Release(3)



“Angela and I are bringing pizzas from her work.”

“Better and better. Does it matter what colour chrysanthemums?”

“Probably, but as she didn’t specify, I have the chance to blame her if they’re wrong.”

“I’ll get you the most garish.”

“And maybe…”

JD waited. Adam couldn’t quite meet his eye. “Maybe not the most expensive?”

“Not a problem, Adam,” JD said, seriously, and headed off into the massive field of flower pallets. Those were all in dirt, to be planted into your own gardens, but the garden centre had a cooler of cut flowers, too, if you needed a bouquet. Adam wandered over to it, his brain idly moving through the day ahead, coupled with a song he was presently unaware of even humming.

A red rose, alone in its plastic bucket. He reached for it, though it didn’t really register in his consciousness until it was in his hands. A single red rose. Could he buy it? Was that something that was okay? That boys did? If it was for a girl, obviously, yes, but if it was for…

He had no rules for this. Which was liberating some of the time because that meant there were none to obey, not even with Linus. But sometimes a guide or history or a long-established literature would have been useful. Could he buy a rose? And give it? How would Linus take it? Did everyone else in the world know the answer except him?

If it was even Linus he gave it to.

He placed the pad of his right thumb onto one of the rose’s thorns – which, along with “crown of”, was one of the two “jokes” people told about his last name, never making anyone laugh but themselves – and slowly but firmly pressed. It pierced the skin and in the quickness of the drop of blood that flowed there, he saw–





–an entire world, fast as a gasped breath, of trees and green, of water and woods, of a figure that followed in the darkness, of mistakes made, of loss, of grief–





Adam blinked and put his bloody thumb to his lips. It was gone. Like a dream. Like vapour. Leaving behind only a feeling of disquiet and the tang of blood on his tongue.

When JD returned, Adam bought the rose. It was only two bucks.





She wakes, suddenly, to the smell of blood, of roses, as if her heart has been pricked by a thorn. She is drenched. Has she walked up from the water’s edge? Has she stepped out of the water itself?

She doesn’t know. There was flurry, there was rush, there was release–

And then a snag, as if on that thorn in her heart, a drop of blood pearling itself…

She sits up and the water pours off her like she passed through a waterfall seconds before. But the shore is dry, as shores go, the mud beneath her damp but firm. She runs her palm over it, like she is mystified by it, and maybe she is. It is coarse under her fingertips. She pinches a bit between her thumb and index finger, bringing it to her nose, inhaling deeply. Rich, peaty, the smell of earth, but not the source of the blood scent.

But then why would it be? she thinks, of a sudden. She is surrounded by wild rose bushes, she knows this, she doesn’t know how, but she does. She is surrounded by thorns–

And the scent shimmers away, like a voice heard before waking.

She stands, still dripping into the newly formed puddle at her feet. This dress is hers, she thinks. This dress is not hers, she thinks. The contradiction is true. It is patterned floral, light, tasteful, a young woman’s dress but either ironically retro or actually from another time.

Do I wear dresses? she thinks.

Yes. No.

There are pockets in the dress, which would seem to mark it out as very old-fashioned, but they’re distended, stretched, heavy. She reaches for the weight inside each and pulls out two solid bricks, dense enough to drag her down.

To drown her.

She stares at them for the longest while.

She drops the bricks. They each bounce once on the mud.

“Death is not the end,” she speaks aloud.

What? What was that? What does that even mean? She puts a hand over her mouth as if to keep it from speaking again, holding the words in.

A song. It’s a song. She feels the tune humming itself in her diaphragm, a melody emerging, words that she knows. A song for funerals, gravesides. Or perhaps one only written to sound so, perhaps done with the same irony that wove this dress.

She closes her eyes against the sun breaking in the trees. She sees the veins and capillaries on the insides of her eyelids, red as murder.

She breathes.

Then she vomits up more water than her stomach could possibly contain. It is only water, no bile or food, clear in the cataract that rushes from her mouth. She eventually has to kneel from the force of it, until the overwhelmed puddle beneath her opens a channel to the lake.

Finally, there is no more. She pants, gathering herself. When she stands again, her hair, her skin, her dress, are all dry, not a hint of dampness anywhere.

She breathes once again.

“I will find you,” she says, and on bare feet, she begins to walk.





Behind the rose bushes, the faun watches her go. After a moment, he follows, worried.





RUN





It took at least a mile, sometimes two, before Adam properly relaxed into his run. “Maybe distance running isn’t for you,” his cross-country coach had said, at first gently, then not, then eventually giving up when Adam kept coming to practice and completing all his runs. He’d never won a single race – the team had never won a single meet – and Adam’s awkward first ten minutes were undoubtedly part of that, but…

Patrick Ness's Books