides. The kid with the greasy hair hung back. The Bentley’s driver got out. He was another guy in a suit, just like the first four. He checked all around, left, right, front, rear, and then he walked a wide circle to the passenger door and opened it, like a chauffeur should.
And a giant climbed out.
He led with a bent head and a bent back, folded at the waist, folded at the knees, and then he straightened up in stages, like a complex mechanism, like a child’s toy that starts out as a squat dump truck and then clicks open, one component after another, to reveal an action figure. He was huge. His arms were longer than most people’s legs, and his hands were bigger than shovels, and his torso was the size of an oil drum, tightly encased in a tubular three-button suit coat that would have been ankle-length on an average human. His feet were the size of river barges, and his neck was a foot wide, and his shoulders were a yard wide, and his head was bigger than a basketball. He had big ears sticking straight out, and an overhanging brow, and pronounced cheekbones, and tiny eyes buried deep, and a receding simian chin. He looked like a Neanderthal waxwork in a natural history museum, except that he was pale and sandy, not dark, and he was at least twice the size of any ancient hominid. He could have been seven feet tall, and three hundred pounds. Maybe more. He moved with a kind of loose-limbed rawboned ranginess, four or five feet with a single enormous stride, his huge shoulders rolling, his immense hands swinging free.
Lee Child's Books
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- Good Bait (DCI Karen Shields #1)
- The Masked City (The Invisible Library #2)
- Still Waters (Charlie Resnick #9)
- Flesh & Bone (Rot & Ruin, #3)
- Dust & Decay (Rot & Ruin, #2)