Mr. Mercedes (Bill Hodges Trilogy, #1)(101)

“Yes? Who is it?”

“Jerome, Ms. Gibney. Bill Hodges’s friend?”

A pause so long he’s about to push the button again when she says, “You have the gate code?”

“Yes.”

“All right. And if you’re a friend of Mr. Hodges, I guess you can call me Holly.”

He pushes the code and the gate opens. He drives through and watches it close behind him. So far, so good.

Holly is at the front door, peering at him through one of the side windows like a prisoner in a high-security visitation area. She’s wearing a housecoat over pajamas, and her hair is a mess. A brief nightmare scenario crosses Jerome’s mind: she pushes the panic button on the burglar alarm panel (almost certainly right next to where she’s standing), and when the security guys arrive, she accuses him of being a burglar. Or a would-be rapist with a flannel-pajama fetish.

The door is locked. He points to it. For a moment Holly just stands there like a robot with a dead battery. Then she turns the deadbolt. A shrill peeping sound commences when Jerome opens the door and she takes several steps backward, covering her mouth with both hands.

“Don’t let me get in trouble! I don’t want to get in trouble!”

She’s twice as nervous as he is, and this eases Jerome’s mind. He punches the code into the burglar alarm and hits ALL SECURE. The peeping stops.

Holly collapses into an ornately carved chair that looks like it might have cost enough to pay for a year at a good college (although maybe not Harvard), her hair hanging around her face in dank wings. “Oh, this has been the worst day of my life,” she says. “Poor Janey. Poor poor Janey.”

“I’m sorry.”

“But at least it’s not my fault.” She looks up at him with thin and pitiable defiance. “No one can say it was. I didn’t do anything.”

“Of course you didn’t,” Jerome says.

It comes out sounding stilted, but she smiles a little, so maybe it’s okay. “Is Mr. Hodges all right? He’s a very, very, very nice man. Even though my mother doesn’t like him.” She shrugs. “But who does she like?”

“He’s fine,” Jerome says, although he doubts if that’s true.

“You’re black,” she says, looking at him, wide-eyed.

Jerome looks down at his hands. “I am, aren’t I?”

She bursts into peals of shrill laughter. “I’m sorry. That was rude. It’s fine that you’re black.”

“Black is whack,” Jerome says.

“Of course it is. Totally whack.” She stands up, gnaws at her lower lip, then pistons out her hand with an obvious effort of will. “Put it there, Jerome.”

He shakes. Her hand is clammy. It’s like shaking the paw of a small and timid animal.

“We have to hurry. If my mother and Uncle Henry come back and catch you in here, I’m in trouble.”

You? Jerome thinks. What about the black kid?

“The woman who used to live here was also your cousin, right?”

“Yes. Olivia Trelawney. I haven’t seen her since I was in college. She and my mother never got along.” She looks at him solemnly. “I had to drop out of college. I had issues.”

Jerome bets she did. And does. Still, there’s something about her he likes. God knows what. It’s surely not that fingernails-on-a-blackboard laugh.

“Do you know where her computer is?”

“Yes. I’ll show you. Can you be quick?”

I better be, Jerome thinks.





29


The late Olivia Trelawney’s computer is password-protected, which is silly, because when he turns over the keyboard, he finds OTRELAW written there with a Sharpie.

Holly, standing in the doorway and flipping the collar of her housecoat nervously up and down, mutters something he doesn’t catch.

“Huh?”

“I asked what you’re looking for.”

“You’ll know it if I find it.” He opens the finder and types CRYING BABY into the search field. No result. He tries WEEPING INFANT. Nothing. He tries SCREAMING WOMAN. Nothing.

“It could be hidden.” This time he hears her clearly because her voice is right next to his ear. He jumps a little, but Holly doesn’t notice. She’s bent over with her hands on her housecoated knees, staring at Olivia’s monitor. “Try AUDIO FILE.”

That’s a pretty good idea, so he does. But there’s nothing.

“Okay,” she says, “go to SYSTEM PREFERENCES and look at SOUND.”

“Holly, all that does is control the input and output. Stuff like that.”

“Well duh. Try it anyway.” She’s stopped biting her lips.

Jerome does. Under output, the menu lists SOUND STICKS, HEADPHONES, and LOG ME IN SOUND DRIVER. Under input, there’s INTERNAL MICROPHONE and LINE IN. Nothing he didn’t expect.

“Any other ideas?” he asks her.

“Open SOUND EFFECTS. Over there on the left.”

He turns to her. “Hey, you know this stuff, don’t you?”

“I took a computer course. From home. On Skype. It was interesting. Go on, look at SOUND EFFECTS.”

Jerome does, and blinks at what he sees. In addition to FROG, GLASS, PING, POP, and PURR—the usual suspects—there’s an item listed as SPOOKS.