Coldbrook (Hammer)(2)

As consciousness faded and Jonah felt himself sinking towards an exhausted sleep, a shadow formed in his mind. It was too vague truly to trouble him, too remote to register as anything more than a shade against the night, but he was aware of it as a weight where there should be none, a presence that had previously been absent. He considered opening his eyes but they felt heavy. He took in a breath and smelled nothing unusual. Spooking myself, he thought, and then—

He is in the familiar little North Carolina town of Danton Rock, in the Appalachian mountains a mile north of the subterranean Coldbrook facility. A dozen military trucks are parked in the square, and lines of nervous people are waiting to board. A soldier shouting orders through a bullhorn is not speaking English. Other soldiers are spaced in pairs around the square, each carrying a rifle or sub-machine gun, and there is an air of panic about everyone: soldiers alert, civilians twitchy. Jonah does not recognise the shops – their names are different, and written in a language he cannot quite identify – and knows that he is dreaming. He’s had frequent bouts of lucid dreaming since his wife’s death, and sometimes he can steer the visions, using them to meet dear Wendy again. But though he is aware now, that element of control is absent, as if the images are being projected by some outside agency, onto the screen of his mind. They are not his own.

The trucks are almost fully loaded when a short, attractive young woman slips from one line and runs for an alleyway between buildings. Jonah knows what is coming almost before it happens, and there’s a terrible inevitability to the soldier’s electronic shout and the gunfire that quickly follows. No! Jonah screams—

—and he is somewhere else, a hundred people turning tiredly to look his way, the sad knowledge of what they will see obvious in their eyes. They have the slumped shoulders and defeated gazes of people who will never intervene. The camp is huge, stretching as far as he can see into the distance, a shanty town of polythene, steel tubular shelters, and open sewers. Wretchedness and death hang heavy in the air. It’s a sight familiar from disaster areas and war zones around the world, but he recognises Seattle’s skyline. Aircraft like none he has ever seen before hover silently above the crowds, their fuselages smooth and pale as bone. One of them is sweeping down, zoning in on the scream even as it comes again. Jonah sees a man, hand clasped to a wet, leaking wound on his arm. Other people are pressing back from him, and the man is turning in slow circles, his eyes wide and pleading. No! he cries. No, it’s okay, really, it’s clean, it’s clean! But it is not clean, and in this vision Jonah understands that. It is unclean, and requires purifying.

Something whispers through the air and the man is whipped from his feet, borne aloft by a flexible arm slung below the aircraft. As it climbs again the people are still pulling back, the circle of bare ground widening, and—

A wide wall of fire reaches fifty feet into the air, and between it and Jonah – a distance of maybe half a mile – thousands of people are staggering from left to right, silhouetted against the flames in their shambling efforts to escape incineration. He is aware that this is another place that is not quite right. The open fields are painted gold by a familiar barley crop, but on a distant hillside stand several tall, weird structures, huge glass globes at their pinnacles seeming to catch light and haze the air around them with shades of darkness. They hint at a technology he does not know, and close to where that hillside smooths out into a valley a group of vehicles are screaming across the ground, bouncing with beautiful elegance. They each fly a stars-and-stripes pennant, but there are too few stars on them.

The sound when it comes is almost soporific, a series of gentle pops like bubbles bursting in a freshly run bath. The people start falling in their hundreds, and Jonah can see parts of their bodies erupting in gouts of black blood and flesh. It’s this death that draws and focuses his attention, because then he realises that not only are the buildings disturbingly unfamiliar but the people being mown down are themselves strange. He’d thought that perhaps they were refugees like those from the previous strand of his dream but their movements are wrong – the way they run, the expressionless faces. Even those as yet unaffected by the attackers’ weapons seem to be bleeding, and their mouths—

The man’s mouth hangs open as he screams at the woman to run. They’re in a modern building, the huge open-plan room well furnished, and one glass wall offers views out across a complex of some kind. There are several large featureless buildings, and a place that might be a power plant. The ground is flat, a few benches dotted here and there in the shade of black oak trees. It is sunny: springtime. Beside one bench, three people in red-splashed lab coats are attacking someone squirming on the ground. One of the large buildings is on fire. And inside the room, something is coming to an end.