Crooked River(68)
But what was to come? All his effort had been directed at this moment: getting downtown and away from that hellish prison. He hadn’t known the layout of Fort Myers well enough to come up with any better plan: he’d just have to wing it. One thing he knew: he couldn’t just jump out of the car and make a run for it. Flaco would gun him down without a second’s hesitation, and then burn rubber back to the tienda, where he’d spend the time coming up with a satisfactory explanation for Smithback’s demise. The only chance he had was spotting a passing cop. But as usual, there were none around when you needed one, and as the blocks went by, Smithback realized he was running out of time. About half a mile ahead, he could see the character of the neighborhood already changing: shabbier, less affluent, the well-kept buildings giving way to Florida cracker houses.
“Slow down,” he told Flaco. Shit, he’d better do something, fast.
“Where is it, cretino?”
“It’s close. Okay? These houses look familiar. I’ll know it when I see it.”
As Flaco slowed, Smithback scanned the surrounding buildings, doing his best to conceal a rising panic. The far side of the street, nearest Flaco, had already given way to larger commercial buildings. Many of the houses on Smithback’s side still had tasteful shingles set out in front of them, but they, too, were becoming sprinkled with less attractive structures, and beyond their backyards was some kind of overgrown slough.
“There!” he cried, more out of desperation than anything else, pointing to a particularly large and ornate building whose signpost they were just approaching. Flaco drove past it, made a U-turn at the next intersection, then came back and stopped across the street from the structure.
Smithback was almost afraid to look at it. He’d had to choose one, and there had been no time to consider the relative merits of each building. It was no better than playing Russian roulette.
The signage was attractive, thank God, of lacquered redwood with the lettering cut in bas-relief. Across the top of the sign, straddling its two posts, the main plaque read: THE FLAGLER BUILDING. Below it, screwed in vertical series between the redwood posts, was a series of names: John Kramer, DDS. Lauren Richards, DDS. Kenneth Sprague, DDM. Shirley Gupta, DDS. And then, at the bottom: ENDODONTICS.
Oh God, Smithback thought. A goddamned dentist’s office. If he’d tried, he couldn’t have chosen a worse place to stage his deception. He felt, more than saw, Flaco looking at him.
“Flagler Building?” Flaco said, his voice even more menacing and suspicious than usual.
“Of course. Haven’t you read any of Bill’s periodicals?” Smithback was suddenly beyond caring what he said: fuck this, he’d done his best and he was fresh out of ideas. “That’s his company, Flagler Publications. He named it after his brother, who died young. Flagler Johnson.”
“And those names? And what is Endo…endo…”
“Those are Bill’s business partners. The artists. Look for yourself: John Kramer, Doctor of Drawing Studies. You really haven’t read any of their graphic novels? ‘Endodontics’ is the name of the series. The superheroes all come from the planet Endodont.”
“What about la película? The movie?”
“It comes out around Christmas.” Maybe he should just get out of the car and start running. Suicide by Flaco.
At the nadir of his despair, Flaco eased the car forward. At the next intersection, Flaco made another U-turn, then came back and pulled up in front of the Flagler Building.
“I go in with you,” he said.
Smithback’s heart accelerated. Flaco had just swallowed the most outrageous load of bullshit Smithback had ever flung. And it was only, he realized, because he’d stopped caring—and the fear had gone out of his voice.
“Bad idea.” He pointed at Flaco’s sleeved arms, the torn bandanna around his head. “We talked about this. Let me speak to Bill, show him the manuscript. After he’s read it, your looks—apariencia—will be okay. But too early…You don’t want to spook him.” Smithback shook his head.
Flaco sat without moving for a moment. Then he took his right hand and reached across his own gut, toward the driver’s door. At first, Smithback thought he was going for his gun. But instead, he reached into the door pocket, pulled out the manuscript, and handed it to Smithback.
“?Muévete!” he said.
Smithback nodded. Then he opened his door, stuck a foot out. His sweaty shirt peeled away from the vinyl of the bucket seat.
He walked briskly toward the building, thinking fast. It was filled with dental practices. If he was lucky, that meant not just one receptionist, but several. And beyond them, several rooms, and maybe a back way out. Or places he could hide in. It all depended on Flaco staying in his car long enough for Smithback to call the cops.
Without looking back, he trotted up the steps and opened the door with as much élan as he could muster. As it closed behind him, he saw a floor of gleaming blond wood lead down a hallway ahead of him. There were open doors to the left and right. Immediately past the entrance was a staircase, the risers painted white. Flowers were set on a small table, along with several plastic holders for business cards.
Smithback raced up the stairs. There was another hallway here and, operating purely on instinct now, he followed it to a desk, behind which sat two women in white.