Hidden Pictures(25)
“Can you tell me more about Annie Barrett?”
This stops her short.
“Why are you asking?”
“I’m just curious.”
“No, Princess, that’s a very specific question. And forgive me for saying this but you don’t look so hot.”
I make Mitzi promise not to say anything—especially to the Maxwells—then I place Teddy’s latest artwork on the table.
“Teddy’s drawing some unusual pictures. He says he’s getting these ideas from his imaginary friend. Her name is Anya, and she visits him in his bedroom, when no one else is around.”
Mitzi examines the drawings and a shadow falls over her face. “So why are you asking about Annie Barrett?”
“Well, it’s just that the names are so similar. Anya and Annie. I know it’s normal for children to have imaginary friends. Lots of kids do. But Teddy says Anya told him to draw these pictures. A man dragging a woman through a forest. A man burying a woman’s body. And then Anya told Teddy to give these pictures to me.”
A silence settles over the kitchen—the longest silence I’ve yet experienced in Mitzi’s presence. All I can hear is Mr. Coffee gurgling and the steady swish-swish-swish of the Kit-Cat’s tail. Mitzi studies the illustrations carefully—almost like she’s trying to see through the illustrations, past the pencil marks and into the fibers of the paper. I’m not sure she fully understands what I’m driving at, so I spell it out for her:
“I know this sounds crazy, but I guess I’m wondering if Anya’s spirit is somehow bound to the property. If she’s trying to communicate using Teddy.”
Mitzi stands up, goes over to the coffeepot, and fills two mugs. With trembling hands, she carries the mugs back to the table. I pour in some cream and take a sip and it is the strongest, most bitter coffee I’ve ever tasted. But I drink it, anyway. I don’t want to insult her. I’m desperate for someone to listen to my theory and tell me I’m not crazy.
“I’ve done some reading about this,” Mitzi finally says. “Historically, children have always been more receptive to the spirit community. A child’s mind doesn’t have all the barriers we adults put up.”
“So—it’s possible?”
“Depends. Have you mentioned anything to his parents?”
“They’re atheists. They think—”
“Oh, I know, they think they’re smarter than everyone else.”
“I want to do more research before I sit down with them. Try to connect the dots. Maybe something in these pictures overlaps with Annie Barrett’s story.” I lean across the table, talking faster. Already I can feel the caffeine waking up my central nervous system. My thoughts are sharper, my pulse is quickening. I’m no longer bothered by the bitter taste and I take another sip. “According to Teddy, the man in these drawings stole Anya’s little girl. Do you know if Annie had any children?”
“That’s a really interesting question,” Mitzi says. “But the answer will be clearer if I start at the beginning.” She settles back in her chair, getting comfortable, and pops a cookie into her mouth. “Just remember, Annie Barrett died before I was born. So these are stories I heard growing up, but I can’t guarantee they’re actually true.”
“That’s fine.” I take another sip of coffee. “Tell me everything.”
“The original owner of your house was a man named George Barrett. He was an engineer for DuPont, the chemical company, up in Gibbstown. He had a wife and three daughters, and his cousin Annie came to live here in 1946, right after World War II. She moved into your guest cottage and she used it as a kind of studio-slash-guest-house. She was about your age and very pretty, long black hair and just knockout gorgeous. All the GIs are coming home from Europe and they go nuts for her, they forget all about their high school sweethearts. They start coming around George’s house day and night, asking if his cousin is free to talk.
“But Annie’s shy, she’s quiet, she keeps to herself. She doesn’t dance or go to the movies, she turns down all their invitations. And she doesn’t even go to church, which was a big no-no back then. She just stays in her cottage and paints. Or she walks around Hayden’s Glen, looking for subjects to sketch. And so gradually the whole town kind of turns on her. Word gets around that she’s an unwed mother, that she put her child up for adoption and moved to Spring Brook in disgrace. Then the rumors get even worse. People say she’s a witch, and she’s luring all the husbands into the woods to have sex with them.” Mitzi laughs at the absurdity of the idea. “Because that’s just how women talk, you know? I’m sure all the moms on this block say the same things about me!”
She takes another sip of coffee and continues: “Anyway, so one day George Barrett walks over to the cottage, knocks on the door, no answer. He goes inside and there’s blood everywhere. All over the bed, all over the walls. ‘Up to the rafters,’ he told my father. But there’s no body. No sign of Annie anywhere. George calls the police and the whole town searches the forest, combing all the trails, dragging nets through the creek, search dogs, the whole nine yards. And you know what they found? Nothing. She vanished. End of story.”
“Has anyone lived in the cottage since the ’40s?”