Son of the Dawn (Ghosts of the Shadow Market #1)(15)

Matthew did not appear to notice. He ran up to Brother Zachariah, threw an exuberant arm about his neck, and ducked his head under the hood of the Silent Brother to give him a kiss on the cheek.

“Uncle Jem!” Matthew exclaimed joyfully. “What are you doing here?”




“Cast Long Shadows” by Cassandra Clare and Sarah Rees Brennan will be published on 8 May, 2018.





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Cassandra Clare online





About the Authors


CASSANDRA CLARE was born to American parents in Teheran, Iran and spent much of her childhood traveling the world with her family. She lived in France, England and Switzerland before she was ten years old. Since her family moved around so much she found familiarity in books and went everywhere with a book under her arm. She spent her high school years in Los Angeles where she used to write stories to amuse her classmates, including an epic novel called “The Beautiful Cassandra” based on the eponymous Jane Austen short story (and from which she later took her current pen name).

After college, Cassie lived in Los Angeles and New York where she worked at various entertainment magazines and even some rather suspect tabloids. She started working on her YA novel, City of Bones, in 2004, inspired by the urban landscape of Manhattan, her favorite city.

In 2007, the first book in the Mortal Instruments series, City of Bones, introduced the world to Shadowhunters. The Mortal Instruments concluded in 2014, and includes City of Ashes, City of Glass, City of Fallen Angels, City of Lost Souls, and City of Heavenly Fire. She also created a prequel series, inspired by A Tale of Two Cities and set in Victorian London. This series, The Infernal Devices, follows bookworm Tessa Gray as she discovers the London Institute in Clockwork Angel, Clockwork Prince, and Clockwork Princess.

The sequel series to The Mortal Instruments, The Dark Artifices, where the Shadowhunters take on Los Angeles, began with Lady Midnight, continues with Lord of Shadows and will conclude with Queen of Air and Darkness.

Other books in the Shadowhunters series include The Bane Chronicles, Tales from the Shadowhunter Academy, and The Shadowhunter’s Codex.

Her books have more than 36 million copies in print worldwide and have been translated into more than thirty-five languages. Visit her at CassandraClare.com.


SARAH REES BRENNAN was born and raised in Ireland by the sea, where her teachers valiantly tried to make her fluent in Irish (she wants you to know it’s not called Gaelic) but she chose to read books under her desk in class instead. The books most often found under her desk were Jane Austen, Margaret Mahy, Anthony Trollope, Robin McKinley and Diana Wynne Jones, and she still loves them all today. After college she lived briefly in New York and somehow survived in spite of her habit of hitching lifts in fire engines. She began working on The Demon’s Lexicon while doing a Creative Writing MA and library work in Surrey, England. Since then she has returned to Ireland to write and use as a home base for future adventures. Her Irish is still woeful, but she feels the books under the desk were worth it. Sarah is also the the author of the Lynburn Legacy series, and the novels Tell the Wind and Fire and In Other Lands. Visit her at sarahreesbrennan.com.





Bonus Material:


Not for Humans


by


CASSANDRA CLARE


and


HOLLY BLACK


Kaye really wasn’t expecting Shadowhunters to come to Moon in a Cup, especially on opening day. She wasn’t even really sure what Shadowhunters did. They appeared to believe that the world was menaced by demons, wore a lot of weapons, tattooed one another, and didn’t trust anyone who wasn’t one of them. Kaye had once pointed out that she’d never seen a demon and, really, she’d seen plenty of odd things. The Shadowhunter she’d been talking with had claimed her not seeing any demons only proved that the Shadowhunters were doing their job. She’d stopped arguing after that.

You can’t prove a negative, Corny had said. It annoyed her, though, because not only did they believe in demons, but they thought faeries like her were part demon too. That made all the weapon carrying and weirdness a little more nervous-making than it might have been otherwise. But Luis liked them and, besides, Kaye needed customers.

She just hoped they didn’t eat the scones.

Moon in a Cup was her dream and now that it was finally happening, she was incredibly nervous. She loved the smell of the espresso in the air, the clouds of steam and the sound of frothing milk. She loved all the things that she and her friends had scavenged from thrift sales and from the side of the road. Ratty little wooden tables that she and Valerie and Ruth had decoupaged with postcards and sheets of music and pages from encyclopedias. Gold-painted chairs. Outsider art and weird antlers and a few landscapes with sea serpents painted on top of them. Mismatched cups that ranged from bone china to chipped bowls with pictures of ducks on them to mugs with slogans for businesses long closed. Every single one felt like a treasure to her, but she’d never owned anything before or been very responsible. She’d worried over whether she could handle it–whether she’d even like it once it was real–for months.

And now, finally, finally, finally, the place was open.