Twisted(21)


And I want to scream. I want to shake him and slap him and smash things. I want to, but I don’t. Because if you try and hit a brick wall? All you’ll get is a broken hand.

So I pick up my bag and lift my chin. And then I walk out the door.





Chapter 7


The defining characteristic of a Type-A personality is having goals and having the strategies to achieve those goals. I’m most definitely a Type A.

Planning is my religion; the To-Do List is my bible.

But as I reach the middle of the lobby of the building that has been my home for the last two years, I freeze. Because for the first time in my life, I have no idea what to do next. No direction.

And it’s terrifying. It feels weightless—like an astronaut cut from his anchor, drifting out into space. Desolate. Doomed.

My life revolves around Drew. And I never thought I’d need a contingency plan.

My hands start to shake first, then my arms, my knees. My heartbeat spikes and I’m pretty sure I’m hyperventilating.

It’s the adrenaline. The fight-or-flight response is an amazing phenomenon. It’s action without thought—movement without permission from the brain.

And mine is in full swing. Every limb screams at me to move. To go. My body doesn’t care where, as long as it’s not here. Run, run as fast as you can, you can’t catch me, I’m the Gingerbread Man.

The gingerbread man was lucky. He had someone chasing him.

“Miss Brooks?”

I don’t hear him at first. The sound of my own panic is too deafening—like a thousand bats in a sealed cave.

Then he touches my arm, grounding me, bringing me back down to earth. “Miss Brooks?”

The gray-haired gentleman with the concerned green eyes and dashing black cap?

That’s Lou, our doorman.

He’s a nice guy—married twenty-three years, with two daughters in college. Have you ever noticed that doormen are always named Lou, or Harry, or Sam? Like their name somehow predetermined their occupation?

“Can I get you anything?”

Can he get me anything?

A lobotomy would come in handy right about now. Nothing fancy—just an ice pick and a hammer, and I’ll be a happy member of the spotless mind club.

“Are you all right, Miss Brooks?”

You know that saying, “It’s better to have loved and lost than never to have loved at all?”

That’s a crock. Whoever said it didn’t know a f*cking thing about love. Ignorance is better; it’s painless.

But to know perfection—to touch it, taste it, breathe it in every day—and then have it taken away? Loss is agony. And every inch of my skin aches with it.

“I need . . . I have to go.”

Yes, that was my voice. The dazed and confused version, like a casualty in some massive car wreck, who keeps telling anyone who’ll listen that the light was green.

It wasn’t supposed to end like this. It wasn’t supposed to end at all. He wrote it in the clouds for me, remember?

Forever.

Lou glances at the bag on my shoulder. “You mean to the airport? Are you late for a flight?”

His words echo in the bottomless pit that is now my mind. Airport . . . airport . . . airport . . . flight . . . flight . . . flight.

When Alzheimer’s patients start to lose their memories, it’s the newest ones that go first. The old ones—the address of the house they grew up in, their second-grade teacher’s name—those stick around, because they’re ingrained. So much a part of the person that the information is almost instinctual, like knowing how to swallow.

My instincts take over now. And I start to plan.

“Yes . . . yes, I need to get to the airport.”

You know anything about wolves? They’re pack animals. Familial.

Except when they’re injured.

If that happens, the wounded wolf sneaks off in the night alone, so as not to attract predators. And it goes back to the last cave the group occupied. Because it’s familiar. Safe. And it stays there to recover.

Or die.

“Lou?” He turns toward me from the doorway. “I need some paper and a pen. I have to send a letter. Could you mail it for me?”

New York City doormen don’t just open doors. They’re deliverymen, mailmen, bodyguards, and gofers.

“Of course, Miss Brooks.”

He hands me a clean sheet of paper and a high-end ballpoint pen. Then he goes outside to hail my cab. I sit down on the bench and write quickly. Any nine-year-old can tell you that’s the best way to rip off a Band-Aid.

Kind of feels like a suicide note. In a way, I guess it is.

For my career.

Mr. John Evans:

Due to unforeseen personal circumstances, I will no longer be able to fulfill the terms of my contract with Evans, Reinhart and Fisher. I hereby submit my resignation without notice.

Regretfully,

Katherine Brooks

It’s cold, I know. But professionalism is the only shield I have left.

You know, for a girl, there’s something special about a father’s approval. Maybe it’s some evolutionary leftover from the times when daughters were just property, to be bartered and sold to the highest bidder. Whatever the reason, a father’s endorsement is important—it carries more weight.

When I was ten, the Greenville Parks and Recreation Department had Little League tryouts. Without a son to pour his baseball dreams into, my dad spent his time teaching me the finer points of the game. I was a tomboy anyway, so it wasn’t hard.

Emma Chase's Books