Wonder Woman: Warbringer (DC Icons #1)(13)



Diana gathered her courage, adjusted her pack, and stepped onto a path of wet black stones that led to the entry, leaping from one to the next across water the dull gray of a clouded mirror, her sandals slipping over their glossy backs.

The air near the entrance felt strangely thick. It lay heavy against her skin, damp and unpleasantly warm, wet as an animal’s lolling tongue. She lit the lantern hanging from her pack, took a shallow breath, and stepped inside.

Instantly, the lamp went out. Diana heard whispering behind her and turned to see the roots knotting closed over the mouth of the tunnel. She lunged for the entrance, but it was too late. She was alone in the dark.

Her heart set a jackrabbit pace in her chest. Over the vibrating insect hum, she could hear the vines and roots shifting around her, and she was suddenly sure they would simply close in, trapping her in the tangled wall forever.

She forced herself to shuffle forward, hands held out before her. Her mother wouldn’t be afraid of a few branches. Tek would probably give those roots one withering look and they’d literally wither.

The hum grew louder and more human, a sighing, keening sound that rose and fell like a child’s weeping. I’m not afraid. I am an Amazon and have nothing to fear from this island. But this place felt older than the island. It felt older than everything.

Gradually, she realized the tunnel was sloping upward and that she could see the dim shapes of her hands, the woven-root texture of the walls. Somewhere up ahead, there was light.

The tunnel gave way to a round room, its ceiling open to the sky. It had been late afternoon when Diana set out, but the sky she was looking at now was black and full of stars. She panicked, wondering if she’d somehow lost time in the tunnel, and then she realized that the constellations above her were all wrong. Whatever sky she was seeing, it was not her own.

The bramble walls held torches alight with silver flames that gave no heat, and a moat of clear water ringed the room’s perimeter. At its center, on a perfectly flat circle of stone, a cloaked woman sat beside a bronze brazier hanging from a tripod by a delicate chain. In it, a proper fire burned vibrant orange, sending a plume of smoke into the star-strewn sky.

The woman rose and her hood fell back, revealing coppery hair, freckled skin.

“Maeve!” Diana cried.

The Oracle’s face shifted. She was a wide-eyed child, then a wizened crone, then Hippolyta with amethysts in her ears. She was a monster with black fangs and eyes like opals, then a glowing beauty, her straight nose and full mouth framed by a golden helm. She stepped forward; the shadows shifted. She was Tek now, but Tek as touched by age, dark skin lined, gray at her temples. Diana wanted nothing more than to turn and run. She stayed where she was.

“Daughter of Earth,” said the Oracle. “Make your offering.”

Diana willed herself not to flinch. Daughter of Earth. Born of clay. Had the Oracle meant those words as an insult? It didn’t matter. Diana had come here with a purpose.

She set down her pack and reached inside for the green enamel box. Her hand hovered over a jade comb Maeve had given her on her last birthday; a carnelian leopard, the little talisman she’d carried for years in her pocket, its back bowed in the spot where she’d rubbed her thumb against it for luck; and a tapestry of the planets as they had appeared at the hour of her birth. It was lumpy and full of mistakes. She and her mother had made it together, and greedy for Hippolyta’s time, Diana had pulled rows of threads out every night, hoping they could just keep working on the project forever. She felt along the box’s lining, fingers closing over the object she sought.

She looked at the moat. There was no obvious way across, but Diana was not going to ask for instruction. She’d heard enough people speak of the Oracle to know that—if her sacrifice was accepted—she would be permitted three questions and no more.

She stepped into the water. She could see her foot pass through it, see her skin, paler beneath the surface, but she felt nothing. Maybe the river was mere illusion. She crossed to the stone island. When she set foot on the smooth rock, the hum of voices dimmed as if she had entered the eye of a storm.

Diana stretched out her hand, willing it to steadiness—she did not want to tremble before the Oracle—and uncurled her fingers, revealing the iron arrowhead. It was long enough to cover most of her palm, honed to a cruel point, its tip and crevices stained in a red so dark it looked black in the torches’ icy light.

The Oracle’s laugh was as dry as the crackle of the fire. “You bring me a gift you despise?”

Diana recoiled in shock, hand closing protectively over the arrowhead and drawing it close to her heart. “That’s not true.”

“I speak only truth. Perhaps you are not ready to hear it.” Diana glanced back at her pack, wondering if she should attempt some other offering. But the Oracle said, “No, Daughter of Earth. I do not want your jewels or childish trinkets. I will take the arrow that killed your mother. Though you despise a thing, you may value it still, and the blood of a queen is no small gift.”

Reluctantly, Diana extended her hand once more. The Oracle plucked the bloodied arrowhead from her palm. Her face shifted. She was Hippolyta again, but this time her black hair was unpinned and unbraided, curling around her shoulders, and she wore a white tunic embroidered in gold. She was as Diana remembered her the day Hippolyta had found her daughter crying in the stables after Diana had overheard two of the Amazons talking before their daily ride. They said I’m a monster, she’d told her mother. They said I’m made of mud. Hippolyta had dried her tears with the sleeve of her tunic, and that night she’d given Diana the arrowhead.

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