Mr. Mercedes (Bill Hodges Trilogy, #1)(54)
“Oh . . . my . . . dear . . . Jesus,” she says, packing each word with drama and placing one hand high on her chest. “Are you sure it’s okay?”
“Good as gold,” he says. “Check it out.”
He starts the computer and looks politely away while she types in her numbf*ck password. She opens a couple of files, then turns to him, smiling. “Brady, you are a gift from God.”
“My ma used to tell me the same thing until I got old enough to buy beer.”
She laughs as if this were the funniest thing she has heard in her whole life. Brady laughs with her, because he has a sudden vision: kneeling on her shoulders and driving a butcher knife from her own kitchen deep into her screaming mouth.
He can almost feel the gristle giving way.
4
Hodges has been checking the Blue Umbrella site frequently, and he’s reading the Mercedes Killer’s follow-up message only minutes after Brady hit SEND.
Hodges is grinning, a big one that smooths his skin and makes him almost handsome. Their relationship has been officially established: Hodges the fisherman, Mr. Mercedes the fish. But a wily fish, he reminds himself, one capable of making a sudden lunge and snapping the line. He will have to be played carefully, reeled toward the boat slowly. If Hodges is able to do that, if he’s patient, sooner or later Mr. Mercedes will agree to a meeting. Hodges is sure of it.
Because if he can’t nudge me into offing myself, that leaves just one alternative, and that’s murder.
The smart thing for Mr. Mercedes to do would be to just walk away; if he does that, the road ends. But he won’t. He’s pissed, but that’s only part of it, and the small part, at that. Hodges wonders if Mr. Mercedes knows just how crazy he is. And if he knows there’s one nugget of hard information here.
I think all that TV you watch has rotted your brain.
Up to this morning, Hodges has only suspected that Mr. Mercedes has been watching his house; now he knows. Motherf*cker has been on the street, and more than once.
He grabs his legal pad and starts jotting possible follow-up messages. It has to be good, because his fish feels the hook. The pain of it makes him angry even though he doesn’t yet know what it is. He needs to be a lot angrier before he figures it out, and that means taking a risk. Hodges must jerk the line to seat the hook deeper, despite the risk the line may break. What . . . ?
He remembers something Pete Huntley said at lunch, just a remark in passing, and the answer comes to him. Hodges writes on his pad, then rewrites, then polishes. He reads the finished message over and decides it will do. It’s short and mean. There’s something you forgot, sucka. Something a false confessor couldn’t know. Or a real confessor, for that matter . . . unless Mr. Mercedes checked out his rolling murder weapon from stem to stern before climbing in, and Hodges is betting the guy didn’t.
If he’s wrong, the line snaps and the fish swims away. But there’s an old saying: no risk, no reward.
He wants to send the message right away, but knows it’s a bad idea. Let the fish swim around in circles a little longer with that bad old hook in his mouth. The question is what to do in the meantime. TV never had less appeal for him.
He gets an idea—they’re coming in bunches this morning—and pulls out the bottom drawer of his desk. Here is a box filled with the small flip-up pads he used to carry with him when he and Pete were doing street interviews. He never expected to need one of these again, but he takes one now and stows it in the back pocket of his chinos.
It fits just right.
5
Hodges walks halfway down Harper Road, then starts knocking on doors, just like in the old days. Crossing and re-crossing the street, missing no one, working his way back. It’s a weekday, but a surprising number of people answer his knock or ring. Some are stay-at-home moms, but many are retirees like himself, fortunate enough to have paid for their homes before the bottom fell out of the economy, but in less than great shape otherwise. Not living day-to-day or even week-to-week, maybe, but having to balance out the cost of food against the cost of all those old-folks medicines as the end of the month nears.
His story is simple, because simple is always best. He says there have been break-ins a few blocks over—kids, probably—and he’s checking to see if anyone in his own neighborhood has noticed any vehicles that seem out of place, and have shown up more than once. They’d probably be cruising even slower than the twenty-five-mile-an-hour speed limit, he says. He doesn’t have to say any more; they all watch the cop shows and know what “casing the joint” means.
He shows them his ID, which has RETIRED stamped in red across the name and vitals below his photo. He’s careful to say that no, he hasn’t been asked by the police to do this canvassing (the last thing in the world he wants is one of his neighbors calling the Murrow Building downtown to check up on him), it was his own idea. He lives in the neighborhood, too, after all, and has a personal stake in its security.
Mrs. Melbourne, the widow whose flowers so fascinated Odell, invites him in for coffee and cookies. Hodges takes her up on it because she seems lonely. It’s his first real conversation with her, and he quickly realizes she’s eccentric at best, downright bonkers at worst. Articulate, though. He has to give her that. She explains about the black SUVs she’s observed (“With tinted windows you can’t see through, just like on 24”), and tells him about their special antennas. Whippers, she calls them, waving her hand back and forth to demonstrate.