Good Bait (DCI Karen Shields #1)(25)
How much better off, Cordon thought, he would have been pottering around in Newlyn, doing his level best to give community policing a good name.
‘Later,’ Kiley said, ‘there’s a pub down Kentish Town, the Oxford. Jazz upstairs some nights. Decent food in the bar. We could give it a try, if you like.’
‘Why not?’
The guitarist, over from the Continent somewhere, made noises like a scalded cat. Seated behind a kit that included five cymbals, three tom-toms and a bass drum that looked to have come from a kid’s practice set, the drummer bashed and crashed through a polyrhythmic world of his own. Only the pianist, perched high behind an electric keyboard, seemed touchingly aware of old-fashioned words like ‘melody’ or ‘tune’. Eric Dolphy was one thing, Cordon thought, some people’s idea of far out, but this was altogether something else.
Downstairs saved it. The premium guest beer was Sussex Old Ale from Harveys in Lewes, rich and dark, and both the steak and the lamb fillet were tasty and tender, nicely pink. An hour or so from closing, Kiley rang Jane and asked if she fancied joining them, which she did. Dark hair; small, neat features; a true and open laugh; hands that were rarely still, emphasising this, demonstrating that. Cordon, enjoying her company, could just see her in front of a class of kids. When she and Kiley headed off together at the end of the evening, leaving him with the key to the flat, he felt a regret he fought hard to understand.
14
It would have been her father’s birthday. A picture of him in her mind, another fixed by magnets to the fridge door. A tall black man, open-necked shirt, hair brushed back, the beginnings of a belly, hands – large hands – down by his sides. A street in west London where they had lived. She looked for a smile on his face that was never quite there.
Serious he had been. A serious man.
This country, I don’t like the way it’s goin’.
Rioting on the streets of Brixton after a black woman was shot during a police raid; more rioting on an estate in Tottenham, in the midst of which a white police officer was hacked – hacked – to death. Earlier that year, the Miners’ Strike, police and pickets in pitched battles every night on the television news. And everywhere now, it seemed, her father looked, knots of men, young men, young men black and white, on street corners, unemployed.
At parent–teacher evenings, her father, dressed in his best suit, the one he wore for church, shoes shining for all they were worth – My girl, how’s she doin’? – pride reflected in his eyes.
Education, my girl, that’s the thing. College, university even. Make somethin’ of yourself.
A kiss on the forehead after he had read her school report, silver coins pressed down into the palm of her hand.
Make somethin’ of yourself, you promise me that. Make a difference if you can.
As if, somehow, he knew he would never live to see her grow.
‘You think this is what he would have wanted?’ her mother had asked, when Karen told her she was joining the police.
‘I don’t know,’ Karen said. ‘But I think so, yes. Yes, I do.’
Her mother had squeezed her hands and said, ‘God bless,’ uncertainty in her eyes.
Now some days, too many days, if truth be told, it was difficult to bring back, fresh to mind, exactly why she had made the choice she had. Too easy to become mired down in the quotidian, the day-to-day: forms and rotas and outcomes, the minutiae of personnel management and organisation. The lack of apparent progress.
One pace forward, one step back.
What was it that girl used to sing? The one who wished she’d been born black.
Something about little by little? Bit by bit?
Back when Karen had still been a PC – still in uniform, for God’s sake – she’d gone out with a hazelnut-complexioned swimming instructor with a predilection for white women who sang the blues. Blues and soul. Dusty Springfield – that was the one. Janis Joplin, Bonnie Bramlett, Lulu, even. All fine up to a point. Making love beneath a blow-up of the Robert Crumb cover for Cheap Thrills, with Janis hollering for someone to take a piece of her heart, a piece of something – just about acceptable if it helped the boy get it on.
She still had some of the CDs he’d given her; played them from time to time. Dusty in Memphis. Lulu at Muscle Shoals.
Little by little, bit by bit.
Police work to a T.
Once in a while you just had to pinch yourself, remembering why.
The night cleaner who had come forward in the Wood Green stabbing had picked out one of the assailants from a batch of photographs. Hector Prince, street name Mohock, a name derived from the two gangs – the Mohocks and the Hawkubites – who’d terrorised London in the early eighteenth century, beating up women, children and old men after dark. It was something Hector had picked up in a year ten citizenship lesson, one of those rare days he’d bothered showing up at school. A little learning, a dangerous thing.
Only problem was, when Hector had been invited to attend a line-up at the police station, the cleaner had failed to pick him out. And there he was, cocky as a prize-winning bantam when they told him he was free to go, bumping fists with his solicitor outside the station.
A closer look at Terry Martin, following the conversation with his wife, revealed that, in addition to three minor drug busts which went back quite a few years, more recently he had been charged with two serious offences: involvement in a post office robbery in Greenford, and possession of a large amount of high-grade cocaine with intent to supply. The first case had come to court, then fallen apart on the issue of identification; the robbers had worn rubberised Blair and Bush masks throughout and the Crown’s other evidence had been less than foolproof from the start. What had stymied the second case, even before the CPS had agreed to prosecute, was the disappearance of the confiscated cocaine from police hands. One of the officers concerned had been warned about his future conduct and transferred to other duties; another had resigned.