Ugly Love(14)

I didn’t mean for that to come out like an insult, but that’s exactly how it sounded. I’m just trying to make conversation, but I think I’m only making this awkwardness worse.
His eyes move slowly around his apartment as he processes my comment. I wish I could take it back, but I don’t even try. I’d probably just make it worse.
“I work a lot,” he says. “I never have company, so I guess it just hasn’t been a priority.”
I want to ask him why he never has company, but certain questions seem off limits to him. “Speaking of company, what’s up with Dillon?”
Miles shrugs his shoulders, leaning his back completely against the refrigerator. “Dillon’s an * who has no respect for his wife,” he says flatly. He turns around completely and walks out of the kitchen, heading toward his bedroom. He pushes his bedroom door closed but leaves it open just enough so that I can still hear him speak. “Thought I’d warn you before you fell for his act.”
“I don’t fall for acts,” I say. “Especially acts like Dillon’s.”
“Good,” he says.
Good? Ha. Miles doesn’t want me to like Dillon. I love that Miles doesn’t want me to like Dillon.
“Corbin wouldn’t like it if you started something up with him. He hates Dillon.”
Oh. He doesn’t want me to like Dillon for Corbin’s sake. Why did that just disappoint me?
He walks back out of his bedroom, and he’s no longer in his jeans and T-shirt. He’s in a familiar pair of slacks and a crisp, white shirt, unbuttoned and open.
He’s putting on a pilot’s uniform.
“You’re a pilot?” I ask, somewhat perplexed. My voice makes me sound oddly impressed.
He nods and walks into the laundry room adjacent to the kitchen. “That’s how I know Corbin,” he says. “We were in flight school together.” He walks back into his kitchen with a laundry basket and sets it on the counter. “He’s a good guy.”
His shirt isn’t buttoned.
I’m staring at his stomach.
Stop staring at his stomach.
Oh my word, he has the V.Those beautiful indentations on men that run the length of their outer abdominal muscles, disappearing beneath their jeans as if the indentations are pointing to a secret bull’s-eye.
Jesus Christ, Tate, you’re staring at his damn crotch!
He’s buttoning his shirt now, so I somehow gain superhuman strength and force my eyes to look back up at his face.
Thoughts. I should have some of those, but I can’t find them. Maybe it’s because I just found out he’s an airline pilot.
But why would that impress me?
It doesn’t impress me that Dillon’s a pilot. But then again, I didn’t find out Dillon was a pilot while he was doing laundry and flaunting his abs. A guy folding laundry while flaunting his abs and being a pilot is seriously impressive.
Miles is fully dressed now. He’s putting on his shoes, and I’m watching him like I’m in a theater and he’s the main attraction.
“Is that safe?” I ask, finding a coherent thought somehow. “You’ve been drinking with the guys, and now you’re about to be at the controls of a commercial jet?”
Miles zips his jacket, then picks up an already packed duffel bag from the floor. “I’ve only had water tonight,” he says, right before exiting the kitchen. “I’m not much of a drinker. And I definitely don’t drink on work nights.”
I laugh and follow him toward the living room. I walk to the table to grab my things. “I think you’re forgetting how we met,” I say. “Move-in day? Someone-passed-out-drunk-in-the-hallway day?”
He opens the front door to let me out. “I have no idea what you’re talking about, Tate,” he says. “We met on an elevator. Remember?”
I can’t tell if he’s kidding, because there’s no smile or gleam in his eyes.
He closes the door behind us. I hand him back his apartment key, and he locks his door. I walk to mine and open it.
“Tate?”
I almost pretend I don’t hear him just so he’ll have to say my name again. Instead, I turn around and face him, pretending to be completely unaffected by this man.
“That night you found me in the hallway? That was an exception. A very rare exception.”
There’s something unspoken in his eyes and maybe even in his voice.
He stands paused at his front door, poised to walk toward the elevators. He’s waiting to see if I have anything to say in response. I should tell him good-bye. Maybe I should tell him to have a safe flight. That could be considered bad luck, though. I should just say good night.
“Was the exception because of what happened with Rachel?”
Yes. I really just chose to say that instead.
WHY did I just say that?
His posture changes. His expression freezes, as if my words jolted him with a bolt of lightning. He’s more than likely confused that I said that, because he obviously doesn’t remember anything about that night.
Quick, Tate. Recover.
“You thought I was someone named Rachel,” I blurt out, explaining away the awkwardness as best I can. “I just thought maybe something happened between the two of you and that’s why . . . you know.”
Miles inhales a deep breath, but he tries to hide it. I hit a nerve.
We don’t talk about Rachel, apparently.
“Good night, Tate,” he says, turning away.
I can’t tell what just happened. Did I embarrass him? Piss him off? Make him sad?
Whatever I did, I hate this thing now. This awkwardness that’s filling the space between my door and the elevator he’s now standing in front of.