Just Another Day at the Office: A Walking Dead Short(2)
The attackers stiffen suddenly as armor-piercing slugs zip through the backs of their skulls, exiting the front of their faces in clouds of red. Before the zombies go down—one by one—the continuing bursts smash through the backs of their legs and torsos and spines, making them jitter and dance, a macabre boogaloo in a haze of blood-mist.
Then they collapse like dominoes, and the boy sees four men running up with machine guns.
“Check him for bites!” the slender one says as the men approach. This thin man has hair as dark as crow feathers and he’s so skinny, his muscles so tightly coiled, he looks as though he’s made of hammered steel.
A man with a bandanna on his head kneels next to the little boy. “He’s clean, he’s okay!”
“Get him inside somewhere,” the dark-haired, skinny man says. “And meet us back at the fence.”
It is now obvious—even to this traumatized little boy—that this thin, dark man is a leader. His eyes gleam with some kind of magical power that the child recognizes.
Maybe he’s an angel.
Or a demon.
Philip Blake turns and heads back the way he came, his wing men, Gabe and Bruce, following along on his flanks, running to keep up. Each man carries an assault rifle and a row of extra magazines in their belts. They don’t pause to pick off any stray individual zombies—they have bigger plans.
Working their way back to ground zero—the place where the fence caved in—they encounter growing numbers of dead. Philip learns very quickly that the best way to use the TEC-9 is not to go for a direct head shot. He’s not good enough with the machine pistol yet to hit the bull’s-eye of a moving target.
The best way to use the thing is to spray in the general vicinity of the head.
He gets another chance to practice this technique when a grouping of biters lurch into his path as he is approaching the crossroads at the north end of the street. Without breaking stride, he points the blunt nipple of the muzzle at their upper bodies and jacks the trigger—four quick bursts that strafe across the zombies.
Their flaccid bodies jerk and twitch and do the death-dance, as the top edge of the barrage finally connects with brain matter. Sequential puffs of pink mist paint the tree trunks behind the biters.
The dominoes fall, one by one—quicker and cleaner than in any shooting gallery.
Philip turns the corner and runs into another firing line of zombies—dozens of them—spanning the width of the road. Philip and the other two men widen their stances, drop empty magazines, slam in new cartridges, jack the levers, and unleash a torrent of hellfire.
The street turns into a gruesome dance party of jerking craniums.
“The fence stays down! You understand?! It stays down until I say different!” Philip yells from inside the raised tailgate of Martinez’s battered SUV, which is parked up against the corner of the fallen fence. The carryall—filled with weaponry and ordnance from the National Guard station—is split down the middle, and Philip is rooting out assault rifles for the townspeople. He turns and tosses another gun to a middle-aged father standing behind the vehicle.
“What’s gonna keep more of them from gettin’ in?” the father wants to know. The roar of automatic gunfire bounces off the sides of buildings behind them, punctuating their conversation. The father jerks at the noise.
A line of heavily armed men circle the SUV, keeping the biters at bay. The town is closed up now, as tight as a miser’s purse.
Philip comes over to the dad and gives the man a pat. “Just keep the biters away from your barracks…and let me worry about the wall.”
Martinez comes over, slamming a magazine into his M4. His dark-skinned face gleams with stress sweat under his bandanna. “What do you have in mind?”
Philip looks at him. “Is the south side still secure?”
“Yeah, I guess…. The buses and trucks are still there, blocking ’em from getting in…but they’re also blocking them from getting out.”
“Good. You know the gas station up on the hill? Just beyond the fence?”
“The one by the radio tower?”
“That’s the one.”
“What about it?”
“I need five minutes.”
“Five minutes for what?”
Philip nods at the commotion in the streets. “Just keep the biters occupied—keep ’em bunched in the center of town—in five minutes, everybody ditches inside. It’s duck-and-cover time, you understand what I’m saying?”
Robert Kirkman & Jay's Books
- Blow Fly (Kay Scarpetta #12)
- The Provence Puzzle: An Inspector Damiot Mystery
- Visions (Cainsville #2)
- The Scribe
- I Do the Boss (Managing the Bosses Series, #5)
- Good Bait (DCI Karen Shields #1)
- The Masked City (The Invisible Library #2)
- Still Waters (Charlie Resnick #9)
- Flesh & Bone (Rot & Ruin, #3)
- Dust & Decay (Rot & Ruin, #2)