Delirium (Delirium #1)(39)
He has his back toward me, facing the ocean, and I’m glad. I feel self-conscious as I plod down the rickety, salt-warped stairs that lead from the parking lot to the beach, pausing to unlace and kick off my sneakers, which I carry in one hand. The sand is warm on my bare feet as I set off toward him.
An old man is coming up from the water, carrying a fishing pole. He shoots me a suspicious glance, then turns to stare at Alex, then looks at me again and frowns. I open my mouth to say, “He’s cured,” but the man just grunts at me as he walks past, and I can’t imagine he’d bother to call the regulators, so I don’t say anything. Not that we’d get in trouble trouble if we were caught—that’s what Alex meant when he said, “I’m safe”—but I don’t want to answer a lot of questions and have my ID number run through SVS and all of that. Besides, if the regulators did haul ass all the way out to East End Beach to check out “suspicious behavior,” only to discover it was some cured taking pity on a seventeen-year-old nobody, they’d definitely be annoyed—and guaranteed to take it out on someone.
Taking pity. I push the words out of my mind quickly, surprised by how difficult it is to even think them. All day I tried not to worry about why on earth Alex would be so nice to me. I even imagined—for one brief, stupid second—that maybe after my evaluation I’d get matched with him. I’d had to shunt that thought aside too. Alex has already received his printed sheet, his recommended matches—he would have gotten it even before his cure, directly after the evaluations. He’s not married yet because he’s still in school, end of story. But he will be, as soon as he finishes.
Of course, then I started wondering about the kind of girl he’s been matched with—someone like Hana, I decided, with bright blond hair and an irritating ability to make even pulling her hair into a ponytail look graceful, like a choreographed dance.
There are four other people on the beach: a mother and a child, one hundred feet away, the mother sitting in a faded fabric folding chair, staring blankly toward the horizon, while the child—who is probably no more than three—toddles in the waves, gets knocked over, lets out a shriek (of pain? pleasure?) and struggles back to her feet. Beyond them a couple is walking, a man and a woman, not touching. They must be married. Both have their hands clasped in front of them, and both look straight ahead, not talking—and not smiling, either, but calm, as though they are each surrounded by an invisible protective bubble.
Then I’m coming up behind Alex and he turns and sees me, smiles. The sun catches his hair, turns it momentarily white. Then it smolders back to its normal golden-brown color.
“Hi,” he says. “I’m glad you came.”
I feel shy again, stupid holding my ratty shoes in one hand. I can feel my cheeks getting hot, so I look down, drop my shoes, turn them over once in the sand with my toe. “I said I would, didn’t I?” I don’t mean for the words to come out so harshly and I wince, mentally cursing myself. It’s like there’s a filter set up in my brain, except instead of making things better, it twists everything around so what comes out of my mouth is totally wrong, totally different from what I was thinking.
Thankfully, Alex laughs. “I just meant that you stood me up last time,” he says. He nods toward the sand. “Sit?”
“Sure,” I say, relieved. I feel much less awkward once we’re both settled in the sand. There’s less chance of falling over or doing something dumb. I draw my legs up to my chest, resting my chin on my knees. Alex leaves a good two or three feet of space between us.
We sit in silence for a few minutes. At first I’m searching frantically for something to say. Every beat of silence seems to stretch into an infinity, and I’m pretty sure Alex must think I’m a mute. But then he flicks a half-buried seashell out of the sand and hurls it into the ocean, and I realize he’s not uncomfortable at all. After that I relax. I’m even glad for the silence.
Sometimes I feel like if you just watch things, just sit still and let the world exist in front of you—sometimes I swear that just for a second time freezes and the world pauses in its tilt. Just for a second. And if you somehow found a way to live in that second, then you would live forever.
“Tide’s going out,” Alex says. He chucks another seashell in a high arc, and it just hits the break.
“I know.” The ocean is leaving a litter of pulpy green seaweed, twigs, and scrabbling hermit crabs in its wake, and the air smells tangy with salt and fish. A seagull pecks its way across the beach, blinking, leaving tiny thatched claw prints. “My mom used to bring me here when I was little. We’d walk out a little bit at low tide—as far as you can go, anyway. Crazy stuff gets stranded on the sand—horseshoe crabs and giant clams and sea anemone. Just gets left behind when the water goes out. She taught me to swim here too.” I’m not sure why the words bubble out of me then, why I have the sudden urge to talk. “My sister used to stay on the shore and build sand castles, and we would pretend that they were real cities, like we’d swum all the way to the other side of the world, to the uncured places. Except in our games they weren’t diseased at all, or destroyed, or horrible. They were beautiful and peaceful, and built of glass and light and things.”
Alex stays silent, tracing shapes in the sand with a finger. But I can tell he’s listening.
The words tumble on: “I remember my mom would bounce me in the water on her hip. And then one time she just let me go. I mean, not for real real. I had those little inflatable thing-ies on my arms. But I was so scared I started bawling my head off. I was only a few years old but I remember it, I swear I do. I was so relieved when she scooped me back up. But—but disappointed, too. Like I’d lost the chance at something great, you know?”