Blow Fly (Kay Scarpetta #12)(32)
He wipes his eyes with the back of a big hand as Benton looks down at him from the apartment doorway, watching, not offering to help pick up the cigarettes, unable to move.
"Take care, Pete," Benton, the master of masks and self-control, says in a steady, reasonable voice.
Marino looks up with bloodshot eyes from his squatting position on the landing. The seam in the crotch of his wrinkled khakis is slightly ripped, his white briefs peeking through.
He blurts out, "Don't you get it, you can come back!"
"What you don't get is there is no back to go back to," Benton says in a voice so low it is almost inaudible. "I don't want to come back. Now please get the hell out of my life and leave me alone."
He pulls his apartment door shut and flips the dead bolt. Inside, he collapses on the couch and covers his face with his hands while Marino's insistent knocking turns to violent thuds and kicks.
"Yeah, well, enjoy your great life, *!" his muffled voice sounds through the door. "I always knew you was cold and don't give a f*ck about anybody, including her, you f*cking psycho!" The banging and kicking suddenly stop.
Benton holds his breath, straining to hear. The sudden silence is worse than any tantrum. Pete Marino's silence is damning. It is final. His friend's heavy feet scuff down the stairs.
"I am dead," Benton mutters into his hands as he doubles over on the couch.
"No matter what, I am dead. I am Tom. Tom Haviland. Tom Speck Haviland..." His chest heaves and his heart seems to beat out of rhythm. "Born in Greenwich, Connecticut..."
He gets up, crushed by a depression that turns the room dark and the air as thick as oil. He smells Marino's lingering cigarette smoke, and it runs through him like a blade. Moving to the window, he stands to one side of it so he isn't visible from below, and he watches Pete Marino walking slowly away through intermittent shadows and dappled sunlight along uneven cobblestones.
Marino stops to light a Lucky Strike and turns around to stare up at Benton's depressing building until he finds apartment 56. Cheap sheer curtains are caught by a breeze and flutter out the open window like spirits leaving.
24
IN POLAND, it is a few minutes past midnight. Lucy drives past caravans of World War II Russian Army trucks and speeds through miles of tiled tunnels and along the tree-lined E28. She can't stop thinking about the Red Notice, how easy it was for her to send computerized information that has law enforcement agencies around the world on guard. Of course, her information is legitimate. Rocco Caggiano is a criminal. She has known that for years. But until she recently received information that ties him to at least a few of his crimes, neither she nor other interested parries had probable cause to do anything more than hate him.
One simple phone call.
Lucy called Interpol's Central Bureau in Washington, D.C. She identified herself-her real identity, of course-and had a brief conversation with a U.S. Marshal liaison named McCord. The next step was a search of the Interpol database to see if Caggiano is known, and he wasn't, not even as a Green Notice, which simply means a person is of interest to Interpol and should be watched and subjected to extra scans and pat-downs when he or she crosses borders and passes through international airports.
Rocco Caggiano is in his mid-thirties. He has never been arrested and has made a fortune, ostensibly as a scumbag, ambulance-chasing lawyer, but his formidable wealth and power come from his real clients, the Chandonnes, although it isn't accurate to call them clients. They own him. They shield him. He is kept in high style and alive at their pleasure.
"Check out a murder in 1997," Lucy told McCord. "New Year's Day in Sicily. A journalist named Carlos Guarino. Shot in the head, his body dumped in a drainage ditch. He was working on an investigative story about the Chandonnes-a very risky thing to do, by the way. He had just interviewed a lawyer who represents Jean-Baptiste Chandonne..."
"Right, right. I know about that case. The Wolfman, or whatever they call him."
"The cover of People magazine, Time magazine, whatever. Who doesn't know about the W?lfman serial killer, I guess," Lucy replied. "Guarino was murdered hours after talking to Caggiano.
"Next, a journalist named Emmanuelle La Fleur. Barbizon, France, February eleventh, 1997. Worked for Le Monde. He also was unwisely doing a story on the Chandonne family."
"Why all this interest in the Chandonnes, beyond their being Jean-Baptiste's unlucky parents?"
"Organized crime. A huge cartel. Never been proven that the father heads it, but he does. There are rumors. Investigative reporters are sometimes blinded by scoops and prizes. La Fleur had drinks with Caggiano hours before the journalists body was found in a garden near the former chateau of the painter Jean Francois Millet-don't bother looking for him. He's been dead more than a hundred years."
She wasn't being sarcastic. She would never assume that Millet was a household name and didn't want to find the artist was suddenly a person of interest.
"La Fleur was shot in the head, and the ten-millimeter bullet was fired from the same gun used to murder Guarino," she explained.
There was more. The information came from a letter written by Jean -Baptiste Chandonne.
"I'll e-mail you his letter immediately," Lucy said, a transmission that would have been unthinkable before Interpol began using the Internet.