Personal (Jack Reacher, #19)(102)
Then I started up the stairs.
FIFTY-FIVE
THE STAIRS WENT half the way up on the left, and then turned a 180 on a half-landing, and went the rest of the way up on the right. And like everything else in the house they were regular items, but expanded in size, so I had to labour up them, stepping 50 per cent higher than normal each time, lurching forward half as far again as my muscle memory expected, to reach the next stair, and then repeating it all. Plus I was aware the back of my head was about to be visible in the upstairs hallway, through whatever kind of railings or spindles the carpenter had used. Kott could be up there, prone, with his muzzle right in line with the banister. He would get me in the back, just before I stepped up to the half-landing. At a range of about twelve feet. Which was four yards. And I wasn’t made of aluminium oxynitride.
So I hugged the wall, and went up backward, until I could see the second-floor hallway for myself. It was empty. No sign of Kott. I hustled the rest of the way and found myself in what looked like a repeat of the downstairs hallway, except the floor was carpet, not marble. Carpet as wide as a new-mown prairie. I saw a bunch of doors, all of them nine feet tall. A corridor, with more doors. All closed. Two on the left, two on the right, and one dead ahead, in the end wall. Which was the guest suite, I figured. I would be walking straight towards it.
But the advantage of walking straight towards it through a giant’s house was I had plenty of wiggle room. Normally an upstairs hallway would be a narrow field of fire. But 50 per cent extra gave me the chance to stay well off the centre line. Because maybe Kott had something rigged. His gun, pre-aimed, locked down, ready to fire through the wood. Maybe there was an infra-red beam. Or maybe he had X-ray glasses.
But I made it to the end wall, safe, and I pressed myself alongside his door, and I flipped the Browning barrel-first in my hand, and I used it to knock.
I said, ‘Kott? Are you in there?’
No answer.
I knocked again, louder.
I said, ‘Kott? Open the door.’
Which I figured he might. Ballistically it was already open. Either one of us could have fired straight through it. In his case he could have fired straight through anything. If he wanted to aim based purely on sound alone, he could. The walls and the floors didn’t exist for him. He was living in a transparent house.
But he would want to watch. Surely. A guy who put a picture on his wall, last thing he saw at night, first thing he saw in the morning, he would want to watch me take the bullet. He would want to see me fall down. He had probably pictured it every day in yoga class. Visualize your success. He had waited sixteen years. He might open the door.
I said, ‘Kott, we should talk first.’
No answer.
I said, ‘No harm, no foul. You forget about me, I’ll forget about you. We can go our separate ways. You should get over yourself. No need to make a whole big thing out of it. I sent plenty of guys to prison and no one else got so mad about it.’
I heard a creak, and for a second I thought it was the door, but it was in the other direction, at the top of the stairs. In the corner of my eye I saw a child flit by. Real fast. Up the stairs and across the hallway and out of sight. A small boy, I thought. How could Bennett not have told me? Where was the mother? What the hell was going on?
I eased my finger off the Glock’s trigger.
Then the back of my brain said, not a child. Not chubby or bony or elastic. But stiff, and worn, and tense like an adult. A small man, maybe five-seven, running past a balustrade five feet high, in front of baseboards a foot and a half tall, under fifteen-foot ceilings.
Not a small boy.
John Kott.
I tried to call up the architect’s blueprint in my mind. I wanted to see the details. The upstairs hallway ran front to back, from the top of the stairs to a feature window above the front door, and also side to side, towards the guest suite in one direction, where I was, and the other way too, towards a huge master bedroom. Kott hadn’t come my way, and I figured he wouldn’t hang out by the feature window. Why would he? Therefore he was in Joey’s bedroom.
Below me I heard a voice. Bennett, in the downstairs hallway. He called out, ‘Reacher? You OK up there?’
I called back, ‘Get out of here, Bennett. No reason for you to be involved.’
I listened for a reply, but I heard nothing more.
I tried the guest suite’s door. It was unlocked. I stepped inside. I looked around. I had seen similar places in hotels, but smaller. Living accommodations, all self-contained. A short private hallway, a powder room, a kitchenette, a living room, with two bedrooms, one to the left and one to the right, both with their own separate bathrooms. The left-hand bedroom was unoccupied. The right-hand bedroom had Kott’s stuff in it. Of which there wasn’t much. A bedroll and a backpack, Nice had guessed, back in Arkansas, and she had been more or less correct. The bedroll was a sleeping bag, and the backpack was a duffel bag, made of scuffed black leather, full of T-shirts and underwear and ammunition.
The ammunition was all either nine-millimetre Parabellum, or .50-calibre match grade. Big visual difference. The handgun rounds looked small and dainty. Like jewellery. The rifle rounds looked like cannon shells from a combat airplane. The cartridge cases alone were four inches long.
I checked everywhere I could think of, and I didn’t find a handgun.
But I found the rifle.
It was under Kott’s bed, in a custom case. A Barrett Light Fifty, the real deal, more than five feet long, close to thirty pounds scoped and loaded. From Tennessee. The price of a used sedan, right there. I kicked the scope out of alignment, which is all I had time to do, and then I hustled back to the hallway.
Lee Child's Books
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- The Scribe
- I Do the Boss (Managing the Bosses Series, #5)
- Good Bait (DCI Karen Shields #1)
- The Masked City (The Invisible Library #2)
- Still Waters (Charlie Resnick #9)
- Flesh & Bone (Rot & Ruin, #3)
- Dust & Decay (Rot & Ruin, #2)