Mr. Mercedes (Bill Hodges Trilogy, #1)(72)
At home, he opens the garage and unloads everything he bought at Garden World, being careful to put the canisters of Gopher-Go on a high shelf. His mother rarely comes out here, but it doesn’t do to take chances. There’s a mini-fridge under the worktable; Brady got it at a yard sale for seven bucks, a total steal. It’s where he keeps his soft drinks. He stows the package of hamburger behind the Cokes and Mountain Dews, then totes the rest of the groceries inside. What he finds in the kitchen is delightful: his mother shaking paprika over a tuna salad that actually looks tasty.
She catches his look and laughs. “I wanted to make up for the lasagna. I’m sorry about that, but I was just so tired.”
So drunk is what you were, he thinks, but at least she hasn’t given up entirely.
She pouts her lips, freshly dressed in lipstick. “Give Mommy a kiss, honeyboy.”
Honeyboy puts his arms around her and gives her a lingering kiss. Her lipstick tastes of something sweet. Then she slaps him briskly on the ass and tells him to go down and play with his computers until dinner’s ready.
Brady leaves the cop a brief one-sentence message—I’m going to f*ck you up, Grampa. Then he plays Resident Evil until his mother calls him to dinner. The tuna salad is great, and he has two helpings. She actually can cook when she wants, and he says nothing as she pours the first drink of the evening, an extra-big one to make up for the two or three smaller ones she denied herself that afternoon. By nine o’clock, she’s snoring on the couch again.
Brady uses the opportunity to go online and learn all about the upcoming ’Round Here concert. He watches a YouTube video where a giggle of girls discusses which of the five boys is the hottest. The consensus is Cam, who sings lead on “Look Me in My Eyes,” a piece of audio vomit Brady vaguely recalls hearing on the radio last year. He imagines those laughing faces torn apart by ball bearings, those identical Guess jeans in burning tatters.
Later, after he’s helped his mother up to bed and he’s sure she’s totally conked, he gets the hamburger, puts it in a bowl, and mixes in two cups of Gopher-Go. If that isn’t enough to kill Odell, he’ll run the goddam mutt over with the ice cream truck.
This thought makes him snicker.
He puts the poisoned hamburger in a Baggie and stows it back in the mini-fridge, taking care to hide it behind the cans of soda again. He also takes care to wash both his hands and the mixing bowl in plenty of hot, soapy water.
That night, Brady sleeps well. There are no headaches and no dreams about his dead brother.
24
Hodges and Janey are loaned a phone-friendly room down the hall from the hospital lobby, and there they split up the deathwork.
He’s the one who gets in touch with the funeral home (Soames, the same one that handled Olivia Trelawney’s exit rites) and makes sure the hospital is prepared to release the body when the hearse arrives. Janey, using her iPad with a casual efficiency Hodges envies, downloads an obituary form from the city paper. She fills it out quickly, speaking occasionally under her breath as she does so; once Hodges hears her murmur the phrase in lieu of flowers. When the obit’s emailed back, she produces her mother’s address book from her purse and begins making calls to the old lady’s few remaining friends. She’s warm with them, and calm, but also quick. Her voice wavers only once, while she’s talking to Althea Greene, her mother’s nurse and closest companion for almost ten years.
By six o’clock—roughly the same time Brady Hartsfield arrives home to find his mother putting the finishing touches on her tuna salad—most of the t’s have been crossed and the i’s dotted. At ten to seven, a white Cadillac hearse pulls into the hospital drive and rolls around back. The guys inside know where to go; they’ve been here plenty of times.
Janey looks at Hodges, her face pale, her mouth trembling. “I’m not sure I can—”
“I’ll take care of it.”
The transaction is like any other, really; he gives the mortician and his assistant a signed death certificate, they give him a receipt. He thinks, I could be buying a car. When he comes back to the hospital lobby, he spies Janey outside, once more sitting on the bumper of the ambulance. He sits down next to her and takes her hand. She squeezes his fingers hard. They watch the white hearse until it’s out of sight. Then he leads her back to his car and they drive the two blocks to the Holiday Inn.
Henry Sirois, a fat man with a moist handshake, shows up at eight. Charlotte Gibney appears an hour later, herding an overloaded bellman ahead of her and complaining about the terrible service on her flight. And the crying babies, she says—you don’t want to know. They don’t, but she tells them anyway. She’s as skinny as her brother is fat, and regards Hodges with a watery, suspicious eye. Lurking by Aunt Charlotte’s side is her daughter Holly, a spinster roughly Janey’s age but with none of Janey’s looks. Holly Gibney never speaks above a mutter and seems to have a problem making eye contact.
“I want to see Betty,” Aunt Charlotte announces after a brief dry embrace with her niece. It’s as if she thinks Mrs. Wharton might be laid out in the motel lobby, lilies at her head and carnations at her feet.
Janey explains that the body has already been transported to Soames Funeral Home in the city, where Elizabeth Wharton’s earthly remains will be cremated on Wednesday afternoon, after a viewing on Tuesday and a brief nondenominational service on Wednesday morning.