Delirium (Delirium #1)(60)

The warmth is only growing inside of me, waves of light swelling and breaking and making me feel like I’m floating. His fingers lace my hair, cup my neck and the back of my head, skim over my shoulders, and without thinking about it or meaning to, my hands find his chest, move over the heat of his skin, the bones of his shoulder blades like wing tips, the curve of his jaw, just stubbled with hair—all of it strange and unfamiliar and gloriously, deliciously new. My heart is drumming in my chest so hard it aches, but it’s the good kind of ache, like the feeling you get on the first day of real autumn, when the air is crisp and the leaves are all flaring at the edges and the wind smells just vaguely of smoke—like the end and the beginning of something all at once. Under my hand I swear I can feel his heart beating out a response, an immediate echo of mine, as though our bodies are speaking to each other.

And suddenly it’s all so ridiculously and stupidly clear I feel like laughing. This is what I want. This is the only thing I’ve ever wanted. Everything else—every single second of every single day that has come before this very moment, this kiss—has meant nothing.

When he finally pulls away it’s like a blanket has come down over my brain, quieting all my buzzing thoughts and questions, filling me with a calm and happiness as deep and cool as snow. The only word left there is yes. Yes to everything.

I really like you, Lena. Do you believe me now?

Yes.

Can I walk you home?

Yes.

Can I see you tomorrow?

Yes, yes, yes.

The streets are empty by now. The whole city is silent and still. The whole city might have wound down into nothing, burned away while we were in the shed, and I wouldn’t have noticed or cared. The walk home is fuzzy, a dream. He holds my hand the whole way and we stop to kiss twice again in the longest, deepest shadows we can find. Both times I wish the shadows were solid, had weight, and they would fold down around us and bury us there so we could stay like that forever, chest to chest, lip to lip. Both times I feel my chest seize up when he pulls away and takes my hand and we have to start walking again, not kissing, like suddenly I can only breathe correctly when we are.

Somehow—too soon—I’m home, and whispering good-bye to him and feeling his lips brush mine one last time, as light as wind.

Then I’m sneaking into the house and up the stairs and into the bedroom, and it’s not until I’ve been lying in bed for a long time, shivering, aching, missing him already, that I realize my aunt and my teachers and the scientists are right about the deliria. As I lie there with the hurt driving through my chest and the sick, anxious feeling churning through me and the desire for Alex so strong inside of me it’s like a razor blade edging its way through my organs, shredding me, all I can think is: It will kill me, it will kill me, it will kill me. And I don’t care.





Chapter Fifteen



Last God created Adam and Eve, to live together happily as husband and wife: eternal partners. They lived peacefully for years in a beautiful garden full of tall, straight plants that grew in neat rows, and well-behaved animals to serve as pets. Their minds were as clear and untroubled as the pale and cloudless blue sky, which hung like a canopy over their heads. They were untouched by illness, pain, or desire. They did not dream. They did not ask questions. Each morning they woke as refreshed as newborns. Everything was always the same, but it always felt new and good.


—From Genesis: A Complete History of the World and the Known Universe, by Steven Horace, PhD, Harvard University





The next day, a Saturday, I wake up thinking of Alex. Then I try to stand up, and pain shoots through my leg. Hitching up my pajamas, I see a small spot of blood has seeped through the T-shirt Alex wrapped around my calf. I know I should wash it or change the bandage or do something, but I’m too scared to see how bad the damage is. The details from the party—of screaming and shoving and dogs and batons whirling through the air, deadly—come flooding back, and for a moment I’m sure I’m going to be sick. Then the dizziness subsides and I think of Hana.

Our phone is in the kitchen. My aunt is at the sink, washing dishes, and gives me a small look of surprise when I come downstairs. I catch a glimpse of myself in the hallway mirror. I look terrible—hair sticking up all over my head, big bags under my eyes—and it strikes me as unbelievable that anyone could ever find me pretty.

But someone does. Thinking of Alex makes a golden glow spread through me.

“Better hurry,” Carol says. “You’ll be late for work. I was just about to wake you.”

“I just have to call Hana,” I say. I snake the cord as far as it will go and back up into the pantry, so at least I’ll have some privacy.

I try Hana’s house first. One, two, three, four, five rings. Then the answering machine clicks on. “You’ve reached the Tate residence. Please leave a message of no more than two minutes. . . .”

I hang up quickly. My fingers have begun to tremble, and I have trouble punching in Hana’s cell phone number. Straight to voice mail.

Her greeting is exactly the same as it’s always been (“Hey, sorry I couldn’t get to the phone. Or maybe I’m not sorry I couldn’t get to the phone—it depends on who’s calling.”), her voice coming in fuzzy, bubbling with suppressed laughter. Hearing it—the normalcy of it—after last night gives me a jolt, like suddenly dreaming yourself back into a place you haven’t thought about for a while. I remember the day she recorded it. It was after school and we were in her room, and she went through about a million greetings before she settled on that one. I was bored and kept whacking her with a pillow whenever she wanted to try just one more.