Blow Fly (Kay Scarpetta #12)(97)
"You know what the best part is, Jean-Baptiste Chandonne? You're in here because of me. So who won? And, no, I won't be back here to put you to death. A stranger will do that. Just as you were a stranger to those you killed."
Jean-Baptiste suddenly turns back to the wire-mesh screen behind him.
"Who's there?" he whispers.
Scarpetta hangs up the black phone. She walks away. "Who's there!"he, screams.
100
JEAN-BAPTISTE IS quite fond of handcuffs. The thick steel bracelets around his wrists are rings of magnetic strength. Power surges through him. He is calm now, even conversational, as Officers Abrams and Wilson escort him along corridors, stopping at every steel door and holding up their ID name tags and showing their faces through the glass windows. The officer on the other side releases the electronic lock, and the journey continues.
"She was very upsetting to me," he says in his soft voice. "I regret my outburst. She blinded me, you know, and will not say she is sorry."
"I don't know why she even came to see a dirtbag like you," Officer Abrams comments. "If anybody should be upset, it's her, after what you tried to do. I've read about it, know all about your worthless life."
Officer Abrams is making the big mistake of giving in to his emotions. He hates Jean-Baptiste. He would like to hurt Jean-Baptiste.
"I am quiet inside now," Jean-Baptiste says meekly. "But I feel sick."
The officers stop at another door, and Abrams shows his ID in the glass window. They pass through. Jean-Baptiste averts his face, staring down at the floor and looking away from each officer who grants them entrance deeper inside the prison.
"I eat paper," Jean-Baptiste confesses. "It is a nervousness of mine, and I have been eating a lot of paper today."
"You writing yourself letters?" Abrams snidely goes on. "No wonder you spend so much time on the toilet."
"This is very true," Jean-Baptiste agrees. "But this time it is worse. I feel weak, and my stomach hurts."
"It will pass, so to speak."
"Don't worry. If it doesn't, we'll get you to the infirmary." This time it is Officer Wilson who speaks. "They'll give you an enema. You'll probably like that."
Inside Pod A, the voices of inmates bounce off concrete and steel. The noise is maddening, and the only way Jean-Baptiste has been able to endure it all these months is to decide when he will hear and when he won't. If this isn't enough, he leaves, usually for France. But today he will begin his travel to Baton Rouge and be reunited with his brother. He is his brother. This point confuses him.
When he is with his brother, Jean-Baptiste experiences his brother's existence, which is apart from the existence of Jean-Baptiste.
When the two of them are separated, Jean-Baptiste is his brother, and their roles in their conquests unite in one delicious act. Jean-Baptiste picks up the beautiful woman, and she desires him, possibly desperately. They have sex. Then he releases her to the ecstasy, and when it is finished and she is free, Jean-Baptiste is slippery with her blood, his tongue thrilled by the taste of her salty sweetness and the metallic hint of the iron he needs. Later, his teeth sometimes ache, and he is prone to massaging his gums and washing himself obsessively.
Jean-Baptiste's cell comes into view, and he glances inside the control booth at the woman who sits there today. She is a difficulty, but not an impossible one. No one can watch all activities at all times, and as Jean-Baptiste walks slowly, very slowly, and holds his stomach, she barely glances at him. The early afternoon belongs to Beast. Now he has his visitors in a special holding cell on the other end of the pod, a much more civilized place to visit relatives and the clergy. Because visitors have been in and out for the past three or four hours, the woman in the console must pay special attention in the event Beast acts out. Why not? He has nothing to lose.
The door of the holding cell is made of bars, allowing the officers to note Beast's every move inside, ensuring he will not harm the sad, kind people who have come to see him. Beast looks at Jean-Baptiste through the bars, just as the woman in the booth unlocks Jean-Baptiste s door and Officers Abrams and Wilson remove Jean-Baptiste s handcuffs.
Beast screams and grabs at the bars of his holding cell, yelling and cursing and jumping up and down. All attention sharply turns in his direction, and Jean-Baptiste grabs Officers Wilson and Abrams by their thick leather belts and jerks so hard that he lifts them off their feet. Their shocked yells blend with the jarring, deafening noise in the pod as Jean-Baptiste slams them into a concrete wall to the left of the massive door, which he shuts just enough so it doesn't lock. He blinds them with his long, filthy thumbnail, and his magnetized hands crush their windpipes. As their faces turn a dusky blue, their flailing quickly stills. Jean-Baptiste killed them with virtually no bloodshed, just little trickles from their eyes and a cut on Officer Wilson's head.
Jean-Baptiste removes Officer Abrams's uniform and puts it on. He does this in seconds, it seems, pulling the black cap low over his face and slipping on the dead man's glasses. He walks out of the cell and then shuts the door, just one more loud metal clang as Beast struggles with officers far away and gets a faceful of pepper spray, which only makes him scream and resist more, this time sincerely.
One door after another, Jean-Baptiste passes through, holding up Officer Abrams's identification tag. So sure is he of success, he is completely at ease, even seems a little preoccupied, as officers click him through. Jean-Baptiste's feet are not on the ground, but in the air as he easily walks out of the prison, a free man, and digs Officer Abrams's car keys out of a pocket.