The Exact Opposite of Okay(9)
Then there’s the Carlie/Ajita thing. Obviously I know it’s irrational to be jealous, but I can’t help it. I think it’s human nature to feel vaguely territorial over your best friend. Not in a canine pissing-all-over-them-to-mark-your-patch type way, but more in a childish not-wanting-to-share-your-favorite-toy type way. Yes, it’s selfish. Yes, I’m immature. But is it so wrong to simply want a monogamous friendship? [Yes, past me. Yes, it is very wrong.]
Anyway, I very much prefer when things stay the same. What’s that biological term? Homeostasis? Does that apply here? Can we please find a way to make it apply to friendship circles?
4.32 p.m.
Alas, all is not lost! Mrs Crannon called me into her office at the end of school. Her computer is wearing several of the 1920s wigs she sourced for our Gatsby production, and she’s combing them as I walk through the door. Before I’ve even taken a seat in the Iron Maiden chair of doom, she offers me a cup of coffee and a triple chocolate chip cookie, which is how I know my instincts were correct and she is in fact a fantastic human being on all fronts.
“So! I finished your script,” she says, all warm and friendly.
Through sheer nerves and stress, my stomach almost plummets through my asshole. [I realize this is a hideous thing to say, but you all know exactly what I mean, and I shall not apologize for vocalizing the sensation.]
“Oh, did you?” I sip the coffee, immediately giving myself third-degree burns, and try to resist the urge to flee the room, banshee-screaming, with my arms flailing in the air and a trail of cookie-based destruction behind me.
She abandons the wigs and leans forward onto her elbows in a very teachery way. “Izzy, I promise you I’m not just saying this because you’re my student and I’m trying to be encouraging. You have an unbelievable talent.”
“Really?” I grin insanely, like an insane person.
“Really! I fully planned to only read the first ten pages last night and make some notes for you, but before I knew it, it was after midnight and I’d finished the entire thing. ?And I’d completely forgotten to make any notes. That’s how good it is. It’s smart and funny, and your social awareness really shines through. I didn’t feel like I was reading the work of a high-school senior.”
The cynical side of me feels like she’s laying it on a little thick at this point, but I’m so happy I just don’t care. I beam even more. “Thank you, Mrs Crannon. That means the world.”
“I’m glad,” she says, smiling back just as proudly. “Now, I’ve been thinking about next steps for you. You’re unsure about college, which is totally fine, and you’re not in a position to take on unpaid internships just yet. Again, that’s okay. But I did have a few ideas. Firstly, I really think you need to get this script into industry hands, whether agents or producers.”
I sigh. “Right. But no agents or producers accept unsolicited submissions. I already looked into it.”
“Maybe not,” Mrs Crannon agrees. “However, there are a lot of screenplay competitions out there that have judging panels made up of exactly those kinds of people – agents and producers and story developers who’re looking out for fresh new talent. I did a bit of research over lunch, and there’s a fairly established competition running in LA, aimed specifically at younger writers. It’s heavily development-focused, so as you progress through the various rounds, you get a ton of feedback from people who really know their stuff, plus meetings with industry executives if you make it to the finals. And guess what the grand prize is?”
I shake my head, hardly believing what I’m hearing. How could I not have heard about this? It sounds like a dream.
“A college scholarship!”
I blink, wondering if I heard her right. “What?”
She hands me a printout of a web page [literally something only old people ever do] which has all the competition info on it. Across the top is bold branding: The Script Factor.
But my eyes land on one thing.
Entry fee: $50.
“This is great, Mrs Crannon, but . . . I can’t afford it.” My voice is all flat and echoey. “The entry fee, I mean. I could never ask my grandma to give me fifty bucks. That’s like seventeen hours of work at the diner.” [I did mention math not being my strong suit.]
Without a trace of condescension, she replies, “I thought you might say that.” And then the unthinkable happens. She reaches into her purse, pulls out a leather wallet, and hands me a fifty-dollar bill.
I stare at it in her hand, stunned. “Mrs Crannon, I . . . I can’t take that. No. Thank you so much, but no. No, I can’t.”
“You can, Izzy. I want you to. My father recently passed away, and he left me some money. He was a teacher too. English literature. He’d love to know he was helping a talented young creative find their way.”
Her crazy tunic is all orange and pink and yellow flowers, but all the colors blur together as my eyes fill with hot tears. I’m used to having emotional support from a select few people, but to have a near-stranger take such a massive leap of faith in me? It’s overwhelming.
“I don’t know what to say. Thank you. Thank you so much.”
“I’m glad to be able to help. Just remember me when you’re famous, won’t you?” She grins and boots up her ancient computer, which still has an actual floppy disk drive. “Now, let’s fill in this entry form together, shall we? The deadline is tomorrow, so we have to move fast.”